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57 pages 1 hour read

Stephen King

You Like It Darker

Fiction | Short Story Collection | Adult | Published in 2024

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“Two Talented Bastids”-“Willie the Weirdo”Chapter Summaries & Analyses

“Two Talented Bastids” Summary

Content Warning: This section reflects the book’s depictions of or references to alcohol addiction, death by suicide, child violence, domestic violence, sexual assault, and police violence. The book also contains offensive language that is biased against gay people, Asians, unhoused people, and people with disabilities.

In 2021, a journalist named Ruth Crawford goes to Maine to write a profile on two small-town friends who became successful artists in their middle age: Laird Carmody, a writer, and David “Butch” LaVerdiere, a painter who passed away in 2019. Ruth requests an interview with Laird through his son, Mark. Laird declines, but the request makes Mark curious about Laird and Butch’s coinciding success.

Ruth interviews relevant figures in the Carmodys’ hometown of Harlow to build her profile. Dissatisfied with their answers, Ruth approaches Mark at a café to talk off the record. She shares what she learned about Laird and Butch, which speaks to their character but doesn’t explain the secret of their sudden midlife success.

Mark doesn’t tell her that while he was attending a university in 1978, he received a call from his mother, who was alarmed about Laird and Butch having experienced something strange on a hunting trip. Soon after this, they broke out into successful respective careers. Mark never learned the truth about what happened to them but suspects something terrible.

Ruth visits the Carmody household to request an interview. When she compliments their flowerbed, which was planted by the late Mrs. Carmody, Laird allows her to ask him three questions. Under pressure, she asks Laird what he liked most about Butch. She also asks about his favorite and least favorite memories of their friendship. Laird cites Butch’s loyalty and then talks about how he hated seeing Butch’s coffin. He says he cherishes his memories of their hunting trips. Ruth asks what turned them into men of prominence. Laird answers that they were simply talented. Ruth leaves town and publishes her profile.

Mark’s curiosity persists. In his father’s old notebooks, he finds an early draft of Laird’s first novel, The Lightning Storm, which he heavily annotated in frustration. Mark compares the draft to the published novel, observing a wide gap in quality. Two years later, Laird breaks his hip due to osteoporosis. He soon dies but first instructs Mark to open his locked desk drawer, promising that it will explain everything. Mark obeys Laird’s wishes and finds several articles reporting sightings of unidentified flying objects (UFOs). Underneath the clippings is a notebook, which contains an account of the 1978 hunting trip.

In November 1978, Laird was an early-career writer who had secured his first book deal, while Butch was a comic book illustrator. Both were frustrated by their self-perceived lack of talent. They drove to a forest known as 30-Mile Wood and crossed a fragile bridge to reach Laird’s cabin. After two days, they failed to shoot any deer on their hunting trip. Laird noticed the unnerving total silence of the wildlife in the forest. Butch joked that aliens had scared off the animals.

That afternoon, Butch and Laird saw circles of light floating above a nearby clearing. They dismissed the possibility that the lights were manmade because of their size. More time passed without any game, so Butch proposed returning to the cabin empty-handed. The next night, while looking for lights in the clearing, they saw an unconscious woman on the bridge. They carried her out of danger but soon noticed that their fingers sunk into her body as if she were made of clay. The woman regained consciousness but struggled to breathe. Butch performed cardiopulmonary resuscitation (CPR) and observed that the woman’s mouth felt like plastic. Laird administered an EpiPen from their first aid kit, and Butch gave the woman an oxygen mask. They agreed that the woman was an alien.

The woman’s form became more human as her breathing stabilized. Butch and Laird took her to the cabin to administer first aid again if necessary. While they discussed what to do, a light suddenly flashed through the window. Laird saw the woman’s nervous system but remembered nothing else. When the light disappeared, a man replaced the woman and told Butch and Laird that they had saved the life of Ylla, his female companion, by giving her oxygen. He explained that their species was defined by their deep interest in primal thinking. When the man asked for a souvenir, Laird and Butch gave him a beer can. He said that the aliens visited endangered planets to collect mementos of their civilizations. As a token of his gratitude, the man gifted a gray case to his hosts and instructed them to breathe from it to access their primal thoughts, though he emphasized, “Nothing can give you what isn’t already there” (49).

After the man left, Laird and Butch activated the case. They agreed not to reveal their alien encounters to anyone. Later, Laird had a vivid dream related to the novel he eventually wrote. Butch quickly drew a good sketch of the male visitor. They left the case in the cabin and were both inspired to create new art. Laird was haunted by whether his talent was natural or a gift from the alien.

Mark believes that because of the account’s speculative elements, it must be a metafictional retelling of Laird’s experience. While considering the possibility that the story may be true, Mark finds a receipt showing that Laird and Butch paid property taxes for the cabin through 2050. The thought of finding the gray case inspires Mark to visit the cabin. At the cabin, Mark finds the case on the mantel. He wonders if it will work for him as Laird’s son.

Mark ends the story by noting that he always aspired to be a successful writer like his father and dreamed of being a talented pianist, often fantasizing about joining a nightclub band. When Mark breathes from the case, it briefly activates but refuses to open. He leaves the cabin, resigned to his fate.

“The Fifth Step” Summary

Harold Jamieson, a retired engineer and a widower, is trying to enjoy what’s left of his life. He spends his time reading books and watching Netflix. His favorite activity, however, is walking to Central Park in the morning to read the newspaper.

One morning, he finds another man sitting on his favorite bench. The man asks Jamieson for a favor, offering $20 in return. Introducing himself as Jack, the man explains that he’s recovering from alcohol addiction and has regularly attended Alcoholics Anonymous (AA) meetings to manage his sobriety.

Jack’s addiction significantly affected his career as a salesman, so he found a sponsor to hold him accountable to the AA program. Jack’s sponsor, Randy, urged him to follow the program’s first three steps, which involve surrendering to the aid of God. When Jack successfully followed these steps, Randy invited him to account for his character strengths and weaknesses. Committing to do so brought him to the program’s fifth step: confessing his wrongdoings to someone else. Randy suggested that Jack find a stranger in Central Park to help him.

Jamieson impatiently reminds Jack to keep his story short. Jack reveals that he was violent as a young man, making up stories to get into fights with another boy. He developed an alcohol addiction after breaking into his mother’s vodka supply. He later hired an unhoused person to buy alcohol for him, cheated his way through college, and formed a transactional relationship with his student advisor, who had a cocaine addiction. Jack trafficked cocaine into Canada but maintained an alcohol addiction. During his career, Jack manipulated work documents to cover his addiction. He then moved to San Diego, where he married and settled down. His marriage ended after two years, which he claims was a result of his frequent lying to cover up drinking sprees. As Jack’s marriage became increasingly tense, he considered assaulting his wife like he did his peer as a young boy. Instead, Jack ended his marriage and entered AA.

Jack seems to have finished his story but then he admits that he killed his wife and beat up the unhoused man from his youth. He concludes that while he wants to stop drinking, he “really [enjoys] killing people” (68-69). He acknowledges that this is his chief character flaw and then leaves, grateful for Jamieson’s attention.

“Willie the Weirdo” Summary

Roxie calls her younger brother “Willie the Weirdo,” though their mother, Sharon, discourages it. Their father, Richard, says that Willie gets bullied enough at school. Their grandfather, James, who normally never talks, asks if this is true. Willie meekly admits that it is.

As a student with a learning disability, Willie takes remedial classes to “think about more important things” (74). While washing the dishes, Roxie explains to her mother that she bullies Willie because he likes to watch fireflies die, which reminds her of serial killers. By association, she finds her grandfather equally weird. James adopted Richard as a baby, but after James became a widower and moved in with their family, he rarely spoke to anyone but Willie. Sharon encourages her to care for Willie and James even if she doesn’t like them, but Roxie finds this hard to accept since Richard doesn’t seem to like them either.

Willie often goes into James’s room to ask him questions about historical events like the Battle of Gettysburg or the reign of Cleopatra. James typically answers with false anecdotes to entertain him. Willie never doubts his claims about being present at each event but listens to ensure his stories are consistent.

One afternoon, Willie is looking at a dead mole in the gutter when several boys bully him, kicking him and calling him a “freako.” They stop only because one of them is attracted to Roxie. When Willie gets home, James notices that he’s limping. Willie explains what happened and then asks James to talk about the Yellowstone Caldera to make him feel better.

The COVID-19 pandemic forces the family to remain home throughout the school year. The rising death toll fascinates Willie. James is diagnosed with pancreatic and lung cancer but is discouraged from being admitted to the hospital due to the pandemic. Roxie tells Willie the news and is frustrated when Willie doesn’t react with sadness. Over the next few months, Sharon changes James’s adult diapers. Willie likes the smell coming from James’s room because it feels like a “slow-motion funeral” (79). He continues to ask James questions, but many are about his impending death, which James welcomes. Willie asks if he can watch James die. James plays coy when Willie asks if the afterlife exists.

One night when Willie goes to James’s room, James announces that he’s about to die. Willie comes closer so that he can be the last person James ever sees. James pulls Willie in for a dying kiss. Later, Sharon suggests they take James to the hospital because she can no longer take care of him. Willie reports that James has died and then makes one of his grandfather’s characteristic gestures.

“Two Talented Bastids”-“Willie the Weirdo” Analysis

You Like It Darker opens with three stories that center on secrets and the ways people react to the often-shocking truths these secrets reveal. “Two Talented Bastids” invites curiosity about these secrets by using a point of view that actively engages such curiosity. Though he never breaches the boundaries of his relationship with Laird, Mark shares Ruth’s intuition that a rational explanation exists for his father’s talent. Laird talks vaguely about his writing gift as though it’s something mystical. While Ruth scratches the surface of the truth by interviewing members of their community, Mark’s memories give him half an assurance that Laird’s account of the 1978 hunting trip will satisfy his curiosity. In reading Laird’s account, Mark learns of the alien encounter and assumes that Laird and Butch’s talent did have a mystical influence. The implication that Mark can never hope to replicate his father’s talent has much larger consequences than might be immediately apparent. For much of his life, Mark harbored an ambition to become a writer like his father, raising the question of whether talent is hereditary. The account suggests that it isn’t, but Mark must reconcile what he knows about life and the world with this truth. The male alien visitor suggests that the world will soon end, threatening the existence of art and all other cultural endeavors. If art is destined for destruction, having an ambition for it may be relatively pointless—in which case Mark’s lack of talent is in a way a blessing, not a curse. He consoles himself with the knowledge that his experience as an untalented person is much more common than if he had been talented and famous. Mark humbles himself to the knowledge that everything will one day cease to exist, which introduces Dealing With the Consequences of Death as a theme in the collection of stories. Nothing may ultimately matter, but this gives him the space to make life meaningful on his terms.

In “The Fifth Step,” knowledge of the truth becomes a curse. Jamieson has created a bubble of stability for himself, settling into a new routine that affirms the sense of peace he has maintained throughout his life. When Jack arrives in the story, he forces himself into the path of Jamieson’s routine. Jack’s enjoyment of violence makes him the counterpoint to Jamieson’s peaceful life. Jamieson could easily avoid Jack by moving to another bench or skipping his routine for one day. However, as part of his routine, he values his preferences too much to cede his bench to anyone else. By indulging Jack with even a little patience, he brings the awareness of Jack’s violence upon himself. This story introduces another theme, Reckoning With the World’s Cruelty. Jamieson’s perception of the bench changes as he assesses Jack’s perspective and experiences. Jamieson knows little about Jack’s identifying details, but Jack knows the location of Jamieson’s preferred bench and can loom over him anytime. Jack’s intrusion effectively ends Jamieson’s routine and destroys his bubble, satisfying his appetite for violence in a cerebral way.

Finally, the central concern in “Willie the Weirdo” is Willie’s fascination with death, which represents a willingness to engage with death as a primal experience. In this way, the story thematically alludes to dealing with the consequences of death, in which people like Roxie and Richard refuse to engage. In contrast to Willie, Roxie represents society’s conventional attitudes. She echoes the way the world sees Willie by bullying him, but this merely exposes her unwillingness to engage with the realities of Willie’s experience as a person with a disability.

However, James engages with Willie because, as an elderly person, he knows what being seen as an outcast is like. Willie complements this by being the only one in the family who engages James’s intelligence. Therefore, it’s unsurprising that Willie is the only person James invites to witness his last days. Willie is the only one who doesn’t treat him as a burden like Sharon, the next most sympathetic family member, eventually does. Thus, the story reveals the secret workings of Willie and James’s relationship. Though James dies at the story’s end, his relationship and impact on Willie remains a secret in plain sight, which the text hints at through Willie’s assimilation of James’s characteristic gestures.

These three stories establish that secrets can hide both damaging and life-affirming truths. What might seem devastating to people like Roxie or Jamieson can help people like Mark or Willie move on from the emotional baggage that hinders personal growth. The key in the latter case is to face the primal facets of the human experience head-on instead of shying away from them.

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