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Trevor is devastated to realize that Jacob’s friend Freddie died. Daniel urges his son to reflect on this grief: “‘Makes you think, huh?’ Daniel Firestone said to his son. ‘Battles may look glamorous in movies and on posters, but this is what’s left over once the smoke clears away’” (84-85). He tells his son that wars destroy not only soldiers but also future generations of their families as well.
The Firestones land on Omaha Beach while Jacob searches for the spot where Freddie died. It’s now been paved over as a pedestrian crosswalk. The family continues their tour of war memorials in the area, including Freddie’s actual tombstone. Trevor notices a blonde girl about his age who seems to be following them from one tour site to the next. When they return to their rental car, they find a dead bird tucked under the windshield wiper.
As Daniel drives the rental car through the French countryside, Jacob forces him to pull over near a fence of hedgerows. The green shrubbery is centuries old, and Jacob recalls fighting through the area: “These hedgerows—they may look pretty in the aerial photographs, but they’re murder for fighting. You can’t drive a tank through them!” (89). They slip through the foliage and enter an open field. Soon, they are hailed by a Frenchman who offers them a picnic basket of food to express his thanks for Jacob’s service.
Jacob’s narrative resumes in the same location in 1944. He and his company are fighting their way through one hedgerow and field after another in pursuit of the retreating Germans. Their progress is grueling: “The combat raged on. Bravo Company had the advantage, but the enemy made them bleed for every inch they took” (94).
As the Firestones continue toward Saint-Lô, Trevor seems disappointed that the hedgerow battles were so lacking in drama. His grandfather attempts to explain how a soldier’s perspective in real war differs from a player’s perspective in a video game: “‘The battles were every bit as big as your video games,’ G.G. assured his great-grandson. ‘But when you’re in the middle of it, it’s personal and small. Your job is all that matters’” (97). Saint-Lô appears to be a bustling modern town, but Jacob reveals that the entire place was leveled during the war and had to be rebuilt. This fact startles Trevor, who is accustomed to stability: “Trevor tried to picture his own hometown bombed to rubble, but the image just wouldn’t come. Marlborough had always been there” (99).
Once the family settles into their hotel room, Trevor looks out the window and realizes that the same blonde girl is standing outside. He dashes downstairs to try to follow her, but she climbs onto a motorcycle driven by a teenage boy. When Jacob and Daniel catch up with him, they refuse to believe Trevor’s claim that the Firestones are being followed. However, when they pack the following morning to continue their journey, they discover that their car tires have been slashed.
Near Saint-Jean-de-Daye, Jacob and his company are settling into their foxholes to rest when they get the unexpected order to move out. The previous seven weeks were brutal: “Sometimes they would be on the go for as long as three days and nights. The exhaustion was so constant that it had become their normal state” (107). As the company marches down a country road, Jacob spies a downed plane with the British pilot pinned inside. The men pry the door open to rescue the pilot, whose mood seems surprisingly pleasant. The pilot even remarks on his own injury with a pleasant detachment: “‘Blimey,’ he observed. ‘My leg’s been shot through with anti-aircraft fire’” (111). The company gets an ambulance, and the pilot is carried to safety while they resume their march.
The men take a lunch break at an abandoned farmhouse outside Saint-Lô, where they talk about an aerial strike named Operation Cobra intended to drive the Germans out of the village once and for all. Soon, they hear the approach of the planes. Unfortunately, some of the bombs miss their targets and fall dangerously close to Company Bravo.
Jacob, Beau, and Leland run into a barn and crawl under a buckboard. The airstrike continues for over an hour. When they attempt to emerge, they realize the barn has collapsed: “If it hadn’t been for the shelter of the buckboard, they would surely have been crushed” (116). As the soldiers dig out from under the rubble, they see the destruction of Saint-Lô off in the distance. Jacob found the aerial bombing to be terrifying, but he thinks how much worse it must have been for the people inside the town.
As the Firestones drive toward Paris, Trevor can’t believe that Jacob was nearly killed by American bombers. He doesn’t like the concept of friendly fire. His father again takes the opportunity to emphasize that the reality of war is messy: “‘It may be glamorous to imagine fighting an enemy,’ Dad added. ‘But bombs and bullets don’t care who they hit, and the real enemy is the fighting itself’” (119).
Jacob abruptly orders Daniel to stop the car. He has just spied a cistern with pure spring water and remembers the day he and his company drank from it. They were tired and thirsty, and their canteens were empty. Jacob declares it was the best water he had ever tasted: “From the whole war, my best memory is right here. Try it. You’ll go nuts” (122). Daniel and Trevor dutifully sip from the spring.
While they are paused by the side of the road, Daniel scans the most recent posts to the Saint-Regine Facebook page. La Verite’s messages are becoming more threatening: “We know the truth about your crimes against Sainte-Régine. If you come here, you’ll face vengeance. You will pay for the suffering you caused” (124). Jacob believes the comment comes from a harmless crackpot.
In Paris, 13-year-old Juliette Lafleur observes the Firestones. She has been following them for days and doesn’t understand some of the stops they’ve made on their trip. Her 17-year-old cousin Philippe is her accomplice. They have located the hotel where the Firestones will be staying, and Juliette has prepared a welcome present. She goes into the hotel with a gift-wrapped box and manages to gain access to the family’s room while they are away. After depositing the gift, Juliette leaves, wondering if this will finally be enough to scare the Firestones. Meanwhile, the Firestones are returning from a day of sightseeing. Trevor is enthused about the bravery of the French Resistance, and Jacob produces a ring indicating that he was also associated with the Resistance.
When the family enters the hotel lobby, Trevor stays downstairs, where the Wi-Fi signal is better. Jacob and Daniel go up to their room and immediately see the gift box. Jacob opens it and finds an alarm clock inside. Concluding that it is a bomb, he flushes it down the toilet, but the object is merely a clock. However, the message at the bottom of the box is somewhat more disturbing. It reads, “It could have been real” (130). The note is signed by La Verite. As Trevor examines the photos he took that day, he comes across a shot of the blonde girl walking toward another teen on a motorcycle. Trevor is now convinced that his family is being followed.
Back in the past, Jacob and his company ride into Paris on a tank as the entire populace of the city turns out to greet them and celebrate. At one point during their journey, however, German snipers begin firing at the tank and into the crowd. The tank successfully returns fire, albeit blowing the roof off of a building across the street. Jacob is disturbed, angry that he could have saved the building by simply dispatching the sniper with his rifle. He meditates on the pointlessness of this destruction: “Why did the damage done to this one row house in Paris—which was in great shape compared with those other places—bother him so much? Because it hadn’t been necessary” (136). The randomness of it affects him deeply, calling to the magnitude of devastation he has already witnessed during the war.
Four days later, the company is ordered to take a bridge over the Aisne River before the Germans can blow it up. When the soldiers arrive, the bridge appears intact, but Jacob spies dynamite charges fastened underneath. Jacob volunteers to defuse the first charge with some phone assistance from demolition experts. He and three other men, including his friend, Leland, are deployed to defuse the rest when a German soldier fires at them from the woods. Leland is killed in the blast that follows. As the bridge collapses, Jacob falls into the river.
He floats downstream but ends up on the wrong shore, behind a company of Germans. Thinking quickly, Jacob grabs a motorcycle and flees. He searches for another bridge that will get him back to his own company. Distracted, he nearly hits an oncoming car. Swerving to avoid it, he plows the motorcycle into a ditch and is thrown from the bike. As he falls unconscious, Jacob finds himself being helped by a man who wears the ring of the French Resistance.
Outside Soissons, Jacob, Daniel, and Trevor contemplate the new bridge over the Aisne River. Jacob has grown increasingly cranky during the trip the closer they get to their destination. As Jacob wanders off to study the bridge, Daniel tells Trevor, “The only thing I remember about war is I want no part of it. It breaks things and people. Like this bridge—and Leland” (151). Jacob suffers an unexpected dizzy spell, so Daniel insists that they find a doctor in Soissons to examine him. Jacob is pronounced healthy for 93, but the doctor recommends that the family postpone their arrival in Sainte-Régine for another day to get a good night’s sleep first.
That evening, Juliette and Philippe sit on a park bench across the street and watch the Firestones eat at an outdoor restaurant. Juliette remarks that they seem like such a nice family, but Philippe reminds her that Jacob is the monster who destroyed their own family. He leaves, and Juliette is about to follow when she sees Trevor crossing the street to speak to her. He wants to know why the Firestones are being targeted by Juliette and her cousin. Trevor insists that Jacob is a war hero. This pronouncement makes Juliette furious: “Her eyes sprayed sparks, and it almost erupted from her—the entire horrible story. But instead, she spat, ‘There is much that your American history books leave out!’” (158).
This segment reveals a gradual shift in the attitude of the two main characters. Trevor’s change in perspective is pushed forward as he learns not only of Freddie’s death but also of the meaningless nature of it. Trevor had a sense of knowing Freddie, since Jacob has mentioned Freddie in many of his previous stories. Freddie’s death thus personalizes the war for Trevor, forcing him to digest its losses on a more personal level for the first time. Jacob’s change in perspective emerges as he contemplates the carnage during the Normandy invasion. Sinking into the reality of his memories, now with the benefit of hindsight, Jacob loses some of his bravado and starts to expand on his empathy. Jacob considers that his horror during the battle was not unique to him, and he prompts Trevor to consider the same disturbing thought: “Those tanks that sank before ever firing a shot—they weren’t just soulless machines. They had crews in them. Think those poor fools had a chance to get out?” (82). For both characters, the realization that many men just like Jacob had no opportunity to even attempt something heroic drives home The Realities of Combat; it was often dumb luck, not skill or courage, that allowed one man to survive while others died.
As both characters turn away from The Glamorization of War, the narrative also shifts toward the theme of The Personal Price of Victory. What had previously seemed to Trevor as a great canvas of dramatic deeds has now shrunk to the personal stories of individual men who died too young. This epiphany finally gives Daniel a chance to get through to Trevor:
‘Makes you think, huh?’ Daniel Firestone said to his son. ‘Battles may look glamorous in movies and on posters, but this is what’s left over once the smoke clears away.’ ‘They were all heroes,’ Trevor said reverently. ‘They were kids,’ Dad amended (84-85).
Jacob continues the tour by recounting the hedgerow battles and the friendly fire that nearly killed him and his friends. Upon arriving in Saint-Lô, he points out that the entire village was leveled during the war and needed to be rebuilt. While these realities of combat continue to dim Trevor’s enthusiasm for life in the warzone, Trevor still insists that the people must be very grateful for their liberation in spite of the destruction. For his part, Jacob grows increasingly gloomy, once again emphasizing the personal over the political and the high price required to ensure victory:
He had found himself surrounded by so many bodies—from both sides in this war—that it became difficult to remember that these had once been people. Brothers and sons. Husbands and fathers and friends…Friends. The word was a sucker punch to Jacob’s gut (108).
Daniel reinforces the personal price of victory when he views the various war cemeteries and points out that each lost life destroyed an entire family. The appearance of Juliette and Philippe Lafleur, in turn, further emphasizes the personal tragedy of warfare. While the reader isn’t yet aware of the reason for their anger toward Jacob, it is clear that Jacob has done something to harm their family enough for them to hold a 75-year grudge.
In these chapters, the family’s stops not only deliver insights into the reality of combat but also often have subtle symbolic implications. For example, as Trevor reacts with discomfort to learning about friendly fire, Daniel seizes on the opportunity to provide a lesson: “‘It may be glamorous to imagine fighting an enemy,’ Dad added. ‘But bombs and bullets don’t care who they hit, and the real enemy is the fighting itself’” (119). As if in response, the abrupt next stop is to drink from a cistern of clean, cool water, which Jacob emphasizes saved him and his comrades in the past. Water has many common symbolic connections to cleansing, refreshing, and healing. Similarly, later on, the imagery of the many war cemeteries not only prompts but also aligns with Daniel’s reflection about the harm war inflicts: “‘I’m older than you, so I’ve heard a lot more of his stories,’ Dad explained. ‘After a while, they all run together, and the only thing I remember about war is I want no part of it. It breaks things and people’” (151). Daniel’s phrasing, “they all run together,” plays with the imagery of the many tombstones whisking past as they drive, and it foreshadows Trevor’s upcoming encounter with Juliette.
With regard to the Lafleurs, this segment begins to tie together the Firestone and Lafleur narratives with the introduction of the French Resistance ring. A brief glimpse of the ring’s original owner comes as he rescues young Jacob from the Germans. The reader isn’t yet told why Jacob has worn the ring on a chain around his neck for his entire life. On a basic level, it’s clear that the ring symbolizes the personal toll that victory has taken on Jacob; however, he is unwilling to share the story of his guilt with his family yet. The last chapter in this set brings Trevor face to face with Juliette. At this stage, the boy feels like a persecuted victim; though he has begun to question his glorification of war, he is still learning to question why and how the media he consumes has fostered that glorification. He knows Juliette is following the Firestones. But at this point, he believes his family couldn’t possibly have done anything wrong. He stoutly defends his great-grandfather as a hero, which elicits an equally passionate response from Juliette:
‘A hero? Is that what they told you?’ ‘Nobody had to tell me anything,’ Trevor snapped back. ‘It’s in the history books.’ Her eyes sprayed sparks, and it almost erupted from her—the entire horrible story. But instead, she spat, ‘There is much that your American history books leave out!’ (158).
Part of Trevor’s continued problem in perceiving the war accurately is that he still relies on a grand vision of the war as a single narrative event; in chronicles of the grand sweep of history, the war is a straightforward tale of good versus evil. In fact, the personal tragedies of war are key to understanding reality. Trevor is about to find out how wrong he is regarding the importance of the personal nature of warfare.
By Gordon Korman