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69 pages 2 hours read

Hilary Mantel

Wolf Hall

Fiction | Novel | Adult | Published in 2009

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Symbols & Motifs

Theater

Theater, the most popular form of mass entertainment, is a common motif in Wolf Hall. Theater is used to satirize or explain, while characters such as Chapuys and Wriothesley are frequently referred to as actors. Describing the characters as actors merely playing a role gives the reader insight into their motives and inner thoughts, even if they keep them hidden. Thomas, for example, compares Thomas More’s refusal to swear the Oath of Supremacy to a play More is forcing them all to act in. Doing so gives More power over a situation in which he is actually powerless. Thomas complains, “And what I hate most of all is that Master More sits in the audience and sniggers when I trip over my lines, for he has written all the parts” (523). In a similar way, Thomas Cromwell becomes something of a director, orchestrating the actions of the rest of the court.

The novel’s epigraph describes the types of drama (tragedy, comedy, and satire) according to Vitruvius in De Architectura, and a cast of allegorical characters in John Skelton’s Magnificence: An Interlude. Mantel gives a complete list of Wolf Hall’s characters and their roles in the style of a dramatis personae. The fact that Mantel frames Wolf Hall as a sort of drama draws attention to the various “roles” the characters play throughout the novel. Each position Thomas Cromwell and others take on comes with its own particular “script”: the actions, words, and duties required of the office.

Plays are also cultural artifacts that represent beloved traditions and offer a critique of current events. Thomas and Gregory discuss the yearly Christmas pageant at Austin Friars following the death of Anne and Grace. Thomas makes Grace a pair of angel wings made of peacock feathers, which are “the best wings the city has ever seen” (161). Thomas and Gregory bond over fond memories of this pageant. It is one of the first times in the novel that they really bond. After her death, Grace appears several times to Thomas in the angel wings he made.  

Satirical performance is used several times to mock Cardinal Wolsey. The first performance depicts the cardinal’s disgrace in a play at Gray’s inn. Thomas is indignant and leaves, but later admits that it was funny. The second performance is designed to disgrace the memory of Cardinal Wolsey shortly after his death. Entitled “The Cardinal’s Descent into Hell,” the masque depicts devils dragging the cardinal’s soul into hell. The devils are played by noblemen George Boleyn and Henry Norris, as well as the cardinal’s old fool, Master Sexton.

Much like the famous “mousetrap” play in Shakespeare’s Hamlet, this masque makes plain to Cromwell the character and inner thoughts of those who view it. Norfolk is delighted and wants the play printed. Thomas notes that “he has never seen [Anne] like this: lit up and glowing” (246). The king, however, “sits frozen,” and Thomas thinks, “if you could get close you would see that his eyes are afraid” (246).

Disease

Throughout Wolf Hall, many characters, including people close to Thomas Cromwell, fall victim to plague. While many readers may be familiar with the “Black Death”, the bubonic plague which ravaged Europe and England in the middle ages, the plagues in the time of Henry’s court are ill-defined. The most common was the English Sweat (or simply “the sweat”), the disease contracted by Liz, Anne, Mercy, Kat, and Morgan Williams. It could kill an otherwise healthy person within half a day—though recovery is quick if one survives beyond that.

The plague symbolizes randomness and presents a leveling influence in the novel. Thomas is a man who likes strict order. He has built his fortune on his ability to control himself and others. However, the sweat kills most of his family. This is a reminder that there are always forces beyond one’s control. The plague delineates and overturns social class. It does not discriminate between a peasant and a nobleman. Consequently, it is feared by Henry and the rest of the noble class, who usually escape to the countryside to avoid the contagion. The plague can kill a king as easily as it kills his lowest subjects.

Thomas himself nearly succumbs to a disease, despite his tough constitution. Rafe warns him to stop his eighteen-hour workdays, but Thomas refuses to listen. Illness proves to be a valuable lesson for Thomas. After years of planning and plotting, of physical and mental exertion, he is “tired out from the effort of examining the world. Tired from the effort of smiling at the foe” (569). His touch with death is a reminder that he cannot control everything, nor does he have to. As he convalesces, Thomas believes he “is better and he wants work brought in, but the doctors forbid it” (570). Richard reminds him that he is not alone. Thomas has a network of support that he himself built. 

Dogs

In contrast to Mantel’s use of vicious wolf imagery, dogs are a symbol of commitment and loyalty in Wolf Hall. They represent Thomas’ devotion to his friends and masters. While Norfolk and other courtiers are more like wolves, Thomas is compared to a dog. Early on in the novel, Sir Thomas Boleyn calls Cardinal Wolsey “Butcher’s boy” and Thomas, “Butcher’s dog” (64). While he meant this as an insult to Thomas (and though calling someone “dog” usually is an insult), Thomas’ loyalty to his masters makes this an apt comparison. Indeed, it is this loyalty that endears him to King Henry. The king tells Thomas, “I hate ingratitude. I hate disloyalty. That is why I value a man like you. You were good to your old master in his trouble. Nothing could commend you more to me, than that” (502). Even though Henry turned on Wolsey, he recognizes that Thomas is an asset.

Dogs also represent Thomas’ tender, caring side. Throughout his life, Thomas Cromwell frequently has a dog named Bella. He finds the first one while coming back from the house where his uncle works. The dog is small and sick, and soon dies. Another Bella is left behind when he runs away from Putney. The third Bella lives a happy life with Thomas’ family at Austin Friars. During their first meeting, Anne Boleyn’s dogs, “the kind of dogs, Bellas, with ragged ears and tiny wafting tails,” immediately take a liking to him (185). Thomas and Anne connect somewhat over her dogs. Anne comments “Vous etes gentil” (“You are gentile”) (185 after watching Thomas’ care in scooping up the little dogs and bringing them back. There is a caring, gentle nature behind Thomas’ rough exterior. 

Wolf Hall

The titular location of the novel, Wolf Hall is the residence of the scandalous Seymour family. While the location is absent from the plot, the family, especially Jane Seymour, plays a background role that symbolically underpins the rest of the book. Wolf Hall itself is a symbol for Henry VIII’s court, where violence and treachery reign, and where “man is wolf to man” (531). In Henry’s court, Wolf Hall becomes a metaphor for lawlessness and barbarism after John Seymour is caught having an affair with Edward’s wife. This is ironic, however, considering the court is home to murder, incest, illicit relationships, intrigue, and betrayal. Most of the courtiers are no better than they Seymour family. 

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