50 pages • 1 hour read
Louis SacharA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Wayside School Is Falling Down demonstrates the absurdities of life at every turn, capitalizing upon whimsical wordplay and a cascading comedy of errors to lampoon the most nonsensical moments of school-age children and their antics. The very fabric of society at Wayside is immediately established as absurd, for the characters constantly contradict themselves, making ridiculous demands, and demonstrate illogical thinking. They also find themselves caught up in impossible predicaments, even their names are designed to reflect the unpredictability of the overall environment. Sachar uses this abundance of absurdity to maintain a humorous tone, and with the characters’ cheerful acceptance of bizarre situations, the author suggests that even in real life, absurdity is meant to be embraced rather than avoided.
The stories’ humorous tone is further emphasized when the students and the adults alike react with equanimity to inherently ridiculous character names. They see nothing out of the ordinary in such descriptive names as Bebe and Ray Gunn, Miss Mush, and Mr. Kidswatter, and the very fact that the underlying meaning of these names goes unaddressed adds to the sense that such absurdity is commonplace and therefore unremarkable. In the same vein, Sachar creates scenes that upend conventional expectations, and a prime example occurs when Mrs. Jewls holds a spelling bee and rewards the children for spelling out simpler synonyms rather than the actual words she calls out. Because the children’s exuberance frequently takes over class discussions, it is clear that even the adults give way to the inevitability of the absurd in every situation.
Throughout the book, characters behave in absurd ways, and the other characters generally accept their behavior without question. When Bob shares his belief that socks make a person stupid, the children do not ridicule this belief; instead, they take their socks off to gain a better chance of passing their spelling test. Similarly, the children’s only reaction to Mrs. Jewls’s odd choice to drop an expensive computer from the 30th floor is to agree that now they fully understand the concept of gravity. In addition, throughout the narrative, Todd never protests Mrs. Jewls’s unfair and arbitrary punishments; in fact, he remains one of Mrs. Jewls’s most vociferous admirers. The characters’ cheerful acceptance of ridiculous language and behavior, in the context of a book with such a lighthearted and comic tone, suggests that absurdity should not be rejected but embraced.
One of the elements that adds to the general chaos at Wayside School is the extreme individuality of the students and staff. Far from being portrayed as undesirable, this individuality is rewarded by plot events and celebrated by the characters themselves. By structuring the narrative as separate stories that focus on different members of the Wayside School community, Sachar emphasizes the importance of each individual character. As the stories unfold, many different children and adults have their moment in the spotlight, and this story structure implies that no single member of the school community is the most important, just as no particular way of approaching life is considered superior.
Even when the students display behavior that would be harshly punished in a real-life school setting, Sachar creates a world in which everyone’s eccentricities are accepted and even welcomed. For example, although some of the children in these stories enjoy school and welcome the company of their classmates, others such as Myron, Allison, and Kathy do not. Rather than being condemned, however, their negative attitudes are simply accepted as a natural part of their personalities. This pattern becomes clear when Myron’s nonconformity is rewarded after his brave journey into the school’s basement; because he chooses to go down when everyone else goes up, he is given the opportunity to sign the mysterious contract and is declared “free” and can henceforward choose which rules to follow and which to disregard. Kathy, by contrast, is consistently negative. Her constant pessimistic and dark comments—such as her repeated assurances that everyone is about to die in “Wayside School Is Falling Down”—are never criticized. Instead, she is simply allowed to be herself and is appreciated for who she is.
Mrs. Jewls consistently models acceptance of individuality, and her students take her guidance to heart and engage in expressions of individuality that would not be allowed at most schools. For example, Calvin debates potential tattoo ideas with his classmates, Sharie brings Bob for show-and-tell, Mac creates distractions from Mrs. Jewls’s lessons, and Dameon leaves a dead rat in Mrs. Jewls’s desk. In support of her students’ antics, Mrs. Jewls goes beyond tolerating their eccentric behavior and sometimes directly endorses it. Notable instances of this pattern occur when Mrs. Jewels reassures Dana that the girl’s powerful emotional response to stories is a positive trait, not a negative one. Even after Dameon leaves a dead rat in her desk, Mrs. Jewls goes out of her way to reassure him that his affection for her is entirely acceptable, and she gives him the courage to stand up for himself. Because Mrs. Jewls actively embraces her students’ individuality, her students accept themselves, and this dynamic is clear in Benjamin’s character development. Although he is initially full of self-doubt, his attitude shifts entirely by the end of the school year, and he has an appreciative affection for his classmates. He fondly considers them to be “a bunch of weirdos” and feels “proud to be in a class where nobody was strange because nobody was normal” (206-7). Benjamin has struggled to assert his individuality throughout the book, but he finally sees that he is not the only one who feels insecure because of his own eccentricities. In the end, he no longer has to masquerade as Mark Miller because his classmates’ confessions have helped him to understand that everyone is “weird” in their own individual way—and that this is something to be celebrated rather than hidden.
Throughout the collection, many characters demonstrate a desire to be free of society’s conventions and rules, and Myron’s story, “Freedom,” is the most obvious example of this. Myron does not want to follow the classroom rules and feels that the classroom is a “cage”; the routine of the bells and the prescribed movements of going up and down the stairs, sitting quietly, and doing lessons makes him feel that he is “never free.” To break free of the routine, he ventures into the dreaded basement while everyone else is going up to the classroom, and he willingly signs a cryptic contract that guarantees him full freedom of choice. Afterward, when Mrs. Jewls tells him that he is tardy and orders him to write his name on the discipline list, return to his seat, and take his math test, he simply refuses, sitting down on the floor in protest. The narrative emphasizes the reasons behind his choice by declaring, “And there was nothing Mrs. Jewls could do about it” because “[h]e was free” (53). In the later stories in which he appears, Myron continues to be a nonconformist, guided by his desires rather than the expectations of his school. The only consequence he ever suffers is missing out on Mrs. Waloosh’s dancing lesson, and this is his own choice.
Although other characters’ quests for freedom are not as explicit as Myron’s, they seek freedom in their own ways; all of the stories are full of eccentric and creative choices that flout the conventions of more ordinary school settings, and children and adults alike are free to express themselves. For example, Miss Much expresses her culinary creativity regardless of others’ reactions, and Mrs. Jewls’s classroom is a veritable haven for nonconformity. In her class, students learn about gravity by watching a computer fall from the 30th floor, and they stand on desks while telling stories and singing songs about socks. They make loud, joyful music instead of maintaining a respectful silence, and they are even permitted to take a quiz with their socks off, debate tattoo ideas, wear playfully personal outfits on picture day, and tell the principal comically obvious lies. Even Mrs. Jewls, who is ordinarily so careful to be kind to the children, has a day when she can free the darker side of her nature in “The Mean Mrs. Jewls.” Additionally, Allison’s three-story arc demonstrates how valuable creativity and personal freedom can be; when she is trapped in the mind-numbing routine of Mrs. Zarves’s classroom, she yearns to return to the silly antics of Mrs. Jewls’s classroom and leave behind the conformist Nick, Ray, and Virginia, who only care about following the rules and gaining the teacher’s approval.
By Louis Sachar