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56 pages 1 hour read

Louise Kennedy

Trespasses

Fiction | Novel | Adult | Published in 2022

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Part 5-EpilogueChapter Summaries & Analyses

Part 5: “When I Move to the Sky”

Part 5, Chapter 25 Summary

After they return home from the pub, Cushla and her mother drink heavily together while Gina recounts stories about Michael. The next morning, Gina makes breakfast for her daughter and calls the school to inform them that she is taking a sick day. Cushla dials the number for Michael’s flat even though she knows he is gone. An unfamiliar voice answers, and Cushla hurriedly hangs up. She goes for a drive, passing Tommy, who looks as though he doesn’t recognize her. Several officers are outside Michael’s house, and she’s so distracted that she nearly hits the constable who tells her to leave. Cushla goes to the gully where Michael gave her the gorse and recalls what he said about the plant bringing bad luck to both the giver and the receiver.

She returns home, and Gerry comes to see her. He picked Davy up because he’d heard that she would miss the last day of school. Her absence also led him to realize that she was in a relationship with Michael. He asks her if she loved Michael, but she can’t bring herself to reply. When an intoxicated Gina returns, ready to share all the details she’s gathered about Michael’s death, Cushla calls Gerry and tells him, “I can’t stay here” (243). She spends the night at Gerry’s home. He listens as she explains how it felt as though something terrible was pursuing Michael for some time and gently stops her when she tries to kiss him.

On her way home the next morning, she visits the McGeowns. When Davy says that he wishes that he could stay in her class, she bursts into tears. Tommy walks her out and says, “Maybe we can meet up. Since you’re not our kid’s teacher anymore” (248). His boldness surprises her, and she leaves feeling unsteady.

Part 5, Chapter 26 Summary

Eamonn drives Cushla and Gina to Michael’s funeral, and he sternly orders his sister not to cry. The minister speaks of Michael’s commitment to justice and his love for his wife. After they leave the church, Cushla tries to talk to Victor and Jane, but Eamonn drags her to the car. At the pub, one of the mourners describes how “When I Move to the Sky” was sung at Michael’s cremation. That night, the news reports that the Provisional IRA is taking responsibility for Michael’s murder; they killed him because they viewed him as a “willing agent of a most corrupt, rotten, and evil judicial system” (254). Gina is worried about Cushla because she feels too ill and nauseated to eat. Cushla goes to bed, buries her face in one of Michael’s sweaters, and weeps.

Someone sets the McGeowns’ home on fire, and Davy calls Cushla. She hurries into the blazing house when she learns that Davy has gone back inside, and she drags him out to his family. An angry crowd gathers around Betty, Seamie, Mandy, and Davy. Tommy is nowhere to be seen, and a woman calls him “[t]hat murdering wee bastard” (257). After Cushla brings the McGeowns to her home, she learns that Tommy was arrested earlier that day and is suspected of shooting Michael. The next morning, Tommy is charged with the murder. Eamonn storms into the house, swears at Cushla, and demands that she send the McGeowns away immediately. He tries to hit her, but Gina stops him. Cushla drives the McGeowns to the home of Seamie’s brother. Davy promises to write to her, and she hugs him goodbye.

Part 5, Chapter 27 Summary

Three days later, two officers take Cushla to the police station. The soldier from the school disco asks her if she was in a sexual relationship with Michael, which she denies until he produces photographic evidence. He then reads passages from Tommy’s diary, in which he describes his feelings for Cushla and notes that she once answered the phone asking for Michael. The officer tells Cushla that she is “the connection between the victim and his killer” (270). She tells the officer that she has done nothing wrong and leaves the station, but, as she walks home, she begins to wonder if Michael would still be alive if he hadn’t met her. Slattery and the headmaster come to the house, and the latter fires Cushla: “Community relations in the town were delicate and her position on the school staff was not, at present, tenable” (272).

Part 5, Chapter 28 Summary

The narrative moves forward a month. Cushla spends much of that time in bed, and Gina takes care of her. The pub’s business suffers as both Catholics and Protestants avoid associating with the family who sheltered the McGeowns. Cushla receives a letter from Davy informing her that he is in foster care and that his sister has been placed elsewhere. Gina tells her daughter, “It’s not your fault. And Michael wasn’t your fault either” (276). Relieved that she doesn’t have to keep the secret from her mother any longer, Cushla tells her how she and Michael were followed and photographed. Gina urges Cushla to carry on with her life, draws her a bath, and prepares a meal for them both. Cushla takes some photographs to be developed and then walks along the lake.

Part 5, Chapter 29 Summary

Cushla picks up the developed photographs and purchases a newspaper. She is afraid of being followed, so she drives somewhere she can be alone. According to the paper, Tommy has been convicted of Michael’s murder. The young man was working on a house near Michael’s, and the barrister invited him in for a cup of tea. She imagines Tommy “with all his rage. Desperate to belong” (281), mistaking Michael for a judge and agreeing to kill him. She sees that she wasn’t the connection between Michael and Tommy after all and that Michael’s murder is just another example of the usual bad luck that plagues the town.

Part 5, Chapter 30 Summary

Tommy is sentenced to life in prison. Gerry is one of the few people in the village who will still interact with Cushla and Gina. He gives Cushla some souvenirs from his vacation abroad and tells her that the school has hired a woman from Ballyclare to replace her. The pub is bombed. Although the damage is extensive, no one is killed. Eamonn suspects that one of his regulars was involved because the police were notified in advance and had time to evacuate everyone. He plans to sell the pub and move his family away, Cushla included. Victor comes to the pub and asks to speak to Cushla. He apologizes for his behavior toward her and explains that he was afraid Michael was drawing too much negative attention between his affair and the police brutality case he accepted. Cushla tells him, “I loved him. But I couldn’t tell him. And I don’t know why the hell I’m telling you” (285). Victor assures her that Michael knew how she felt and that she made him happy in his last months. She tells Victor that she plans to leave, and he congratulates her: “Wherever you end up, think of the rest of us poor bastards, stuck in this hellhole” (285). After he leaves, Cushla looks through her photographs, including one of Michael. For a moment, it’s as though he’s in the pub with her.

Epilogue Summary: “2015”

The narrative moves forward in time to the museum. The middle-aged man who recognized Cushla is Davy. She looked for him for years. Cushla tells Davy that she married a man named Mr. McTiernan and that she has three children and four grandchildren. She remains best friends with Gerry, who is “in a civil partnership with a Mr. Mulgrew” (288). Davy has a daughter with whom he has a strained relationship. He is in a romantic relationship with the tour guide, who is much younger than him, but Cushla assures him that she doesn’t judge him. She touches the hand of the sculpture of Michael and then continues the tour with Davy.

Part 5-Epilogue Analysis

As Cushla contends with her grief over Michael’s death and the fallout from his murder in the novel’s final section, the text examines The Complexities of Relationships in a Divided Society. Due to the nature of her relationship with Michael, a married man from the opposite side of the religious divide, she cannot grieve as she wants: “[His wife] had got his life. His child. His death” (243). Cushla’s family also complicates her ability to mourn. In Chapter 26, Eamonn employs a combination of verbal threats and physical force to bar his sister from expressing her grief or interacting with Michael’s friends at the funeral. In a sense, Cushla has rehearsed for the performance her brother and society demand of her:

It had not been so hard to keep herself together. Skulking at the back of a church during his funeral had just been a continuation of the lying and deceit of the past few months. And it wasn’t as though she deserved better (255).

This passage makes Cushla’s moral dilemma and guilt apparent, invoking the theme of Navigating Ethical Dilemmas. “When I Move to the Sky” is sung at Michael’s cremation, fulfilling the foreshadowing in Chapter 20. In addition, the revelation that the IRA assassinated Michael and claimed he was a “willing agent of a most corrupt, rotten, and evil judicial system” carries tragic irony because he openly condemned the Diplock court system in the newspapers and sought to defend young men in the resistance (254). Michael’s funeral touches on the novel’s central thematic concerns, and the use of literary devices such as foreshadowing and irony adds to the event’s emotional weight.

Because of her relationship with Michael, Cushla becomes entangled in the murder investigation. The police kept him under surveillance, and it’s revealed that the car that pulled up to the flat in Chapter 13 belonged to an officer who photographed them. This revelation creates an atmosphere of suspense and paranoia, and as the officer questions Cushla, she interrogates herself: “What if Michael Agnew would still be alive if he had not met Cushla Lavery?” (271). Cushla faces yet another ethical dilemma as she begins to wonder if she is somehow to blame for Michael’s death.

The revelation that Tommy is Michael’s murderer weaves the subplot with the McGeown family into the main plot. The mob setting fire to the McGeowns’ house with Seamie, Betty, and their two younger children inside develops the theme of The Pervasiveness of Violence while showing how dangerously divided the town has become. Cushla faces a new ethical dilemma when she realizes that she’s placed her family at risk by opening their home to the McGeowns. Indeed, they are in danger even if Tommy is found innocent: “[E]ven if there wasn’t [a connection], to the likes of Fidel and Leslie, the Laverys were harboring the family of a boy who had killed one of them. A customer in the bar. A Protestant” (260). Cushla’s latest ethical dilemma is both the culmination of her efforts to care for the McGeown family throughout the novel and also a sudden consequence of Michael’s murder.

Ultimately, Cushla listens to Eamonn and relocates the McGeowns, but the damage to her reputation is already done. Over the course of the novel, multiple characters have warned Cushla that she could lose her job as a Catholic schoolteacher. In Chapter 27, this foreshadowing is fulfilled but with a twist. Bradley fires her not because of her romantic entanglements, but because she has “befriended a family of ne’er-do-wells, despite being advised against it” (272). Cushla’s courage and compassion costs her her job. Cushla’s month-long depression shows how heavily her losses and ostracization weigh upon her.

The novel’s final chapters bring fresh destruction as well as opportunities to rebuild. In Chapter 29, Cushla learns of Tommy’s conviction and how he met Michael by chance. The revelation that the murder had nothing to do with her offers a measure of comfort and closure. In Chapter 30, the Laverys’ pub is bombed because of Cushla’s connection to the McGeowns. While the act is destructive, it is also liberating: The Laverys are now free to restart their lives away from the town that has turned against them. Eamonn observes, “You might have done us a favor [...] We were losing money” (283). Sitting among the ruins of the building where she met Michael, Cushla finally voices her love for him. While she will never be able to speak these words to Michael, she takes solace in Victor’s certainty that Michael knew her true feelings. Cushla and Michael never have the time to untangle their relationship’s complexities, but her love for him endures.

The Epilogue affords further opportunities for peace and healing when Cushla and Davy’s paths cross decades later. Davy doesn’t blame Cushla for the hardships that befell him and his family, but he doesn’t explicitly pardon her either. Instead, he offers his company and a chance to reconnect, both of which she gladly accepts. The text provides few details about Cushla’s husband, children, and grandchildren, but the mention of her family suggests that she has lived a full life. The final image of Cushla is of a woman who has been forever changed by her love for Michael.

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