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Ana HuangA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Childhood trauma is linked to sleep disturbances, difficulty with emotions, struggles with social interaction, certain sexual and romantic preferences, and memory loss. The lasting effects of Alex’s and Ava’s childhood trauma impact how they utilize coping mechanisms, approach love, and manage emotion which influences the trajectory of their relationship. Both Alex and Ava struggle with nightly sleep disturbances. While Alex’s manifest as insomnia, Ava’s result in night terrors. Alex also has HSAM—a condition that causes people to remember most things about their life in vivid detail—which further exacerbates his insomnia. He spends most of his nights reliving his memories in excruciating detail. While some of these memories are positive—such as when he first met Ava, or happy memories of a time when his parents and sister were still alive—most of his time and attention is spent combing over the details of the night he witnessed his family murdered. Any memory of Ava’s childhood prior to age nine is completely missing, but through her night terrors, Ava receives snippets of events that transpired during that period of her life. When Alex and Ava open up to one another about their memory struggles, Ava thinks to herself: “How ironic the two of us were sitting here: me, the girl who remembered almost nothing, and Alex, the man who remembered everything” (35). The juxtaposition of Alex’s and Ava’s childhood memories and how they manifest in their present highlights the spectrum through which childhood trauma leaves a lasting impression beyond adolescence and into adulthood.
Trauma can have many emotional effects on survivors, impacting the ways in which people manage their emotions and the emotions of others. For example, although Ava cannot remember her past, it leaves a tainted impression on her present; to avoid sinking into dark thoughts, Ava devotes herself to a life filled with light. She is dedicated to remaining positive, trusting wholeheartedly, and seeing the best in even the worst of people. Alex challenges this philosophy with his usual cynicism during Josh’s going-away party at the beginning of the novel, regarding Ava laughing with her friends: “It was the way she carried herself, like she’d seen it all—the good, the bad, the downright ugly—and still believed in goodness. It was stupid as it was admirable” (17). This coping mechanism is crucial to allowing Ava to function and enjoy life despite the trauma hanging over her like a cloud. She reads about the positive effect of smiles (even faked ones) as a teenager and implements it into her daily life because it’s “better than sinking into a darkness so deep [she] might’ve never clawed [her] way out” (175).
By contrast, Alex’s guarded cynicism limits his ability to connect with others. Not only is his relationship with Ava strained for most of the novel, but his only friends seem to be Ava’s brother Josh, and Ralph, the Krav Maga instructor at Alex’s gym. Most of Alex’s emotional capacity is devoted to anger and vengeance. This coping mechanism is harmful and keeps Alex from moving forward with his own personal recovery. Ironically, he is fully aware of the consequences of his actions but simply doesn’t wish to heal. As the novel states, he “wanted to burn. [He] wanted to bleed. [He] wanted to feel every scorching lick of pain” (63). Only when he develops a deepening sense of intimacy with Ava is he finally able to let go of emotional coping mechanisms that are only prolonging his suffering and preventing his healing.
Childhood trauma can often influence the type of relationships and sexual preferences that survivors pursue as adults. For example, Alex witnessed the murder of his family when he was a child, hidden in a secret room and unable to intervene; because of this helplessness, Alex overcompensates as an adult and tries to control as much as possible. Whenever Ava is hurt, Alex goes to violent lengths (or at least entertains violent thoughts) to avenge her. When Josh asks Alex to protect Ava during Josh’s year in Central America, Alex agrees despite immediately regretting it because when he makes a promise, he “[c]ommit[s] [himself] to them” (19) to the best of his abilities. Due to his over-investment in protecting those he cares about, Alex prefers to avoid emotional connections and potential weaknesses entirely. His rules for sex with women are widely known—no face-to-face contact and no kissing—and he breaks these rules for no one, until Ava comes along. As Alex’s relationship and feelings for Ava evolve, he deems her his only exception; this event signifies the lowering of Alex’s emotional walls and his first step toward healing from his past.
Trauma re-enactment is also a common effect of childhood trauma, and Ava exhibits this through her sexual preferences in her relationship with Alex. Despite the trauma of nearly drowning as a child and her continued struggles with aquaphobia, Ava finds herself excited by the thought of Alex’s darker preferences in the bedroom. Ava enjoys the roughness of her relationship with Alex and trusts him completely (even with her life), so in instances where their sexual escapades involve him choking her, Ava feels invigorated by the experience. Trauma re-enactment can be an unconscious attempt by survivors to heal by facing the same challenges that created the trauma in the first place. By embracing and even enjoying the mock-strangulation at Alex’s hands, Ava is paradoxically taking back control of a sensation that caused her fear, learning to associate it instead with a positive experience that brings her pleasure.
Twisted Love explores the vulnerability that can be found in intimacy and connection, and the fear that often comes with opening oneself up to it. Due in part to her lack of memory surrounding the trauma, and conversely, to her desperate desire to heal from its haunting impression on her, Ava opens herself up to intimacy and connection. Ava’s tendency to see the best qualities people, trust easily, and care deeply leaves her completely vulnerable. This is the main reason why Josh worries incessantly over her safety and why he asks Alex to protect Ava while he is away. Ava’s openness to intimacy and connection leaves her vulnerable to the insecurities she faces after her ex-boyfriend, Liam, cheats on her. Similarly, it leaves her open to the deep betrayal and sense of being unlovable she acquires after learning that her father, Michael, attempted to kill her twice as a child. Finally, her decision to trust Alex leaves her vulnerable to hurt when his betrayal shatters her trust and compromises her happiness.
In contrast to Ava’s willingness to trust, Alex believes intimacy and connection to be a weakness, a vulnerability that can be used against him. Alex admits that “like everyone else, [he] had [his] masks, and they ran layers deep” but rather than connecting superficially with others, he prefers to distance himself as much as possible. The only emotions Alex has any interest in showing are anger, indifference, and a desire for vengeance. He wears these emotions like armor to disguise and deny his genuine feelings.
His limiting beliefs about emotions and connection serve as a debilitating vulnerability and are further demonstrated in his callous treatment of both his employees at Archer Group and the competitors whose companies he buys out. After listening to a plea for mercy on behalf of an entire company of people who have families to provide for, Alex is perplexed by the fact “that people still didn’t get it” because “[p]ersonal appeals had no place in the corporate world. It was eat or be eaten, and [he] for one […] had every intention of remaining at the top of the food chain” (60). Alex also prohibits himself from feeling happiness, as evidenced in his disregard for birthday traditions. While birthdays were always a source of happiness for him when his family was still alive, after their deaths he comes to find them to be “meaningless, dates on a calendar that people celebrated because it made them feel special when, in reality, they weren’t special at all” (61). Despite years of therapy with several different therapists, Alex has never progressed because he is content to revel in the pain of his trauma. The pain and the anger fuel his desire for vengeance, and he remains determined to replicate his own pain in the person who caused it.
Though Ava’s vulnerability leaves her more susceptible to harm, it’s also her willingness to connect and be intimate with Alex that opens him up to becoming vulnerable with her for the sake of their relationship. Alex eventually understands that there is a strength and a certain kind of bravery to making himself vulnerable. Though he “hated feeling helpless” (77) when Ava struggles with night terrors or when she is kidnapped by his uncle Ivan, at the end of the novel Alex makes himself incredibly vulnerable by singing to win Ava back. Singing is something Alex avoids because he sings “[w]ith emotion, with beauty, with so much rawness” and bares “his soul with each note” (313). The act of baring his soul in such a vulnerable way convinces Ava to forgive him and proves that Alex is finally ready for an intimate, trusting relationship.
In Twisted Love, Ava often relies more on others than on herself. Ava’s brother, Josh, has protected her since childhood and she considers his extensive worry overwhelming. Alex is appointed as “babysitter” once Josh leaves for Central America, a decision that Ava objects to, protesting she “can handle [her]self” (28) and that Josh needs to “stop trying to control [her] life” (29). Even Ava’s friend group hovers around her after her breakup with Alex, and while she’s “grateful for [her] friends’ support,” she needs “more time. Space. They meant well, but [she] couldn’t breathe with them hovering all the time” (275). Though Ava has many people who care for her and go out of their way to protect her (despite her protestations), sometimes their love feels like a cage, suffocating and controlling.
As Ava pursues her feelings for and relationship with Alex, she discovers a different perspective on submission. Whereas before, her submission to the will of others was against her own interests, wants, and needs, it’s through having the control to decide for herself that she gains empowerment: “Alex hadn’t held back, and that was what I’d wanted. Needed. Somehow, in choosing to let go, I’d never felt more powerful. Strength in weakness, control in submission” (162). With this development, Ava feels more in control of herself and her life and is finally able to make effective decisions for herself.
Ava chooses to be submissive during sexual intimacy with Alex, which allows her to give in to her darkest desires. As she says, “Sex with Alex was sex like I’d never known it. Raw. Animalistic. Soul destroying in the best possible way. It shattered every preconceived notion of who I was and molded me into something darker, more depraved” (164). Thus, Ava is able to embrace a dark, even dangerous side of herself that makes her feel powerful. She’s able to redefine herself as she wants, rather than living by the labels everyone else assigns to her. Ava’s decision to embrace the power of making choices for herself is thrilling, rebellious, and freeing, and ultimately, it gives her the independence she needs to face her fears alone. Toward the end of the novel, Ava decides to face her phobia of water and fear of swimming for the first time alone. Although she is plagued by self-doubts, she pushes forward because “that was the point of this exercise, wasn’t it? To do this alone” (279). After conquering her fear, Ava smiles because “[f]or once, the water didn’t seem like an enemy. It seemed like a friend, swallowing my tears and cleansing me of the past” (280).
Ava’s choice to pursue a long-term relationship with Alex in the end, even with the power dynamic present between them, illustrates her newfound security and confidence in herself. Though people have coddled Ava her entire life, she acknowledges that “[she] let them, because it was easier to lean on others than [her]self” (280). At the beginning of the novel, Ava let her fears control her and let others fight her battles for her “because [she] thought [she] wasn’t strong enough for anything else” (280). However, by conquering her aquaphobia and moving to London to pursue her career in photography, she demonstrates a new sense of power and control, paradoxically gained through submission. This applies not only in her relationship with Alex, but also in the conquest of her fears and the acceptance of things she cannot control—such as the actions and feelings of others.
By Ana Huang