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84 pages 2 hours read

Ken Follett

World Without End

Fiction | Novel | Adult | Published in 2007

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Symbols & Motifs

The Church

The church at Kingsbridge is a potent symbol of the past, particularly the original builders of the structure and the church as an institution during the founding of the church. As Merthin discovers later in the novel, the foundation upon which the church was built is not enough to support the many additions made in the design later. As a result, the church suffers a series of collapses over the course of the novel. These structural faults symbolize the weaknesses and hypocrisy of the priors and monks within the church.

The initial collapse occurs under the leadership of Prior Anthony and is a symbol of how his passivity leaves the church vulnerable to more assertive people like Godwyn. Godwyn’s skimping on repair costs and use of contracts for the repairs to manipulate the town and Merthin show that he is so corrupt that he pursues his own interests over that of the church and the people the church is designed to serve.

During the waves of the plague, the church is packed with people, likely making the church a source of the spread of the infection. People like Caris are aware of this possibility, but Godwyn and other church officials insist that a turn to God will save the townspeople. Godwyn and Philemon flee, taking the monks with them. Filled with people spreading the plague, the church is a symbol of how the triumph of faith over reason leaves the town more vulnerable to the ravages of the plague. Empty of monks and priests, the church is a symbol of the church’s failure to carry out its mission to care for the people during times of trouble.

Merthin, with the help of Caris and the townspeople, ultimately manages to erect a cathedral that is (for a time) the tallest in England. The cathedral is in the end a symbol of what happens when the town and the church cooperate as political entities. That Merthin carves Caris’s face into the cross atop the cathedral and that the two of them look down on the town from that perch show that the town is the more powerful force in this partnership.

The Plague

For churchmen like Godwyn, the plague “has been sent by God to punish us for our sins” (671), making the plague a symbol of God’s response to moral disorder; each death restores the moral order by destroying sinners. When Godwyn interprets the plague as a sign of God’s disfavor, however, his primary aim is to battle for political power over Caris, a person he assumes should not have any power because she is a woman. His later sermons in the pulpit discourage members of the church and town community from wearing masks. In his case, the plague is a symbol of the corruption of the church and its failure to exercise leadership in the community.

In her role as the religious leader of Kingsbridge, Caris observes that the “plague was not just a physical sickness” (718). For Caris, the plague represents the anarchy that the high mortality rate unleashes on the town. She uses the secular authority of the parish guild to rein in the worst of the excesses and attempts to treat the physical symptoms in the church hospital. These efforts meet with indifferent success, making the plague a symbol of the church’s ineffective leadership in a time of crisis. After she renounces her vows and becomes patron of the Hospital of St. Elizabeth on Leper Island, Caris addresses the plague more effectively and has the secular authorities behind her when she advises that they shut the town to trade. The plague becomes a deadly but manageable crisis, one that shows the ascendance of secular authority once the authority of the church erodes.

The Bridge

The bridge into the town of Kingsbridge serves as an important conduit for trade and pilgrims to the cathedral, making it a symbol for the connection between the town and the world, and between the town and the priory at Kingsbridge. The bridge goes through several iterations, the first of which is as an inadequate thoroughfare that is a bottleneck for people entering the town. The trade guilds and the church contend over who has the right and responsibility to maintain the bridge and collect rents, a contest that shows the power struggle developing between secular and religious authorities. When the bridge collapses, it symbolizes the cost of ineffective leadership by the church.

The town struggles to create a strong bridge despite assuming more control because the town chooses Elfric Builder to complete the work instead of Merthin. This decision shows that secular authorities like the parish guild are so committed to the status quo that they are not ready to meet the challenges of a more mobile world. Merthin repairs the cracks to the bridge, signaling the town’s willingness to try new things to survive. The newly strengthened bridge, created mostly as a result of groundwork laid by Caris and Merthin, helps the town become an economic center with enough power to extract a borough charter—the right to self-governance—from the king. The bridge is a testament to the rise of the merchant class during this historical period.

The Kingsbridge Panacea

The Kingsbridge Panacea is a practical guide to containing, treating, and providing comfort measures for those suffering from the plague. It is the result of Caris’s painstaking scientific observation and is thus a symbol of the application of human reason to the challenge posed by the plague. In contrast to the ancient medicine practiced by the monk-physicians of Kingsbridge, the Panacea is guided by the practical experience of healers, many of them nurses and women, showing that practical knowledge and the experiences of women can and should be respected. Outside of the walls of Kingsbridge the church, the Panacea is the equivalent of a bestseller that the copyists can’t reproduce fast enough to keep up with demand. The value the secular world places on this knowledge is one of the few examples of the church as a source of practical support for the wider community it is supposed to serve.

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