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51 pages 1 hour read

Shirley Jackson

We Have Always Lived in the Castle

Fiction | Novel | Adult | Published in 1962

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Symbols & Motifs

Pantries, Suppers, and Table Settings

Food takes on a central significance in Jackson’s story. For Uncle Julian, his inability to feed himself becomes a critical signal that he requires assistance. Meanwhile, Charles happily consumes everything Constance serves him, demanding more and more meals to be served up at his command, which represents the sustenance he is seeking from the fortune Constance and Merricat have. We discover that Merricat reaches her breaking point at the threat that she should be sent to bed without supper. Relatedly, it is an important fact that her method of murder had to do with poisoning food in such a way as to take everyone’s preference for food into account; she understood, for instance, that Constance didn’t take sugar, so Constance was not in danger of being poisoned by the dessert berries. Such intimacy denotes both her sensitivity and her savagery. Finally, there is Constance, who lives in a world of food. It is as if, having survived Merricat’s fatal table setting, she has become tangled in a web of food, obsessively preserving food and placing it next to her dead relatives’ jars in the basement, and always meeting every demand to cook a meal or place a setting for a new guest. Through creating meals and maintaining food stores, she is directly contributing to both the family’s continued existence and the traditions that have contributed to the tragic, disconnected world they currently live in.

Sympathetic Magic

In certain magic traditions and witchcraft, objects take on significant resonances that attach to objects of love and hate. In this practice, a “voodoo doll” may stand in for the person it represents, or a watch takes on the magical resonances of the person who wore it. Such practices are known as sympathetic magic, and Merricat follows these practices very conscientiously.

For Merricat, who is vaguely aware that she is a small, 18-year-old girl in a world of hostile men, such magic acts as a means of increasing her tenuous power. She notes powerful days of the week and discovers words of power that she defines and then seeks to control. Her network of buried objects acts as a defensive network against intruders. She only loses control when Charles comes and begins performing his counter-spell on the objects Merricat has chosen, which reduces them back to mundanity.

The Moon

Whenever Merricat encounters a problem she does not have an answer for, she goes to a remote and untouchable place she calls the moon. She wants nothing more than to take Constance there with her, and by the end of the book she succeeds.

Constance often teases her little sister by asking her questions about what is on the moon and what they’ll see up there. In Merricat’s telling, the moon is a place of extraordinary fertility, where gardens grow without cultivation and unicorns are allowed to run free. As Merricat comes closer to her conception of the moon, her reality becomes shabbier and her aspect more frightening. The terrible truth of the imagination is that one person’s moon may be an unlivable wasteland to someone else.

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