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50 pages 1 hour read

Dave Eggers

What Is The What

Fiction | Novel | Adult | Published in 2006

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Book 1, Chapters 1-3Chapter Summaries & Analyses

Book 1

Chapter 1 Summary

Valentino Deng answers the door of his Atlanta, Georgia residence to find a tall African-American woman, Tonya, asking to use his phone. Before he has time to think, she is in his home and hurries to his bedroom, where she closes the door behind her. Moments later, he hears the voice of Powder, Tonya’s male accomplice, behind him, warning him to stay still: “Stay here, Africa” (4). Deng feels that he's being punished for the hubris of wanting to leave Africa and become solvent and secure in America. If this is the case, he wants to apologize: anything to get himself out of this situation.

Feeling angry, he protests, standing up to speak to Powder, but Powder quickly shuts him down. It seems he is about to be violent, but then calms himself and asks whether Deng is from Africa. When Deng says yes, Powder replies, “All right then. That means we’re brothers. And because we’re brothers and all, I’ll teach you a lesson. Don’t you know you shouldn’t open your door to strangers?” (5). The question makes Deng think about all the robberies he has seen, and how Tonya and Powder will take all the things in his apartment that were so kindly given to him by charities.

Powder reminds Deng of an instance with an Ethiopian woman whom Deng remembers from Ethiopia. The woman pretended to be helpful, telling the boys, “Come to me, my children! I am your mother!” before shooting them dead (6). Powder’s eyes remind Deng of her. Deng stands up to Powder again, but is pistol-whipped for this. Deng crashes to the floor. As he lies there, he thinks of other times he has stared into such eyes, like those of a lion back in Ethiopia. Powder kicks him in the face, sending an explosion of white light through Deng’s head.

Twenty minutes later, the robbers are preparing to leave, but when they open the door, a police officer is in the parking lot, talking with a resident. The robbers hide inside, waiting; an hour later, the policeman is still outside. Deng thinks about his neighbor, Edgardo, the man whom the officer is in conversation with. He remembers the time he told Edgardo about his own baptism. His parents did not like the idea, believing in the traditional Sudanese spiritual practices, which include multiple wives and less preoccupation with the written word. Father Matong, the man who baptized Deng, gave him the name Valentino. Edgardo had enjoyed the story, and identified with Deng as a fellow Catholic, so the two made plans to attend Mass together some time.

Chapter 2 Summary

Deng is still on the floor and is being mocked by Powder and Tonya: “Look at this guy. Bleeding from his head and looking so mad!” (15). Deng’s phone begins to ring, which lets him know it is around 5 o’clock in the afternoon. The other Sudanese Lost Boys often call him for advice, news, camaraderie, and assistance, and he has made a deal with them to only call him after 5 o’clock because before that, they would call at all hours and keep him too busy. Deng talks about how they really have nobody else but each other:

In many cases, the Lost Boys of Sudan have no one else. The Lost Boys is not a nickname appreciated by many among our ranks, but it is apt enough. We fled or were sent from our homes, many of us orphaned, and thousands of us wandered through deserts and forests for what seemed like years. In many ways we are alone and in most cases we are unsure of where exactly we’re going (16).

He explains that there are few women and few elders in the US from Sudan, and so the Lost Boys are very much reliant on each other. One of the disadvantages of this is that they often end up sharing unfounded rumors and feeding each other’s paranoia.

When the Lost Boys first arrived in America, many of them stayed inside, watched TV, and tried to avoid the outside world. They often felt targeted, usually by young African-American men, which led them to wonder how they were perceived. Deng remembers a time when he got off work at Best Buy, where he labored in the stockroom, and two African-American teenagers harassed and followed him. He admits that some of this is the perception of the Sudanese, who see American movies and how black people are represented as gangsters and thugs, leading their elders to warn them to stay away from African Americans.

When they arrived in America, at JFK International Airport, they were promised three months’ rent and money for groceries. Deng quickly found that he needed a second job, as this was the only money he would be given, and one job was just not enough. As he watches Powder and Tonya debate about the police presence, he considers how he would like to be somewhere else, such as Florida, with his sponsor, a well-off man named Phil Mays. Deng was invited to spend the weekend at Ponte Vedra Beach with Phil’s family, but declined, thinking of his midterm exams. He has been thinking about leaving Atlanta because he has so few allies in the city.

Finally, the police drive away, and Powder and Tonya carry all of Deng’s valuables out to their vehicle. After they go, Deng goes to check out the damage to his apartment. His roommate, Achor Achor, has had his room completely dismantled, and most of their valuables are now gone. He goes back to the living room. Powder and Tonya have returned, arguing about re-packing the car so the TV can fit. Deng tells them to leave. Powder punches Deng so hard that he loses consciousness.

Chapter 3 Summary

Deng wakes up with his wrists bound and tape over his mouth. A young boy, Michael, who is Tonya’s son, sits at Deng’s kitchen table, watching Deng’s stolen TV. Michael is no older than 10. He wonders about the boy’s job of guarding Deng, and thinks back to his own time guarding the guns of various members of the SPLA, the Sudan People’s Liberation Army. Thinking too hard makes him pass out again; when Deng awakens, it’s dark outside. He decides that if this boy is indeed guarding him, he is definitely leaving Atlanta for somewhere better:

The Sudanese who are not heading to Canada are moving to the Great Plains, to Nebraska and Kansas—to states where cattle become meat. Meat processing is high paying, they tell me, and it is relatively inexpensive to live in these parts of the country (27).

Deng looks up at the couch and remembers his girlfriend, Tabitha, who entwined herself with him on the same couch not long ago.

The boy goes to the fridge and looks for food. Deng thinks he will find nothing to eat, since he cooks in the Sudanese way, which many Americans find not to their liking. He is sure that the boy knows nothing of his story, or of the struggles Deng dealt with in Africa. Deng would tell stories to anyone who would listen about what he went through, but also told stories silently to people who had wronged him, even if he was really powerless to stop them from their transgressions. He watches the boy get comfortable and thinks back to when he saw some of the Lost Boys get carried off by lions. The boys were all marching in a long line, when a lion came out of the tall grass and grabbed a boy named Ariath. Their leader, Dut, told them to sit down and remain still, but one of the boys, Angelo, ran, and was quickly captured and killed by the lion. After that, the boys found a place to sleep, where they all huddled together, spine to spine, to try and protect themselves against attackers, both human and otherwise. Dut, trying to help the group sleep better, would often tell them to picture the ideal day:

Now create in your mind the best of days, and memorize these details, place this day center in your mind, and when you are the most frightened, bring forth this day and place yourself within it. Run through this day and I assure you that before you are finished with your dream-breakfast, you will be asleep (33). 

Book 1, Chapters 1-3 Analysis

One interesting narrative feature that arises early in the novel is Deng speaking directly to Michael, the boy left to guard Deng while Deng is tied up following the robbery of his Atlanta residence. Deng directly addresses the boy, even as he fails to actually, literally communicate with Michael. Michael, then, becomes a stand-in for the reader. Michael does not respond, just as we are unable to respond directly to Deng’s story. However, as Deng says in the final chapter of the book, he feels it’s his duty and calling to tell his story to as many people as possible, so he continues to tell it, even though Michael would rather not confront the reality of the man tied up in the living room. In much the same way, many readers may find themselves uncomfortable with the themes of What Is The What and would prefer to remain ignorant of the plight of the Lost Boys of Sudan.

This idea of a character in the novel as stand-in for a broader reading audience reoccurs. In Book 2, the hospital worker, Julian, becomes the new focus, and Deng continues to narrate his story as though he is talking to Julian, but we as readers know the truth: we are being spoken to directly, and asked to confront the realities that we help create through our inaction and indifference toward the human rights of people far away. Julian, like Michael before him, is a rhetorical device that Eggers uses as a way to utilize flashbacks and take us from Deng’s present into his past.

In Book 3, the concept of the audience splits into a more fragmented group, comprised of various people Deng observes through his work at the gym. It all begins however, with the robbery, where Deng asks the questions of us, the readers, that he cannot ask of Powder and Tonya. He wonders to us, whether his robbers would understand his situation better if they knew his story:

I wonder if my friends Tonya and Powder would care if they knew. They know nothing about me, and I wonder if, knowing about my journey here, they would alter the course they’ve taken against me. I do not expect they would (22).

The subtext here is clear: Deng wonders if anyone, including the reader, would have the capacity to understand how difficult his life really has been, and whether they would show him pity, or mercy, or indifference.

These chapters also begin to show how Deng views black people in America, and how different the cultural signifiers are from his experience as an African. He believes that black Americans in the media are generally portrayed as thugs and criminals, and also remembers the elders warning the young Sudanese how they might be assaulted by young African Americans. He remembers when, a few months after his arrival, two young black men harassed him, asking where he was from, and being confused when he told them that he hailed from Sudan. They immediately doubled down on their hostility, telling him, “You’re one of those Africans who sold us out” (18).

Immediately after he recalls this story, Powder, in the middle of robbing him, looks at him and asks, “Man, why you even here? You coming here to wear your suits and act like you’re all educated? Didn’t you know you were gonna get got here?” (19). In a moment of extreme irony, Powder calls them “brothers” to call attention to the few attributes they share, but even as he says this, he is beating and robbing Deng. Deng surmises that the way blacks are represented in the media contributes to their believing that violence and crime are what they are supposed to do, and considers this an act of war. This may be why Deng has some sympathy for Michael, and directs his thoughts toward the boy, trying to locate the humanity inside him. He feels that Michael, not unlike himself, is being forced into a bad situation beyond his control, and is in some ways the American version of a child soldier.

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