55 pages • 1 hour read
Caryl ChurchillA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Angie, age 16, played by the same actor who plays Dull Gret, and Kit, age 12, played by the actor who plays the waitress, are squeezed into a makeshift fort in Angie’s backyard. Angie’s mother, Joyce, played by the actor who plays Isabella, yells for Angie, but Angie and Kit sit silently until Joyce gives up. Angie wishes her mother were dead. Angie and Kit talk about going to the movies, but Angie has no money and doesn’t want to ask her mother or let Kit pay. Angie claims her mother doesn’t like Kit, and Kit retorts that Angie’s mom doesn’t like Angie. Joyce calls from offstage again, demanding that Angie come inside. They wait silently again. Angie claims she made a picture fall off the wall last night by thinking about it. She also claims to have heard a dead kitten outside last night. Kit doesn’t believe her. Angie threatens to leave Kit in the fort all night and not let her go home. She teases Kit and calls her a baby. They argue and insult each other. Angie declares, “I’m going to kill my mother and you’re going to watch” (36), to which Kit proclaims that she isn’t playing. Angie mocks Kit and says she’s afraid of blood. In response, Kit reaches under her dress and holds up her finger, which is covered in menstrual blood, to prove that she isn’t scared. Angie licks the blood off Kit’s finger, announcing that she’s a cannibal or maybe a vampire.
Angie tells Kit that when she gets her next period, Kit will have to lick her blood. Kit says that she’ll vomit, but Angie doesn’t care. Kit proclaims that she’s going home, but Angie says that she can’t leave through the house since Joyce doesn’t like her. Kit says that her mom doesn’t like Angie. Angie calls Kit’s mom a slag, and they argue about whether Kit even knows what the word means. Angie claims that she has “done it” (37), but Kit knows that she hasn’t because she can’t tell her who it was with. Joyce comes out and sweetly offers Angie and Kit some tea and chocolate biscuits. When they don’t respond, Joyce spits, “Fucking rotten little cunt. You can stay there and die” (37). Joyce gives up again and goes inside. Kit asks where the safest location to go would be when there’s a war. Kit suggests New Zealand. Angie hints that she is going somewhere, but she insists that it’s a secret. Kit prods her, but Angie refuses to tell her, asserting, “It’s a true secret” (39). Kit retorts, “It can’t be worse than the kitten. And killing your mother. And the war” (39). When Angie still won’t reveal her secret, Kit tells her meanly that her mother says that Angie has something wrong with her to be 16 and playing with a 12-year-old. Otherwise, she would have friends her own age. Her mother calls Angie a “bad influence.”
Angie grabs Kit’s arm and twists it until Kit yelps in pain, ordering Kit to admit that she’s lying. Kit doesn’t, but Angie lets her go. Angie threatens to leave one day and not tell Kit where she goes. Angie asks Kit if she likes her, and Kit says that she doesn’t know. Angie insists that Kit does like her. She admits that her secret is that she is going to London to visit her aunt. Kit is unimpressed, but Angie argues that her aunt is special because Joyce hates her, and Angie hasn’t seen her in a long time. Her aunt finds jobs for people and takes trips to America. Angie suspects that her aunt is her real mom. She orders Kit to be quiet and cuddle with her. Joyce comes back out and calmly tells Kit that it’s time to go home. Kit replies that they’re planning to go to the movies. Joyce tells Angie that she needs to clean her room first. Angie argues and then goes inside, presumably to clean. Joyce makes awkward conversation with Kit. She asks her about school, wishing that Angie hadn’t dropped out. Joyce tells Kit to stay in school instead of being like Angie, who she doubts will ever find a job or a husband and leave home.
Joyce asks, “What do you want to be when you grow up, Kit?” (43) Kit replies that she wants to be a nuclear physicist. This surprises Joyce, and Kit tells her that she can do it because she’s smart. Joyce questions why Kit spends so much time with a girl who’s much older and whether Kit has friends her age. Kit says that she does, but she loves Angie. Kit insists, “I’m old for my age” (43), adding that Joyce can’t stop them from being friends. Joyce replies that she isn’t trying to stop them. Angie returns from the house. She is wearing an old dress that is a bit too small. Joyce questions her about the dress and her room, insisting that Angie can’t go until it’s clean. Angie picks up a brick. It’s starting to rain, and Joyce urges them both inside. Joyce exclaims, “You’ll spoil your dress. You make me sick” (44). Kit and Joyce rush into the house as the rain begins, but Angie doesn’t move. Kit comes back outside and tells Angie to come in. Angie states, “I put on this dress to kill my mother” (44). Kit responds, “I suppose you thought you’d do it with a brick” (45), and Angie insists that she could. Kit points out that she didn’t do it.
By the end of the second scene in Act II, an unprepared audience member is likely confused by what seems like a collection of vignettes. In some versions of the play, in order to reduce it to two acts rather than three, the intermission and second act are placed after this third scene. But Churchill prefers the three-act structure, and she considers the three-scene arc of the second act to be Angie’s story. In the first scene of the act, Marlene demonstrates that as a woman with power, she is not reaching down to bring other women up. Scene 2 establishes Angie as a young woman who is very far down and would need significant help to rise up. She is a school dropout who is a bit socially strange. Angie and Kit are the first women (or girls as characters, but they are played by adult actors) in the play to treat each other like sisters. As children who are still learning how to interact, they sometimes hurt each other physically or emotionally, but they love each other fiercely. The moment when Angie licks Kit’s menstrual blood from her finger is perhaps unsettling to watch, but symbolically, it’s an adaptation of the “blood brothers” pact made by little boys (and sometimes girls who are adopting the behavior expected of boys) in which they press fresh cuts together to mingle their blood. The “blood sisters” ritual in the play is more personal.
Kit is four years younger than Angie, but she is smarter. She wants to be a nuclear physicist, and unlike Angie, she has friends her own age. Kit has the chance to grow up to be a “top girl.” According to the adults around her, Angie doesn’t, but as Kit tells Joyce, she loves Angie, and they won’t be separated. Despite their frequent bickering, when Angie is told to clean her room before she can go to the movies, Kit offers to help. When Kit has money and Angie doesn’t, Kit is willing to pay. To others, their relationship looks strange and inappropriate. Kit played the waitress in the first act, which was a role of silent service. Angie was Dull Gret, who was largely silent until she suddenly spoke up and showed who she could be. Angie has a violent streak, as she shows by twisting Kit’s arm and by repeating that she plans to kill her mother. But Angie’s violence seems to be a response from her desperate need to get away from her mother and her home. Her belief that Marlene is her mother seems like a childish fantasy concocted by a child who wants to disconnect from her upbringing, but it turns out to be true.
Joyce is played by the actor who plays Isabella, who prefers to be alone rather than tie herself to a home. Isabella struggles with domesticity and nurturing, despite her very real love for her sister and husband. She admits, however, that she was never good at being good. Joyce tries to be sweet and kind to Angie and Kit, but Angie is a difficult child, and when Angie disobeys and frustrates her, the sweetness turns to something hateful as she spews a stream of profanity at the girls. Joyce struggles to relate to Kit when Angie goes inside, making awkward conversation, although she must know Kit quite well by this point. Joyce also speaks about her daughter very differently from how a loving mother typically speaks. She sees Angie as burdensome, because she can’t imagine how she could ever hold down a job or please a husband and leave home. Angie and Kit are the only children in the play, and they represent the next generation of women. As such, the next generation consists of one girl who is bright and likely to knock down barriers and get ahead like Marlene. The other is a bit strange and not very smart, and she will remain in an unchanged cycle of patriarchal oppression unless someone like Kit takes the time to lift her up.
By Caryl Churchill