75 pages • 2 hours read
John GreenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Aza is in a good place. She sees Davis in person occasionally and texts and uses FaceTime with him nightly. Her thought spirals are less overwhelming. Aza goes about her everyday life and reads the college guide, imagining the possible futures it shows. One night, Aza is bored and decides to look at Daisy’s Star Wars fan fiction stories. Her latest story has already been read thousands of times, demonstrating her online fame. The story is narrated by Rey and features a character called Ayala, who worries about everything and is spoiled and self-absorbed. Aza’s stomach turns as she reads. Ayala constantly gets in the way, complains, and is generally useless. Aza looks back through Daisy’s past stories, which are filled with examples of how Ayala constantly ruins things for Rey and Chewbacca.
In the morning, Aza wakes up terrified, seeing herself through Daisy’s eyes. Daisy and Aza agree to spend time together and watch a movie at Aza’s house. Aza looks on her phone for clues about “the jogger’s mouth.” Daisy tells Aza that the investigation is over because they got their reward. Daisy continues that this is not going to be some kind of movie-story in which the penniless girl becomes rich and then morally redeems herself by going back to being poor. Aza comments that no one is taking Daisy’s money. They finish the movie and Daisy leaves to be with Mychal.
Aza meets Davis as his house. As they walk around the grounds, Aza tells Davis that she read Daisy’s stories. Davis remarks that the stories are good, but Aza was distracted by how terrible Ayala is. Davis likes Ayala. Davis and Aza sit by the pool. Davis does not understand how Noah gets so stuck inside himself, when there is such a vast sky to fall into. Davis pulls his Iron Man out of his pocket, commenting that it has been a bad week.
Davis points out constellations and remarks that their galaxy is a spiral. Davis asks Aza about her spirals. Aza tells the story of a mathematician who was so afraid of being poisoned that he starved to death. Aza knows she has a problem, but she can never be sure that she is not really being “poisoned.” Davis invites Aza to swim, so they strip to their underwear and jump in the pool. After swimming, they run back to the house, into Davis’s bedroom. Aza wants to tell Davis that she loves him, though she is not sure that she does. She starts to leave, and Davis asks if they can hang out that weekend at Aza’s house. Aza agrees, and they hug goodbye.
Aza and her mother discuss Davis, and Aza’s mother wants to ensure that Davis treats Aza well. Aza checks Davis’s blog. He writes about her, how what is important is the feeling they have when they are together, not what they talk about. Aza decides to read more of Daisy’s stories. Ayala is self-centered, constantly annoying, and she ruins everyone’s fun.
Devastated, Aza starts reading about Star Wars on Wikipedia, which leads her to the same articles about the human microbiota that she compulsively reads. She reads about the connection between the “gut-brain informational axis,” which fills her with horror. Aza wonders if her intestinal bacteria is infecting her thoughts. Aza goes to the bathroom, washes her hands, and changes her Band-Aid. She drinks hand sanitizer. She tries to tell herself how dangerous this is, but she cannot help drinking more. She goes to bed, her thoughts shouting at each other.
Aza gets up late and hurries to school. Daisy greets her, saying that she has not seen enough of her best friend lately. She invites Aza to go to Applebee’s and Aza agrees. Aza waits in Harold after school, feeling tired and unable to think straight. She knows she should call Dr. Singh and tell her about drinking hand sanitizer, but does not want to leave a message with the answering service. Aza does not think talking will help anyway.
Daisy gets in the car. Aza confronts Daisy about how the Ayala character has all of Aza’s compulsions and personality traits. Daisy is hurt because she’s been writing the stories since she was 11 and Aza never bothered to read one, though Daisy asked her to many times. Daisy believes that Aza should take time from her own self-contemplation to think about the interests of others. It is not Aza’s fault, but Aza’s anxiety does invite disaster. Aza does not respond.
Daisy keeps defending herself: She should have killed off the Ayala character, but it has been her way of coping with the difficulty of being Aza’s friend. Aza angrily snaps that she is useless, as Daisy called Ayala, and a terrible person. Daisy insists that Ayala in not Aza, though Aza’s mental problems make her extremely self-centered and exhausting to be around.
Daisy apologizes but continues complaining about how self-absorbed Aza is. Aza does not know personal information about Daisy, such as Daisy’s parents’ names or occupations. Daisy rants that Aza has no clue what life is like for her, that she does not have all the privileges that Aza takes for granted, and that Aza does not think to ask about her life. Daisy had thought the money from Davis would make them closer, but it only accentuates how spoiled Aza is, as she judges Daisy for buying things.
Aza feels sick and asks if Daisy thinks life is easy for her. Daisy starts to respond and Aza yells at her to stop talking. Aza demands to know if Daisy can imagine being stuck in her head with no way out. Aza continues to rant, but Daisy shouts her name. Aza realizes that traffic ahead of them is stopped. She slams into the car in front of them and the car behind crashes into Harold. Harold is crushed, except for the passenger compartment. Though she is in pain, Aza staggers to the trunk. She manages to open the trunk and pull out her father’s phone, which has a shattered screen. Aza feels destroyed. As she cries, she passes out. Aza wakes in an ambulance, then again in the hospital, with her mother crying over her. Daisy quietly says she will stay with Aza.
Aza has a lacerated liver, though surgery is not necessary. Aza’s mother cries with relief that Aza will be all right. Aza will need to spend a few days in the hospital; Aza begins to panic and begs to go home. Aza’s logical thoughts try to reassure her that C. diff infections are only common in postsurgical patients, but the other thoughts howl.
Aza feels her thought spiral tighten, as her mother sleeps next to her hospital bed. Aza feels her mother’s breath and imagines her microbes floating in the air. Aza feels certain that C. diff is invading her body. She reads stories about infected patients on her phone. Aza’s head spins with terrible thoughts. She tries to pull herself out of it by screaming at herself to think of someone other than herself. Aza texts Daisy and apologizes for not being a good friend, for not showing that she cares about Daisy’s life.
Aza feels like she cannot escape herself, cannot function in the world. She thinks she will never live a life outside her mother’s house, go away to college, hold a job. Her thoughts feel like a different kind of bacteria, colonizing her gut and brain. Aza feels her sense of self slipping away. In a full-blown panic, Aza stands and struggles over to the hand sanitizer mounted on the wall. Her thoughts battle with each other, thoughts of how stupid it is to drink hand sanitizer, of how she hates being stuck inside herself, of how she wants to feel better, of how she must stay in bed so she does not need surgery, of how she does not want to die of C. diff, of how she will never be free of this. Aza shoves hand sanitizer into her mouth. Her mother wakes up and Aza desperately scoops more hand sanitizer into her mouth. She vomits and her mother grabs her arm before she falls. Aza thinks that she is not possessed by a demon. She is the demon.
This chapter is told in the second person. “You” wake up in a hospital bed. “Your mother” offers Cheerios and shows “you” the flowers Davis sent. “You” think about how to describe the hurt, to find language to give the pain a name, so that it can be understood and conquered. “You” think that perhaps metaphor was invented to deal with pain. “You” think that perhaps “you” are better, because this was a coherent train of thought. A wave of nausea hits and “you” think about “it” taking over inside and killing “you.” In a strangled voice, “you” tell “your mother” that “you” are in big trouble.
These chapters focus on Aza’s deteriorating mental state and the conflicts within her identity, her different “selves.” Aza struggles with feeling “fictional,” not in control of her thoughts and decisions. Therefore, she is upset to discover the character Ayala in Daisy’s fan-fiction stories. Ayala represents all of Aza’s negative qualities. Aza feels as if forces outside of her conscious mind are controlling her thoughts and actions, similar to how Daisy writes scenes and dialog for Ayala. When Aza confronts Daisy about this, Daisy alternates between apologizing and defending her writing. She recognizes that it was cruel and insensitive to pick out the worst parts of Aza’s personality and behavior and assign them to Ayala, but it was her way of coping with the difficulties of being around Aza daily.
This discussion brings out Daisy’s long-standing frustrations and resentment towards Aza and results in a serious car accident, which wrecks Aza’s most beloved possession, Harold. Aza had long anthropomorphized Harold, making him a substitute for the loving protection of her father. It is notable that the car is completely totaled, except for the passenger compartment: “He never failed me, not even when I failed him” (218). Daisy is astounded that Aza is so upset over the loss of the car, an inanimate object, but Harold means much more than that to Aza. Aza’s discovery that her father’s phone, which she had kept in Harold’s trunk for safekeeping, is permanently damaged represents another loss for Aza. The accident destroyed the links to her father: “I felt like I was getting ripped apart from the inside, the supernova of my selves simultaneously exploding and collapsing” (220).
The physical pain of Aza’s accident and the emotional loss of Harold leave Aza traumatized, but facing her worst fear, that of being consumed by lethal bacteria in the hospital, overwhelms her mental defenses. Aza has long obsessed about how C. diff could invade her body, but she could counter her own argument by assuring herself that she had not been in a vulnerable situation, like in a hospital. Aza tries to distract herself from the tightening spiral and wonders how she ever thought it would be possible to escape her mental illness, how she ever considered plans to go away to college and live a normal life: “In job interviews they’d ask me, What’s your greatest weakness? and I’d explain that I’ll probably spend a good portion of the workday terrorized by thoughts I’m forced to think, possessed by a nameless and formless demon, so if that’s going to be an issue, you might not want to hire me” (227). Aza sees no future for herself.
The reader gets a sense of how inescapable Aza’s thought spirals feel to her in a two-page battle between her rational mind and her compulsions. Aza finally gives in to the mental commands to kill the invading bacteria inside her by drinking hand sanitizer. This exposes to her mother and the hospital staff the secret that Aza has kept from everyone, how very destructive her compulsions have become.
Chapter 20 is told in the second person. This creates a sense of separation between Aza and what is happening to her, as living inside herself has become too much. Distancing herself from her mind and body allows Aza to find the words to describe her pain. She thinks that perhaps this is what early humans did, created metaphor to describe their pain. Without metaphor, human suffering remains amorphous: “Maybe we needed to give shape to the opaque, deep-down pain that evades both sense and senses” (231). Aza, looking at herself from the outside, realizes that it is finally time to reach out to her mother and ask for help.
By John Green