logo

47 pages 1 hour read

Anton Chekhov

Uncle Vanya

Fiction | Play | Adult | Published in 1897

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Symbols & Motifs

Alcohol

Content Warning: This play includes depictions of alcohol abuse, sexual harassment, and attempted murder, as well as discussions of suicide and depression.

Alcohol addiction was a major social issue in 19th-century Russia, and this is reflected in the motif of alcohol in Uncle Vanya. In Act I, Marina notes that Astroff has begun drinking when he asks her how he has changed in the 11 years they have known one another—this is seen as a major change in his character over the years he’s been living in the area. His reliance on alcohol symbolizes the negative impact that his harrowing and exhausting work as a doctor has had on him. For Astroff, alcohol is a coping mechanism he uses to endure a life that he finds intolerable. At the end of the play, he has a shot of vodka before returning to work, which signifies his sense of resignation with returning to the daily slog of his job. He finds his work so stressful that he relies on alcohol to desensitize himself before he can return to it.

While drinks like vodka were culturally significant and common in everyday life in Late Imperial Russia, they were also recognized as being potentially ruinous. Excessive alcohol consumption was associated with negative character traits like irresponsibility, laziness, and uncouthness. In Act II, Astroff and Voitski are both intoxicated at the peak of their yielding to idleness, illustrating the association between alcohol and these negative character traits. Astroff’s promise to quit drinking at Sonia’s request reflects her brief hope that her feelings for him may be accepted, if not returned in full, which would in turn mean that he can step away from his misery and acknowledge a connection with another person. However, the fact that Astroff ultimately breaks this vow to Sonia echoes his inability to return her affections or form human connections. The motif of alcohol symbolizes the sense of futility and resignation that runs through the play.

The Bouquet of Autumn Roses

The bouquet of autumn roses that Voitski picks for Helena is a poignant symbol of his unrequited feelings for her. Bouquets are commonly exchanged between lovers, and blooming flowers—roses in particular—traditionally represent romantic love. However, just like Helena rejects Voitski’s declarations of love, his unsolicited gift of roses also goes undelivered. As Voitski walks in with the bouquet, he sees Astroff embracing Helena. This is an awkward moment for all of them since Astroff is aware of Voitski’s feelings for Helena, and the two men are friends. Moreover, though Helena protests against Astroff’s attempts to seduce her, she is attracted to him; so, she is embarrassed that Voitski witnessed the scene between them, especially considering that she finds Voitski’s attentions irritating. Ultimately, Voitski’s own affections for Helena are overshadowed by those of Astroff.

The fact that the flowers are autumn roses—the last of the season—represents Voitski’s own age. At 47, he is in his self-proclaimed “old age.” This signifies that his feelings for Helena are the final bloom of youthful, romantic love in the autumn years of his life. This melancholy sense of loss also reflects the fading glory of late Imperial Russia and the general mood of stagnation and despair present throughout the play.

Voitski’s Map of Africa

The map of Africa that hangs on the wall of Voitski’s room in Act IV is a symbol of Voitski’s unrealized dreams, and it highlights the theme of The Pain and Regret of Wasted Potential. The map is described as “incongruous” as it holds little relevance to the reality of Voitski’s daily life. The fact that it occupies a significant place in his room shows Voitski’s preoccupation with dreams of a different life, one that is as far removed from his current experience as Africa is from Russia.

The map hangs next to a caged songbird. This association reflects Voitski’s feelings of curtailed liberty and his inability to escape the prison of his current life. Though he could potentially have chosen to travel and have adventures in foreign lands as a younger man, thoughts of intercontinental travel seem decidedly unrealistic for the now-aged Voitski. Indeed, Africa is so far removed from the play’s confined and realist settings that it seems absurd and even comedic.

blurred text
blurred text
blurred text
blurred text