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63 pages 2 hours read

Nathan Hill

Wellness

Fiction | Novel | Adult | Published in 2023

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Themes

Technology’s Impact on Society

Many aspects of Jack and Elizabeth’s lives are shaped by technological advancement. They come of age in the pre-internet era, during a time when each of them feels isolated and without meaningful friendships. Without social media, they must physically leave their surroundings to find a community of like-minded individuals. Later, however, social media that claims its purpose is to bring people together in a virtual community becomes a dividing force between Jack and his father. The novel ironizes the fact that Facebook drives Jack and Lawrence further apart. Lawrence frequently attempts to connect with Jack, but Jack consciously resists, keeping his personal life inaccessible from his father by not allowing him access to his private online content. Lawrence, ignorant of how algorithms work, instead falls victim to the pull of Facebook’s outrage machine. As he becomes convinced that harmful conspiracy theories are true, the technology acts to reinforce these beliefs rather than countering them. Quickly, Lawrence adopts the ideology his social media bubble keeps him inside of. The novel depicts how difficult it is for humans to operate independently of the machinations of the internet: Most depressingly, when Lawrence attempts to double-check the false information he gleans on Facebook, his Google searches only reinforce the same ideas. For a long time, Jack views his father as foolish and bull-headed, rather than a victim of his own ignorance and a larger capitalist system. However, after his father’s death, Jack comes to understand what happened to drag his father into the conspiracy morass; outside the provocations of social media, Jack finds acceptance and love for the man he never quite connected with.

Jack’s art and artistic sensibilities rely on nearly outdated technology that Evelyn liked. He uses the Polaroid instant camera—most popular in the 1970s and 1980s and obsolete in 2001 when Polaroid declared bankruptcy. Jack’s art is initially considered behind the times; his Polaroids of bent trees are dismissed as landscapes featuring the little appreciated prairie as their subject. However, when he pretends that the downloaded pornography he photographs to use in private is actually art, his teachers declare he’s had an artistic breakthrough. Later, Jack passes off work he creates using castoff materials as conceptual art that heralds the future, though in reality he only resorts to used photo paper because he cannot afford to buy new materials and each art piece he makes is actually backward looking and about Evelyn’s death. Eventually, Jack adopts the computer as an artistic medium, becoming captivated by the psychology behind hypertext, which Benjamin believes innovates linear reading. Jack is aware that technology strips emotion from the process of making art, resulting not in work that is concerned with emotion or talent, but with manipulating materials. Jack sees the art he makes in the digital age as less honest than the analog art he used to produce, a belief the novel highlights with its satirical take on Jack’s university job: The department adopts corporate metrics, measuring his worth as a faculty member based on his art’s social media mentions.

The Limitations of Marriage

The novel is fraught with couples who face challenges in finding happiness and satisfaction in marriage. Typically, the problem stems from the modern desire to have marriage be the emotional, sexual, and psychological anchor that heals all old trauma and replaces the need for any other people.

At the heart of the novel are Jack and Elizabeth who, in different ways, struggle with the reality that their married relationship is different from their experiences dating. Jack feels that their relationship has lost its emotional richness—that he and Elizabeth merely carry out domestic tasks side by side and no longer share the emotional and physical intimacy that they enjoyed in their youth. He longs for that past closeness. Elizabeth, on the other hand, is less interested in recapturing the past and instead wants dramatic upheaval to fix the marriage. She seems unbothered by the distance between her and Jack, pushing for separate master bedrooms in their new home—a drastic change that Jack is anxious about. Demanding something new and different, Elizabeth persuades Jack to explore Kate and Kyle’s sex party as a solution to their malaise. Eventually, Elizabeth’s insecurity is revealed to be the product of guilt: She fears their relationship is rooted in a lie, because she conducted a psychological experiment on Jack when they met without his knowledge, convincing him that he was experiencing love at first sight. She also figures out that assuming happiness lies only in the future has poisoned her ability to enjoy the present—a realization that makes her want to recommit to Jack and no longer long for some kind of perfect relationship.

The novel offers several other examples of couples experiencing marital conflict: Jack’s parents Ruth and Lawrence Baker, Brandie and her husband, and Kate and Kyle. Ruth and Lawrence have a loveless and emotionally detached marriage, due in large part to Lawrence’s proposing marriage to Ruth out of obligation, rather than any real feelings. They do not work to overcome their antipathies, instead retreating into solipsistic resentment and dysfunction: Lawrence distances himself from Ruth, accusing her of intentionally being responsible for their daughter’s death; meanwhile, Ruth increases the intensity of her narcissistic self-pity. Brandie and her husband attempt a traditional marriage designed following the dictates of conservative Christianity: Brandie leaves a high-powered career to become a full-time mother. Since in this ideology, the wife is solely responsible for everything in the domestic sphere, Brandie blames herself for her husband’s infidelity. In response, she adopts a version of the magical thinking pseudo-philosophy of manifestation; her desperation for Wellness’s “love potion” stems from the same clinging to anything that offers hope.

The novel depicts Kate and Kyle as having the most functional marriage, possibly because they are the most clear-eyed about the limitations of their union. For them, full sexual expression requires other people; their untraditionally open marriage includes sex parties and swinging. Kate and Kyle are highly critical of the traditional institution of marriage, insisting that it is an outdated mode of coupling. In keeping with one of the key motifs running through the novel, they speak of their open marriage as a revamped technology for the new millennium. They are adamant that a single person cannot fulfill all the needs of another, so multiple partners keep a marriage healthy and successful by taking some of the burden off spouses to be each other’s be-all and end-all. Interestingly, however, this is Kyle’s second marriage, and Kate is half his age—a mismatch that suggests either that he learned how to be in a more successful relationship after his first one failed, or that their connection is more surface than substance.

The Power of Placebo

The novel pokes fun at the wellness movement that has been rising in popularity in the United States during the 21st century. Hill offers a satirical critique of Americans tendency to believe that there is truth in even the most outrageous claims of benefits from pseudo-scientific regimens. Consumers are so eager for quick-fix solutions to complex holistic or systemic problems that they fall prey to all adroitly done marketing. The wellness industry’s products are a double-edged sword: Customers who believe they have been healed (such as Brandie and the Wellness “love potion”) are just feeling the placebo effect, while those whom the ostensible treatments fail (such as Jack and the ineffective System) blame themselves rather than the sham industry.

Elizabeth stumbles into the field of placebos when she comes to work for Dr. Sanborne, experimenting with whether simulating the physiological symptoms of love can induce the experience of falling in love. At Wellness, Elizabeth discovers how truly effective the placebo effect is: The treatments she gives clients have no active ingredients, but they report scientifically significant improvement. Believing in the fake medication comes with a real and viable effect. Elizabeth grows apprehensive of the ethics of this research, worried about lying to clients who seek treatment. Dr. Sanborne, however, insists that what they do simply harnesses the psychological power within: “the placebo doesn’t cure you—rather, the placebo creates the emotion required to cure yourself” (542). But Elizabeth cannot move beyond the placebo’s inauthenticity. She is certain that because she posed the love simulation experiment questions to Jack when they met, their relationship is also inauthentic—that she tricked Jack into loving her via the placebo effect.

Living her life by the dictates of psychological and sociological research makes Elizabeth miserable—she perceives her marriage as a sham, blames herself for having trouble as a parent, and sees Toby as a failure because he doesn’t conform to the conclusions of the delayed-gratification marshmallow experiment. At the end of the novel, however, Elizabeth stumbles upon research that reveals the faults in the conclusions drawn by the marshmallow study, arguing that children’s responses to the promise of a future treat reflect their home lives rather than future success rates. The salient criticism of a study she put great stock in causes Elizabeth to reevaluate her need for external validation, which she experiences in the form of conforming to psychological research. Realizing that she did not truly know her own thinking and motivations as much as she thought she did, Elizabeth finally sees that the inauthenticity that plagued her was actually internal—she’s been lying to herself, rather than to everyone else. This insight allows Elizabeth to feel less anxious about the power of placebo, to accept Toby as he is, and to decide that it does not matter whether Jack is her precise soulmate—for the present, Jack and their marriage are right for her.

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By Nathan Hill