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Charlotte BrontëA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Seven weeks pass with no letter from John Graham or communication from La Terrasse. Lucy languishes under the silence and compares herself to a hermit locked away in solitude. She has trouble sleeping, plagued with nightmares. Lucy tries to distract herself with sewing, reading, and studying German, but these practices fail to keep her depression at bay. Lucy rereads the five letters from John to bring her comfort.
One night Ginevra returns from a dinner with her uncle, de Bassompierre, and tells Lucy that Mrs. Bretton and Dr. John were there as well. M. de Bassompierre’s daughter Paulina is the young lady injured in the fire and the same Polly who stayed at Bretton many years ago. Ginevra’s uncle has become a very powerful man due to an inheritance. John has been making regular visits to check on Paulina’s injuries. Ginevra disparages John’s relationship with his mother, causing Lucy to rebuff her unkind words and leave the room.
The next day a letter for Lucy finally arrives, but it is from Mrs. Bretton, inviting Lucy to visit. She tells Lucy that John has been very busy with his patients and relates a humorous story about putting the blue turban on John’s head while he was sleeping. Lucy is ecstatic to visit La Terrasse. To her surprise, Paulina and her uncle are there, and Lucy and Paulina reconnect and revisit memories from Bretton. Paulina is still small for her age but quite beautiful.
John Graham and Count de Bassompierre return home in a snowstorm. The party enjoys wassail and conversation, and Paulina performs a Celtic dance. The group sings “Auld Lane Syne” and reminisces about England. De Bassompierre used to be “Mr. Home” and is of Scottish ancestry. John gives Paulina sips of wassail from his cup and seems enamored of her.
Everyone stays the night, and the snowstorm continues into the following day. At breakfast, the count explains that he wishes for Paulina to return to school. Mrs. Bretton reveals that Lucy is a teacher and could inquire about Paulina attending Rue Fossette. Paulina expresses displeasure with this idea, saying that her father would have to attend with her; he could not go a day without seeing her the last time she was away at school. Paulina pities Lucy for being a teacher, but the count sees her profession as an indication of her good character. Lucy notices John taking an interest in Paulina. He leaves for work, and Lucy and Paulina sit together sewing but in silence. The count also leaves in the storm, and Paulina spends her day reading all John’s old books, keeping herself busy until her father returns.
Madame Beck allows Lucy to make regular trips outside the convent, heartily approving of Lucy’s connections to the Brettons and de Bassompierres. Lucy discovers Madame has read her letters. She is not angry but wonders what Madame thinks of John’s words. Lucy asks Madame not to read her letters anymore, and from that day forward Madame ceases to search Lucy’s belongings. However, Lucy determines the letters mean too much to her and decides she must dispose of them. When she goes to retrieve the letters, she finds they have been disturbed again. She assumes it was M. Paul working in tandem with Madame Beck and bemoans her lack of privacy: “Where could a key be a safeguard, or a padlock a barrier?” (381). Lucy decides to bury the letters. She travels to a shop in town, where she has them sealed in a glass bottle. Lucy then buries the letters under the pear tree in the garden where it is rumored the nun was interred. As she places a cement covering over the spot, the apparition of the nun appears again. Lucy speaks to it, but it does not respond. Lucy tells no one of the encounter.
Paulina wishes for Lucy to be her companion, but Lucy refuses despite being offered a generous salary by the Count. Lucy would rather be a housemaid than a governess: She appreciates the freedom and liberty that Madame Beck allows her. Lucy does regularly visit Paulina, and they begin German lessons together. Their teacher, Fräulein Anna Braun, finds some of their English ways peculiar. Paulina is intelligent and masters the language easily. Her father, however, notes that her language changes when she is around John Graham, a slight childhood speech impediment resurfacing.
While reading German together one evening, Paulina tells Lucy she is nervous to speak to John because of Ginevra’s assertions about his character, which Paulina believes to be false. Lucy proposes they invite Ginevra to dinner to find out the truth.
Another storm, this one of the wintry variety, brings about more change with the reappearance of Paulina, or “Polly.” Far from the abandoned and terrified child Lucy knew, Paulina is now a refined, intelligent, and beautiful countess. Paulina’s presence reminds Lucy of the past, and the two become friendly companions. However, Paulina functions primarily as another obstruction in Lucy and John’s relationship. Lucy observes the way John watches Paulina’s every movement and detects the subtle signs of the growing attraction between them. Through her frequent visits to La Terrasse and The Hotel Crécy provide her with brief respites from the lonely confinement of the school, they often remind her of what she does not have—wealth, family, or the love of a partner. Under the watchful eye of Madame Beck, Lucy lives a liberated but solitary life.
Paulina’s close relationship with her father mirrors the bond between John and Mrs. Bretton. Both children, though at or near the age of adulthood, display strong dependence on their parents. Ginevra finds John’s devotion to his mother revolting, and her concerns are not unfounded, as she is not the type of woman who desires to share the affections of her partner with the matriarch. To modern eyes, Paulina’s behavior around her father, whom she looks to for safety and confidence, may seem childlike and at times silly. That it does not strike Lucy as amiss is a testament to the era’s gender norms; a well-off woman like Paulina could conceivably go from her father’s house to a husband’s without ever having to develop a sense of independence, and characters like her are common in Victorian literature.
As the hope of courtship with John fades, Lucy decides to bury his letters and in so doing bury a part of herself as well. After a brief sense of release, the ominous shadow of the nun appears. Lucy is not frightened by the shade and almost welcomes it. Though it does not respond to her touch or words, Lucy must understand its significance. A nun is a female bound to serve the church: chaste in perpetuity, humble in duty and personage. This is the path Lucy is fated to walk. Nineteenth-century life offered only two paths for females, marriage and motherhood or spinsterhood. In Lucy Snowe, the author proposes a third way: a life rich in education, work, faith, art, and true love.
By Charlotte Brontë