61 pages • 2 hours read
Karin SlaughterA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of graphic violence, death, physical abuse, and anti-gay bias.
Angie visits the hospital where Gina works and tells Gina’s coworker that she is there about Michael. Gina’s coworker flatly states that he hopes Michael is dead. Suddenly, John Shelley appears in the ER, escorting his coworker, Ray Ray. John asks Angie (whom he knows as Robin) on a date, and she asks him why he was in prison.
When Angie sees Gina, she notices that the woman has a split lip and a black eye. Gina recognizes Angie and tells her that she first met Michael when she was 15. Angie puts makeup on Gina’s face to cover the bruises. During the conversation, Gina also mentions that Michael once told her that he had gone on a fishing trip in the mountains with Ken. Gina has left Michael and is now staying at her mother’s home. Angie urges Gina to get help, but Gina is afraid of Michael’s pervasive influence within law enforcement. Hearing Gina’s story, Angie privately reflects on her own broken strings of relationships and her need to lie as a survival mechanism.
Will listens to a recording of Angie reading Aleesha’s letter to her mother. Suddenly, Leo enters Will’s office and tells him that Gina got a restraining order against Michael in DeKalb County. Will is surprised to see that Leo believes Gina’s side of the story. They also learn that Baby G, Aleesha’s pimp, has been shot and is now on life support. Will asks Leo to spend more time investigating the case of Jasmine’s disappearance. Will then calls Angie and asks her about the details of Gina’s restraining order, and she tells him that Michael physically abuses Gina.
Will heads to the home of Aleesha’s mother, Miriam, which is in a wealthy neighborhood. Miriam tells him that Aleesha ran away when she was a teenager. Miriam explains that they spent thousands of dollars on rehab and therapies, but Aleesha did not want their help. She ran off with a man she met at a treatment facility and was later arrested on a drug charge. Apart from a phone call in which Aleesha asked for money, Miriam has not heard from her daughter in 20 years.
Will grapples with the difficulty of telling a parent that their child has died, and he suggests that she call her son to join her. He asks Miriam to explain what the letter meant to Aleesha. She tells him that a house down the street was home to a mother, who worked as a lawyer, and her wayward son, who had weekly drug parties.
Angie has spent a long day arresting men for soliciting services from sex workers. She is preoccupied with her worries about Jasmine, especially since she knows the statistical realities of cases involving young missing girls. When she goes to visit Ken, she is still in her Vice attire. The receptionist at the nursing home asks her how much she charges, and his question demoralizes her. The stroke has left Ken partly paralyzed and unable to speak, so Angie does her best to make conversation. She understands Ken when he indicates that Michael is not what he seems. She also tells him that Michael had warned her to watch out for John Shelley.
As she is talking to Ken, Angie realizes that Gina met Michael when she was 15; she recalls that Cynthia was also 15. She does some math and realizes that Michael was 26 when he met Gina. She asks Ken if he ever went fishing with Michael in the mountains and learns that he did not. She then drives to Will’s house, where he tells her that Baby G has died. The man was shot by his cousins, who said that he disrespected them. Angie tells Will about her hospital visit with Ken, which makes her very emotional. Their cuddling soon turns into sex.
Martha Lam has helped John find a new apartment. John was happy to see Robin at the hospital earlier. Now, he thinks about the fact that Michael stashed an incriminating knife under his mattress, and he wonders why Michael still harbors so much hatred toward him. John has grown accustomed to thinking of himself as a bad person, but he is infuriated to have been blamed for a crime that Woody committed.
A woman whom John has never seen before visits him at work. She introduces herself as Kathy, Joyce’s partner of 12 years. Kathy takes him to Joyce’s office, explaining that she was not allowed at the funeral of Emily, John’s mother, because of Richard’s prejudice against gay couples. She shows him a closet that is full of documents and notebooks, revealing that Emily kept a massive record of everything related to John’s case; she was determined to prove his innocence and was fully consumed by his case. When John arrived at the hospital the morning after Mary Alice was murdered, he was deeply confused and impaired, but his symptoms and appearance were not consistent with cocaine and heroin use. Emily later realized that John had been drugged by someone else without his knowledge or consent. Michael/Woody and his mother, Lydia, had visited John’s home, and John realizes now that this was when Michael planted the knife in his closet.
Now, John asks Joyce what she remembers about their aunt Lydia. Joyce last saw Lydia on the day that Emily died; Lydia had visited her in the hospital, weeping as she repeatedly apologized. John realizes that Lydia was confessing her involvement in protecting Woody.
Will has paid a visit to Luther, Jasmine’s 32-year-old boyfriend. Amanda has confirmed Will’s fear that Jasmine’s case will receive little attention and few resources. Additionally, the DNA from Aleesha was too contaminated to test, and Aleesha’s apartment was too clean.
Will watches a DVD of Detective Dave Sanders taking the witness statement of Julie Cooper, the 15-year-old girl who was beaten nearly to death. (Her severed tongue was recently reattached.) Will receives a call from Michael, who is still pretending that he and Gina are together. Will asks Michael what he thinks about the murdered girls’ age differences and the conflicting manner in which their tongues were removed.
Will arduously reads through a stack of parole reports on local sex offenders. Reading takes him a long time because of his dyslexia, so he takes the reports home so that he can read them with his accommodations and avoid the awkwardness of explaining his methods to others.
When Will sees the rap sheet of John Shelley, he leaves immediately to find Angie. He shows her John’s file, and Angie mentions that John grew up near Michael. Will is annoyed that she is mentioning Michael again, but Angie points out that it’s odd that Michael didn’t make a connection between the current case and a local case from 20 years ago that involved a severed tongue. John has been out of prison for seven months, but two of the attacks took place last year. Will is still inclined to think that John is responsible for the more recent attack.
John goes to a diner. He had stayed up most of the night with Emily and Joyce, plotting his strategy. Suddenly, Robin (Angie) appears and is surprised to see him. She joins him and tells him that she previously lied about her childhood; now, she reveals that she actually grew up in foster care. She asks him about his family and is surprised to learn about his conventional suburban upbringing. When she asks him authoritatively to tell her what he is involved in, John shuts down. The man who was sitting behind Angie (Will) pulls out his badge, and Angie pulls out hers. As Will and Angie take John outside, John faints.
Angie feels incredibly guilty about arresting John. She starts to furiously clean her house and then realizes that she is out of supplies and starts driving. She ends up driving to Michael’s house, and although she tries to look in the garage, the windows have been blacked out with paint.
She breaks into Michael’s house, noting that a heavy lock has been installed on the interior door to the garage. Through the door, she can hear a whimpering sound. She enters the garage and sees a naked young girl who is tied up and bleeding. Suddenly, someone hits Angie on the back of the head, and she passes out.
In this section, as Slaughter reveals aspects of her characters’ pasts and explores their flaws and insecurities, her broader narrative creates a patchwork analysis of The Tension Between Outward Appearances and Hidden Realities, and she invites a deeper consideration of the monsters that lurk just beneath the surface of trusted social institutions. In accordance with the thrust of this philosophy, Michael’s public image as a war veteran and a dedicated police officer creates a stark contrast with his abusive and manipulative behavior behind closed doors. As Gina relates, the context of their marriage becomes prime ground for this discrepancy, as Michael’s outward charm and veneer of control mask a deeply violent reality, and she has often borne the brunt of his rage and abuse. Similarly, as Angie applies foundation to cover Gina’s bruises and reflects on the similarities between Gina and herself, her act becomes a metaphor for the ways in which such abuse is often hidden and normalized. Gina’s reluctance to leave Michael despite his violence also illustrates the common compulsion to silently endure dangerous truths for the sake of maintaining appearances.
Thus, these scenes reveal that Michael shifts between a complex set of identities. As Angie has uneasily noted, Michael has the ability to mask his abusive tendencies by carefully studying his colleagues and imitating their behavior, thereby avoiding suspicion. In the public sphere, he embodies the meticulously crafted persona of a respected, competent law enforcement officer, and the acclaim that he gleans from this masquerade conceals the deadly predator within. Notably, Angie’s relationship with Michael adds complexity to this dynamic, as her awareness of his true nature is juxtaposed with her complicity in maintaining his façade; although she knew of some of his misdeeds, she actively chose not to expose them. While serving on the Vice squad, Michael misused the authority of his badge to coerce women into having sex with him, and he abuses Gina because he knows how difficult it is for survivors of domestic abuse to navigate society’s existing resources for this issue, especially for those who have a child with a disability and are accusing a partner who is a law enforcement officer.
While Michael’s deeply sinister duality is designed to illustrate the presence of monsters that hide in plain sight, Will’s version of duality reflects the tortured resilience of the survivor. To the outside world, Will is a capable and respected detective, but privately, he struggles with The Long-Term Impact of Trauma and experiences frequent frustrations due to his dyslexia. In this light, his reliance on practical accommodations (such as listening to recordings rather than struggling to read reports) illustrates his dual existence as both a highly competent professional and someone who is constantly battling phantoms of self-doubt. The novel’s deliberately vague references to his scars and past experiences in the foster system also create the sense that he is grappling with far greater issues than are revealed in this installment of the series, and Slaughter is clearly providing just enough information on this point to foreshadow further revelations to come.
John, whose role is crucial to the novel but not to the wider series, does not escape Slaughter’s thematic focus on the contrast between appearance and reality. As a parolee, John struggles with a duality of his own as he tries to navigate his two selves: the innocent boy who was sent to prison and the traumatized man who is unprepared for the demands of the modern world. He is a survivor of systemic corruption and a man who remains deeply haunted by his past, and ultimately, his public persona is forever shackled to the crime that he did not commit. Thus, like Will, John wrestles with his sense of self-worth and his intense desire to achieve some belated form of justice.
Even the novel’s minor characters exhibit discrepancies between public displays and private motivations, as demonstrated by the past actions of John’s aunt Lydia, who contributed to the systemic corruption that led to his wrongful conviction. Even as Lydia pretended sympathy for the young John’s plight, she secretly acted to protect her own son, Michael/Woody, and the justice system was eager to find a scapegoat in a troubled teenager with a history of addiction and behavior issues. In this way, John’s experience delivers a broader critique of the biases and institutional failures that destroy innocent lives while allowing true criminals to operate unchecked. These elements expose a justice system that is more concerned with maintaining appearances and ensuring expediency than with uncovering the truth.
By Karin Slaughter
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