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53 pages 1 hour read

Jonathan Safran Foer

We Are the Weather

Nonfiction | Book | Adult | Published in 2019

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Part 1Chapter Summaries & Analyses

Part 1: “Unbelievable”

Part 1, Chapter 1 Summary: “The Book of Endings”

The author discusses the world’s first suicide note, which he read in The Book of Endings. This note, Foer says, was written in Ancient Egypt some 4,000 years ago. The suicide note takes the form of a person trying to convince his soul to allow him to die by suicide. There are other stories in The Book of Endings, including the death of Julius Caesar and Houdini. The author also learns that we inhale the molecules that are emitted by a person’s last breath, so to him that means he has inhaled Caesar’s last breath, Houdini’s last breath, and even the final breath of a carrier pigeon. The author also mentions his grandmother for the first time, who is a key figure in the book. The chapter ends when the author discovers there was never a book titled The Book of Endings. It was a different book called Panati’s Extraordinary Book of Practically Everything and Everybody.

Part 1, Chapter 2 Summary: “No Sacrifice”

After the bombing of Pearl Harbor, Americans gathered around their radios and listened as President Roosevelt explained the challenges that all Americans would face at the start of World War II. People would be taxed 90% of their income and endure food rations. Those on the coasts, where German planes might fly, would be asked to conform to blackouts, but even those in the Midwest participated in turning out their lights after dark. The author argues that without the full cooperation of every American, we may not have won the war. He quotes Roosevelt at length and repeats the last line of Roosevelt’s speech: “When, at the end of this great struggle, we shall have saved our free way of life, we shall have made no sacrifice” (10). This quote is an important part of Foer’s argument: What he asks is not a sacrifice if, in the end, we have done the right thing.

Part 1, Chapter 3 Summary: “Not a Good Story”

The author compares Claudette Colvin and Rosa Parks, both of whom defied Jim Crow-era laws and sat in the white section of the bus. Colvin did it first, but, Foer argues, no one remembers Colvin’s name because her’s wasn’t a “good story.” She was 15, pregnant with a child fathered by an older man, and poor. But Rosa Parks was attractive, married, and from a respectable family. This comparison helps him make his point that global climate catastrophe, like Colvin’s, is not a good story. The Rosa Parks story is captivating, elevating it to the memorable status of an American fable. But climate change, Foer argues, is the opposite. “The planetary crisis—abstract and eclectic as it is, slow as it is, and lacking in iconic figures and moments—seems impossible to describe in a way that is both truthful and enthralling” (15). It is nothing like the story of Rosa Parks or, for that matter, Jesus. He asks the reader: If Jesus had been killed in a bathtub rather than on a cross, would Christianity have spread? He also asks whether Anne Frank’s diary would have become a classic if Anne had been a middle-aged woman. The implied answer to these questions is “no.” Foer calls the climate crisis a “crisis of belief” (19). This is the main theme to which he repeatedly returns.

Part 1, Chapter 4 Summary: “Know Better, No Better”

Twenty-eight-year-old Jan Karski, a Polish Catholic working in the Polish underground during the Nazi’s murder of the Jews during World War II, makes his way to America, where he tells Supreme Court Justice Felix Frankfurter what’s happening in Germany. Frankfurter knows Karski is telling the truth about the systematic murder of the Jews, but he can’t believe it. He does nothing to help stop Hitler, and six million Jews die. Foer argues that Frankfurter had a crisis of belief. Many marketing studies show that certain “sympathy biases,” like using prominent names in ads or the ability to identify victimization, help sales. But the climate crises have what Foer calls “apathy biases,” meaning while the effects of climate change are vivid and personal, climate change as an issue is not. So, he argues, the details of climate change “feel abstract, distant, and isolated” (20). We may know they are true, but we can’t believe the forecasts of doom and desolation.

Part 1, Chapter 5 Summary: “Be Leaving, Believing, Be Living”

Foer’s family, who were Jewish, stayed in Poland during the war because they didn’t believe the Nazi annihilation of the Jews would happen to them or that it would get worse, but his grandmother left. She said goodbye to her mother and grandmother, the latter of whom would be holding her stepdaughter while they were shot by Nazis at the edge of a mass grave. Another Holocaust survivor, Raymond Baron, was asked if he knew what was coming. His answer: “I knew, but I didn’t believe it, and because I didn’t believe it, I didn’t know” (23).

Part 1, Chapter 6 Summary: “Hysterical”

A man pulls a 4,000-pound car off the body of a boy because he would do the same if it were his own son. But during the accident, many other people cleared cars to make way for the ambulance. Both one single man and the many who helped afterward, Foer argues, were needed for the boy to survive. (He did survive). Foer defines the word “emergency” as coming from Latin, meaning to arise and bring to light. The word “apocalypse” is Greek, meaning to uncover and unveil. The word “crisis,” also of Greek origin, means decision. Foer explains that the word “ambulance” is written in reverse so that people can read it in their rearview mirrors. Foer talks about the climate catastrophe and wonders what will happen. What kind of people will we be: those who work together to stop the climate crisis or those who do not? He wonders if we will reveal ourselves to be people “who put flashing lights atop our vehicles to avoid traffic but won’t turn off the lights in our homes to avoid destruction” (28).

Part 1, Chapter 7 Summary: “Away Games”

Studies about sports indicate that the closer fans are to the field, the more they inspire a sense of “home,” thus giving athletes that home-field advantage. This has to do with the emotional current at the game coming from home-field fans. The issue with climate change is whether it can generate that kind of emotion. Foer admits he has a hard time feeling moved by the crisis: “When I was moved, the feeling was transient, and it was never deep enough or durable enough to change my behavior over time” (31).

Part 1, Chapter 8 Summary: “Writing the Word ‘Fist’”

When a hurricane threatens and Foer is on the road, he can’t get a plane home. He rents a car and battles the storm to drive to Brooklyn so he can be with his sons. His mother tells him he’s a good dad, but being there doesn’t change the fact that he wouldn’t know what to do if a hurricane actually hit. Still, he says, “doing nothing felt good” (33). Once home, he wonders if anyone who sees an ambulance, with its lights flashing and horn honking, needs to see the word “ambulance” in writing to understand it’s an ambulance. He posits the rhetorical question, “Isn’t it like a boxer writing the word ‘fist’ on his boxing glove” (33)? This thought leads him to examine his own position regarding climate change. He wonders why he is so indifferent to climate change—the subject of his own book. Then he realizes that “it’s because you have overestimated your commitment while underestimating what is required” (34). He concludes that the truth about climate change must be that we don’t care.

Part 1, Chapter 9 Summary: “Sticks”

Rachel Maddow, Foer says, makes liberals feel better, but he warns that its dangerous to feel better when things are not getting better. He uses electric vehicles as an example of something that makes us feel better about climate change but isn’t helping thwart it because the damage to the environment to make electric cars far exceeds the benefit they provide. He writes, “[…] an inflated sense of accomplishment can relieve the burden of doing what actually needs to be done” (38).

Part 1, Chapter 10 Summary: “A Wave”

When it becomes clear that a shortage of bees means less fruit is pollinated, farmers invent a laborious technique that uses humans to pollinate the flowers. A photographer watching the process is wowed by the ingenuity and efficiency. But Foer laments this conclusion and argues that having humans do the work of bees is anything but efficient.

Part 1, Chapter 11 Summary: “Feel Like Acting, Act Like Feeling”

Foer argues that people who annually put in great effort to share Thanksgiving dinner with their families don’t do it because they feel especially close to their families. He wonders how many people actually decide to celebrate Thanksgiving with their families or whether they just do it as a habit, the same way they allow an ambulance to pass or participate in a wave at a baseball game?

Green arrows directing grocery shoppers to the fruits and vegetable sections, Foer says, produced skyrocketing sales in fruits and vegetables. Mandating organ donation results in less organ donation, yet making organ donation voluntary results in more organ donations. The point of these examples is to prove that for change to take place, the architecture of the event itself needs to change. To that end, Foer says, for people to take climate change seriously, we have to change the way climate change is presented: “Building a new structure requires […] dismantling the existing structures in the way, even if we’ve grown so accustomed to seeing them that we no longer see them at all” (46).

Part 1, Chapter 12 Summary: “Where Do Waves Begin?”

Foer writes that when a social norm changes quickly, it “releases” people to act. As an example, he discusses the rapid change in cigarette-smoking habits in America. Social change, he says, is the result of many chain reactions that happen at the same time. Likewise, this is what happens with climate change because social change and climate change, Foer says, “Both cause, and are caused by, feedback loops” (51). This would also be true of the baseball wave. The people next to you do it, and so on and so on, which is why you do it. But where does the wave begin? “Just as social movements like polio vaccination, #MeToo, smoking cessation, and environmentalism are advanced by concurrent forces, they are also hindered by concurrent forces” (50).

One example of a successful social movement was a 2018 walkout by Google employees regarding the company’s treatment of female employees. “In less than a week, an international protest was organized. A week later Google changed its corporate policy” (52). Foer asks the rhetorical question, who cured polio? His answer is that no one did and everyone did; it happened because people across the globe assented to the vaccine.

Part 1, Chapter 13 Summary: “Open Your Eyes”

Foer talks about the movie made by Al Gore, An Inconvenient Truth. He applauds the movie and lists various actions we can take to help stop climate change. These suggestions include everything from planting trees, to reducing our dependence on foreign oil, to praying. But Foer says that Al Gore left the most important climate destroyer out, and he believes Gore did so because the industry he didn’t mention is so powerful. Foer says, “It is impossible to explain this omission as accidental without also accusing Gore of some kind of radical ignorance or malpractice” (55). Foer doesn’t tell the reader what this omission is in this chapter. He explains that the Paris Climate Accords propose to reduce warming by two degrees Celsius, but Foer says this is woefully low and will result in major destruction. He provides a list of the things that will happen if we only reduce emissions by 3%: Sea levels will rise by 1.6 feet, creating massive flooding; 400 million people will suffer from water shortages; and half of all animal species will face extinction.

Part 1, Chapter 14 Summary: “Ours Alone”

This one-page chapter begins with a quote from General Eisenhower in which he pre-emptively says that if D-Day is a failure, it won’t be the fault of the millions of men in the air, on land, and at sea; it will be his failure alone. Foer then quotes Neil Armstrong discussing the moonwalk’s success: “When you have hundreds of thousands of people all doing their job a little better than they have to, you get an improvement in performance. And that’s the only reason we could have pulled this thing off” (63).

Part 1, Chapter 15 Summary: “Show Your Hands”

Foer finally reveals his thesis: The most devastating impact on the planet regarding global climate change is factory farming. He discusses why, like Al Gore, he avoided saying it up till now. “Conversations about meat, dairy, and eggs make people defensive” (64). He then confesses that while he was on the road promoting his previous book about food and the environment, Eating Animals, he was sneaking cheeseburgers and eggs on the side, hiding the fact that he wasn’t eating like the vegetarian he claimed to be. He talks about confronting his hypocrisy, and he does so in order to admit to his audience that he knows how hard it would be to stop eating meat.

He speaks about two critical areas in the Bible, the only two, where God asks people where they are. The first time is after Adam hides following the moment he ate the forbidden fruit. God asks, “Where are you?” The second time God poses this question is just before he asks Abraham to kill his son. Foer says that God doesn’t want to know where in space they are—he is God, he already knows that. What he wants to know is something deeper: Where are they in relationship or connection to the events? What is in their soul, their being?

He speaks about God and our deeper connections as a prelude to his greatest question: “But future generations will almost certainly look back and wonder where we were in the Biblical sense. Why on Earth—why on Earth—did we choose our suicide and their sacrifice” (69)?

He claims that the information we’ve been relaying about climate change is inaccurate, and he sets up the next section of the book as the one and only time he will offer statistics related to farming and climate change. But first, he wants his readers to ask themselves, as he has done, what is their position regarding climate change—where are we?

Part 1 Analysis

In keeping with the Greek structure for convincing readers to change, Foer lays the foundation (Exordium) of his argument in the first section. Foer carefully and intricately establishes the basis for his argument, and he frequently returns to many of the ideas in these chapters as the book continues. Foer’s use of metaphor, humor, and argumentation are abundant as the chapters unfold, creating both entertainment and a structured debate. Foer also makes use of his own life experience, and the experience of his grandparents’ escape from the Nazis, in a combined narrative effort to establish common ground and ingratiate himself to his audience.

In the first chapter, Foer makes sure that readers know how short and unreliable memory is, but he does so in the context of the world’s oldest death by suicide. This sets up a basic theme: We are committing global death by suicide in our refusal to make simple sacrifices for the sake of saving the planet. Foer further bolsters this idea when, in Chapter 2, he lays down the second foundation of his argument: The only change that will make a difference is collective change. By illustrating the collective desire of Americans to help in the war effort, Foer implies that while our sacrifices alone won’t stop climate change, collectively they will be an intrinsic part of saving the world, just as the collective desire to darken the skies during WWII contributed to the overall success of the war.

Foer uses the principals of rhetorical argument to make common ground with his reader. His fear that he will sound too sanctimonious is inherent in the next two chapters, as Foer seems to side with his reader. Foer is just like the rest of us, skeptical and confused. This is the message he wants to convey: He is not someone who is better or knows more than the reader, but instead, they share many similarities.

Foer utilizes notable moments from history that feel recognizable to readers and are therefore easy for them to comprehend. He writes about Claudette Colvin, the first woman to sit in the white section of the bus, reminding us that she wasn’t a good story. Rosa Parks told the story better. He compares this to climate change, which, he argues, like Claudette Colvin, is not a good story either. This returns to ideas of memory, implying that because it lacks the celebrity factor or interesting narrative, the truth of climate change is easy to forget. By telling the reader that there is no celebrity—no Rosa Parks of climate change—he begins to establish that the problem is our inability to accept or remember the realities of climate change, leading to our inaction.

In the story of the American supreme court justice who didn’t believe millions of Jews were being slaughtered, Foer demonstrates that even the smartest among us find some things hard to believe, and that lack of belief leads to inaction. If a supreme court justice couldn’t believe the Holocaust, how could a regular person believe something as strange as the idea that climate change is real, and it will kill us? Chapters 5 and 6 continue in this vein. Like the Greek rhetoricians of old, Foer is packing his argument, making sure that every part of it is laid bare and reinforced by more examples and the generous use of metaphor.

A shift occurs in Chapter 7, when Foer begins to write about the concept of home. Here he begins to introduce the notion that our Earth is our home. When he can’t get home during the hurricane, he talks about feeling heroic, but he realizes that he really didn’t do anything but drive through a storm. Again, Foer humbles himself in order to appeal to his readers. This is also a turning point at which Foer begins to gradually introduce the idea that doing something like renting a car and driving home in a storm feels good, just like recycling feels good, but it actually has little effect. Feeling good but making no sacrifice is really not heroic. He continues to build this argument in Chapters 8, 9, and 10, concluding that no one really needs to see the word “ambulance” in their rearview mirror to know that there is an ambulance racing behind them. This metaphor is used to explain that while we might think we are helping by recycling or driving electric vehicles, we have over-estimated our commitment to climate change while underestimating the problem. Foer uses this metaphor as a strategy to explain not just human apathy toward climate change but our inability to really understand it.

These chapters work rhetorically by creating tension. By now, readers understand his point—there are few significant efforts to thwart climate change—but what is the answer? Foer begins Chapter 12 by laying out the terms of what our commitment needs to be. First, he describes why we need to change the structure of our society. As throughout the book, Foer utilizes examples to help readers understand his meaning; in this case, he claims that, as a society, we do things automatically without thinking about them. Thanksgiving, which he has already mentioned in earlier chapters, is one of them. Foer employs the use of repetition throughout the book, referring back to Rosa Parks, Karski, Thanksgiving, the ambulance, and other elements of the story, in order to establish familiar metaphors for the reader that feel relatable and familiar and, therefore, easy to grasp.

Foer also uses ordinary examples to demonstrate how rote and automatically human beings act. The structure of our society is what needs to change. Social change on a large scale, like the dramatic decrease in smoking or the Google walkout on behalf of women, is not only possible but foments the greatest change. He subtly returns to his argument that collective action is required. A precipitating event, followed by a chain reaction, is what makes change occur on a vast scale. As an example, he talks about the polio vaccine. When the vaccine came out, almost everyone took it because society as a whole assented to the vaccine. Major social change, Foer argues, is our only hope.

In the final three chapters of Part 1, Foer builds a crescendo of anticipation by studiously not revealing what we need to do, while continuously implying there is a solution. This tension serves to further engage readers, propelling them toward his greatest argument. This comes in the final chapter of the section when, having set up the moral argument for collective action, Foer makes a confession: While advocating for vegetarianism in his prior book, Eating Animals, he secretly ate meat. This confession, of which he makes sure to note he is not proud, is strategically placed just before his climactic reveal. In so doing, Foer is once again showing his readers that he is human and makes mistakes. He uses this confession to cement his rapport with his audience, but the confession itself is an ode to commitment and a steppingstone to change. It works to remind his readers that though they may have tried and failed, they needn’t feel shame or become inactive. Instead, Foer implies, he is now ready to act and stick to his commitment to vegetarianism, and so should you.

At this juncture, and only then, does he reveal his main argument: In order to end climate change, we must collectively not eat meat and thus put an end to factory farming, which, he says, is the major contributor of climate change. When Al Gore failed to mention factory farming as the major contributor to climate change, he committed an offense, obscuring the truth in order to avoid true conflict, that Jonathan Safran Foer will not. By comparing his own actions to Gore’s failure, Foer shines a spotlight on what he wants the reader to see as courage. True courage comes from facing and sharing these truths. 

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