50 pages • 1 hour read
Maureen JohnsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Stevie is a 16-year-old girl, a first-year student at Ellingham Academy, and the main protagonist of Truly Devious. Stevie loves everything related to crime and mystery, and she dreams of being a detective like Sherlock Holmes or Hercule Poirot. When Stevie first arrives at Ellingham Academy, she is full of ambition and a dream to solve the cold case of the Ellingham murders that took place over 80 years ago. However, as the school year begins, Stevie finds herself facing down a new mystery that hits closer to home, and she believes that only she can crack the case of what happened to YouTube star Hayes Major.
Stevie has a complicated relationship with her parents. In Chapter 1, Stevie and her parents make the long journey to Ellingham Academy, and Johnson paints a clear picture of a family wrought with tension. Stevie believes that her parents think she is strange, and when she makes her usual jokes or playful commentary, she imagines them thinking something along the lines of “We kind of wanted the going-out, shopping, prom-going type, and we got this weird, creepy one, and we love it but what is it talking about, ever?” (24). Stevie’s love of crime and mysteries is particularly difficult for her parents to understand, and over time, Stevie has started to feel alienated and unwanted in her own family. Even her hair and appearance are “major point[s] of contention” (21) between Stevie and her parents because “Stevie had cut [it] off herself in the bathroom in the early spring in a burst of self-renewal” (20), which upset her parents. Much of Stevie’s anxious internal dialogues sound like things her parents have said to her over the years, and as she struggles to find her way at Ellingham, she is haunted by her parents’ beliefs and values.
Because of Stevie’s uncommon interests, she doesn’t connect easily with other people. She remarks that “few words are more chilling when put together than make friends’” (22). Although she befriends Janelle and Nate quickly, Stevie worries that they will find new friends, and she will be “severed from the group bit by bit” (152) because she feels so strange and different, and no one understands her obsession with crime. These fears are amplified by her anxiety disorder, which she takes medication for and tries to keep under control. Still, she often wonders if she will be “dragged out of sleep by a heart racing like a car with no driver and a board pressed up against the gas pedal” (111). Surprisingly, Stevie self-soothes by reading mysteries and listening to crime podcasts, and “when the attacks [first] hit, she found that mysteries were her salvation” (111).
Stevie loves crime and puzzles, and it is her life’s ambition to be “standing over a dead body” (38). More specifically, she wants to be the one who solves the mystery of how a person wound up dead. Stevie idolizes detectives, especially Sherlock Holmes and Hercule Poirot. She even models her appearance after detectives and tries to combat her anxiety by wrapping herself up in the confidence of these fictional sleuths. Stevie declares that “no one [is] allowed to go after her mysteries” (162), and she won’t allow herself to feel small or weird for loving them. Toward the end of the novel, Stevie is able to tap into a sense of confidence that has evaded her for most of her life, and she decides that “no one [is] going to discount Stevie Bell, who had gotten into this school on the wings of her interest in the Ellingham case” (352).
While Stevie might be the main protagonist of Truly Devious, Albert Ellingham is the central figure of Ellingham Academy and the infamous murders 80 years prior. Albert Ellingham, “one of the richest men in the country” (76), opened Ellingham Academy in 1935 to celebrate learning, innovation, and above all, games. Ellingham famously states that “learning is a game, a wonderful game” (3), and he has a great zeal for riddles and puzzles. However, Ellingham’s exuberance came to a screeching halt on the night that his wife and daughter were kidnapped, and in a series of flashbacks, Johnson documents the transformation of a powerful tycoon into a desperate, heartbroken man whose hubris led to his downfall.
Ellingham’s power and influence are felt from the first moments he appears in the novel. Dottie knows who Mr. Ellingham is, and she believes that he is so rich and powerful that he can “dictate the meanings of words” (3). Robert Mackenzie, Albert’s faithful clerk, says that “everything [Ellingham] has—his newspapers and movie studio and the rest—he built from nothing” (302). Ellingham was poor as a child, and after years of hard work, he retreated to the “mountain kingdom” (33) he constructed in the wilderness of Vermont. Because of his success and wealth, “threats to Albert Ellingham and his family were not new,” and Ellingham “barely survived a car bombing several years before” (207). In 1936, the Great Depression still affected the American people, and anger toward industrialists such as Ellingham was at an all-time high.
Despite his wealth, Ellingham’s generosity is well-documented. He opens his school for free and believes “money should never stand in the way of learning” (4). Dottie refers to Mr. Ellingham as “a kind man and so full of fun” (7), and he would rather put off business ventures in favor of a rousing, stimulating game with his party guests or the Ellingham students. At his core, Ellingham was a loving father and husband, and history is filled with reminders of “what Albert Ellingham [is] willing to do to make his family happy” (213). He created a lake in the middle of nowhere for his wife, an avid swimmer, to enjoy, and when an anonymous tip suggests that “his wife and daughter or some evidence rested at the bottom” (213), Albert ordered the lake to be drained without hesitation. When Ellingham’s wife and child go missing and are held for ransom, he wastes no time and “race[s] around his office [...] pulling open drawers, looking for piles of cash” (49) to give to the kidnappers. Charles shows Stevie a detailed dollhouse that Albert Ellingham had made for his daughter after she disappeared, a testament to “a grieving man [who] made a perfect toy for his daughter that she would never see” (138-139). Despite having an enormous fortune and a beautiful home, Albert Ellingham dies alone and heartbroken, and in his final days, only his love of riddles and games serve as a comfort to him in a world without his wife and daughter.
David is a second-year student at Ellingham and Stevie’s primary love interest. Although Stevie dislikes David, she is drawn to him in a way she can’t understand. When Stevie first meets David, she “ha[s] the feeling she ha[s] met [him] before” (105), and when she can’t find any evidence of David’s existence on social media or the internet as a whole, Stevie becomes obsessed with figuring out the truth about who David Eastman really is.
When Stevie meets David at the first party of the year, she notices that his attire “lean[s] a little more toward shabby” (105) with old sneakers and clothes. However, he does wear one item that hints at wealth—“a beaten up but expensive-looking watch on his wrist [...] Rolex” (125). David comes from money and tries to hide it, and any time Stevie expresses an interest in learning more about David’s family, he becomes uptight and evasive. David seems uncomfortable with Stevie’s sleuthing skills because he knows she might uncover the truth about him and who his father is: Edward King, the politician for whom Stevie’s parents work and whom she hates. David wears shabby clothing to distance himself from his father’s money and esteem, but minor inconsistencies in his story make Stevie more suspicious until the truth finally comes out.
David is charming and playful, giving off an air of performance and self-deprecation. Stevie is attracted to David even though he annoys and perplexes her, and he believes that being annoying is the only way to get attention: After all, he says that “If [he] can’t get in through the door,” he will “throw a rock through the window” (317). As a child of a politician, David might be used to acting out to get attention, and he often lies to cover up the truth about who his father is. Because of his track record of lying, Stevie initially wonders if David could be the one who killed Hayes. Because David knows that Stevie’s parents work for Edward King, he knows how to play on their biases and persuade them to let her stay at Ellingham. Slippery and sly as David may be, he uses his penchant for lying to try to help Stevie, and at the end of the story, he finds himself forced to confess the truth about who his father is and where he comes from.
Hayes is another Ellingham student and a recent “YouTube star” (42). Over the summer, Hayes “released a ten-part online show called The End of It All about a survivor of a zombie invasion” (42). Halfway through the novel, Hayes becomes a murder victim, and Stevie spends the last half of Truly Devious trying to piece together the truth of what happened to him. Along the way, she learns about Hayes’s dark secrets, his enemies and lovers, and his track record of cheating, which could have made him a target for someone wanting revenge.
Hayes is a good-looking second-year student at Ellingham, and Stevie notes that “his voice [is] deep and smooth and rich” (42). It is easy to see why his show was so successful because even though Stevie considers it “mediocre and overrated,” Hayes’s “looks and deep voice” (44) are captivating enough to carry the script. Hayes’s entire career as an actor could be described as mediocre. Still, even so, he brags that his YouTube show has attracted the attention of a big-time Hollywood director, and he might land a movie deal if everything goes according to plan.
Stevie soon learns that Hayes is manipulative and more than willing to take advantage of other people. Hayes has a track record of getting other people to do his work, whether it be for school or his side projects. During his first interaction with Stevie, Hayes asks for help moving his things into Minerva, and he sticks Stevie with most of the hard work. This sets the tone for his relationship with most people, especially girls. Dash warns Maris that “[she’ll] figure this out fast [...] Hayes is never around to do the dishes” (221), and Gretchen tells Stevie that people “did things for [Hayes] because he was handsome” (337) and has a gift for manipulating others. As the story progresses, Stevie realizes that there are “lots of strings attached to Hayes, pulling in all directions” (105), and she starts to get a clearer picture of why someone might want to hurt him.
By Maureen Johnson