51 pages • 1 hour read
Shirley JacksonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
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Merricat returns for dinner, stopping on her way to admire the house and longing for the day Charles will be gone from it. When she walks in, Charles immediately confronts her and tells her a decision has been made. Constance asks her to clean up for dinner, knowing full well that her temperamental younger sister will not share a table with Charles. Merricat is pleased to find that Constance has straightened up their father’s room, and it now looks empty and unfamiliar. However, she is displeased to find that some old china has been dug out and used as an ashtray for Charles’s pipe. She throws the china into a wastepaper basket.
Merricat begins to hallucinate and imagines one of her eyes shows the world in a strange golden light while the other shows the world in muted blues. She dissociates and asks for cake from Constance and lists more poisons in Latin. As the family sits down to dinner, it becomes apparent the wastepaper basket has caught fire. As the flames engulf the upstairs, Uncle Julian insists on gathering his papers. Charles panics, and his first thought is to rescue the money in the safe.
Merricat is preternaturally calm and guides a frightened Constance past the front door to some nearby vines hanging off the porch. Hidden there, Merricat listens to the gathering crowd as a firetruck arrives. A woman in the crowd repeatedly asks, “Why not let it burn?” (104). It’s a thought repeated across the crowd.
Eventually, the fire consumes the top floor before being extinguished by the firefighters. A silence ensues, and then the fire chief carefully picks up a rock and throws it through a big picture window. Laughing, the townspeople ransack Blackwood Manor, smashing breakables and overturning furniture. Charles asks some of the other men to help him haul the safe out of the house. Soon the doctor, Helen, and Jim Clarke appear, and they express their concern for the welfare of the family. Merricat and Constance remain hidden, but when they attempt to escape the crowd surrounds them, chanting, laughing, and blocking their way. Merricat focuses on protecting Constance, who cowers.
Soon, Jim Clarke and the doctor break up the crowd and announce that Uncle Julian has died of a heart attack. The crowd scatters, and Merricat brings Constance into the woods to her hiding place. There, they talk for the first time about the murders of six years ago. It was Merricat who poisoned the family.
The girls spend the night in the woods. Merricat wonders if the house will be standing when they get back or if the last six years were merely a dream. Again, she imagines the village as a large board game, one that will soon end. They clean themselves in the creek, then, with apprehension, they make their way up the path to Blackwood Manor. They find it in partial ruin with the entire second floor gone, the first floor ransacked, and the garden covered in ash. Merricat is astonished to think that the rules have changed and that the routine of their lives together are now destroyed. “Nothing was orderly, nothing was planned; it was not like any other day” (115).
Constance immediately finds the untouched cellar storage and prepares a meal, finding the best in a bad situation. Merricat notes that the dry foods had been dumped everywhere. They keep to the kitchen and cellar and postpone looking through the rest of the house for as long as possible. They talk about Uncle Julian’s funeral and decide that Helen Clarke probably won’t be joining them for tea as usual.
When they finally look at the rest of the house, they find every last bit of furniture destroyed. Constance blames herself. She finds an unbroken figurine and determines to put it back in its place while Merricat loosens the long-open shutters and closes them. The two begin to clean the damaged property, setting aside anything unbroken. Constance has a story for everything they salvage from the wreckage. They find the safe unbroken but dragged into the middle of the room. They focus on the kitchen and shut up the rest of the house with the intention of never returning to it.
Soon, Helen and Jim Clarke do come to check on the girls, but the girls hide from them in the cellar. Helen states the girls simply misunderstood the intentions of the villagers and that she wishes they would come home with her, but the girls remain hidden.
When Helen Clarke leaves, Constance asks what will happen next. They have nowhere to sleep and no fresh clothes to wear. Merricat remembers seeing a waterlogged and partially burned mattress. They drag it out to dry in the sun. They imagine planting something in the garden in the place where Uncle Julian used to sit. As they clean, Merricat becomes cheerful, imagining the new, more private routines to come. She covers the windows with cardboard so no one can see in. The kitchen becomes dark and gloomy. Because the mattress is not ready to be slept on, Merricat brings in some leaves for them to sleep on the kitchen floor.
At night, when the house is dark and still, Jim Clarke returns with Doctor Levy. They beg the girls to come with them, to come to Julian’s funeral the next day, or to give them some indication that they are fine medically. They refer to the people of the village as their friends. The girls say nothing until they leave.
Constance apologizes for mentioning the murders. Merricat assures her that the poison went into the sugar. “You never used sugar,” she says (130). That night, they try to get used to sleeping on the floor of the kitchen.
The days go by, and (according to Merricat) the girls are happy in their own company with the exception that children often use their yard to play in and press their faces against the shutters to get a look inside. Merricat believes they are spies for the village and steadfastly ignores them. The path leading to and past the house is no longer considered private, and people often walk along it past the house. Merricat has boarded up the windows and doors surrounding the house, and only the front door is left as a source of light and access. “We are on the moon,” says Merricat (133).
They eat from their preserves and from the fruits and vegetables they grow on the property. Constance decides to wear Uncle Julian’s old clothes, and since Merricat insists that she is not allowed to touch Uncle Julian’s things, Constance concedes and cuts a hole in an old tablecloth for Merricat to wear. At the sight of her sister wearing a tablecloth, Constance shows a brief and rare moment of sadness and laments their situation as if it is her fault. Merricat uses the cord cut from the drapes as a belt. Constance dotes on her sister and tries to make her as feminine as she can with just clean water and a comb. Constance only occasionally shows signs of sadness.
Helen Clarke tries a couple more times to get the girls to open up to her but then gives up. Then, someone else they do not see leaves behind an offering of homemade food on the front stoop of Blackwood Manor and meekly apologizes for breaking a chair during the fracas. This begins a tradition of villagers anonymously leaving food on the front stoop; these visits always happen in the evenings, without contact with the sisters. The girls happily take the food, though Constance will occasionally criticize the crispness of the cookies or the constitution of the beef stew. These presents often come with written apologies for breaking this or that household item.
As vines begin to grow over what remains of the top floor and Merricat perfects her barricades and magical burials, strangers begin to whisper that the house is haunted by a pair of ladies who like to snatch and poison children. One day, Charles arrives with a magazine reporter in tow. Both men are looking for a lucrative story to tell about the Blackwood house, but the girls won’t let him in. As time passes, the house comes to seem more forlorn and haunted. Merricat perceives that the magic protecting her and Constance is working powerfully well.
In these chapters, the Blackwood family finally achieves the break with the outside world that Merricat has always dreamed of. We also find out that Merricat was the mastermind behind the family poisoning six years ago and that Constance has been her passive co-conspirator ever since.
Ambiguity surrounds the disaster, just as it did six years ago. Responsibility for the fire can be split between Charles, who leaves his burning pipe unattended, and Merricat, who sweeps the ashes into a wastepaper basket. A similar distribution of blame can be ascribed to the entire village, which upon learning that the fire consuming the house has been halted, takes the shape of a mob and ransacks the place. In Jackson’s world, the worst evil is committed within the anonymity of groups and families, not by individual actors.
In this way, Merricat, a mass murderer, remains a sympathetic audience surrogate through to the end of the story. The reader is encouraged to feel sorry for her, entwining Constance’s knowing innocence with Merricat’s strange, contingent guilt. In these chapters, something dark seems to break out of Constance’s eternally optimistic façade. When Constance wraps her sister in an old tablecloth, she lets slip a terrible new understanding of how far they’ve fallen into weirdness and isolation no matter what she tells her sister. She blames herself for their situation, as her protection of her little sister has ultimately failed. It is a brief expression of desperate pity for her sister and for herself. This pity is reflected in the town’s slow understanding of what they’ve done in destroying the girls’ house. Where once they made themselves feel better through ridicule, now people of the village see themselves as a part of the Blackwood downfall and humiliation, so they offer cakes and pies in penance for their crime. Jackson, however, is a pitiless writer and exits the novel with the town caught in their silent shell, Uncle Julian dead, Blackwood Manor in ruins, and no character any wiser or stronger for their struggles.
By Shirley Jackson