54 pages • 1 hour read
Charlie DonleaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The unnamed boy at Camp Montague finds an opportunity to speak privately with the girl whom Lolland raped. He tells her his story and, together, they devise a plan to stop Lolland forever.
Jacqueline visits the prison where Reece Rankin is being held. She questions him and learns that he committed rape and murder because two men paid him to do so. In addition, he left a backpack by the body because the men told him it would confuse the police. Jacqueline shows Rankin photos of Duncan and Larry Chadwick, and he confirms that they were the men who paid him.
Annette picks up Lane from the airport. They plan to meet Alex at Annette’s that night.
That night, Lane reveals to Alex that when he ran the information she provided through his algorithm, it revealed the connection between her family, Roland Glazer, and Byron Zell: They all had a connection to Lancaster & Jordan. Unbeknownst to Alex, her parents had hired Lancaster & Jordan to defend them after Glazer’s exposure as a sexual predator. They had been managing his finances for many years. The algorithm also discovered other homicides of people with histories of sexual abuse against minors, and these people all had connections to Lancaster & Jordan as well. All of them were found at the crime scene with photos scattered around their bodies. Lane’s research pinpoints the killer as someone in their mid-forties who was probably sexually abused as a child. In addition, he reveals that when the algorithm searched for similar deaths from before 2013, it uncovered one: at a summer camp many years ago.
At Camp Montague, the victims of Lolland’s abuse attach a gas line to his cabin and asphyxiate him. Once he’s dead, the girl enters his cabin through a window, finds photos that he took of his victims, and scatters them around his body.
Lane reveals that Lolland’s case was ruled death by suicide, but he now suspects that someone at the summer camp killed Lolland—someone who went on to commit this string of murders of child sex predators. When Alex asks for the names of the children at the camp, Lane directs her to the man who investigated Lolland’s death.
Alex heads to the firm, where, with the help of an old friend, she hacks into the client database. She goes through all the cases Lane identified and finds that Jacqueline was the attorney assigned to each. As Alex begins to investigate Camp Montague via the web, Jacqueline appears in the doorway.
Jacqueline arrives at the firm late to finish up some work and finds Alex there. Alex explains that she was finishing up work on the Matthew Claymore case and quickly leaves. Jacqueline doubts Alex’s explanation and goes through the tabs on the computer Alex was just using. She finds all of the cases Alex had pulled up, along with articles about Lolland, and realizes that “her visit to the Quinlan home […] had finally caught up with her” (307).
Alex heads to Wytheville, VA, where she meets Martin Crew, the man who investigated Lolland’s death. Crew reveals that even though it was officially death by suicide, he never believed it. He has evidence that suggests a killer and thinks he knows who it is.
Jacqueline, realizing what Alex has discovered, follows her to Wytheville. Although she initially plans to break into the hotel room where Alex is staying, the sound of a car being unlocked derails her plan. Seeing Alex leaving the parking lot, Jacqueline follows her to a nearby bar.
Crew reveals that the outside of the window, through which the gas line that killed Lolland was slipped, had fingerprints. Because he took prints of everyone at Camp Montague that summer, Crew knew that these prints belonged to Jacqueline Jordan. Because Lolland had assaulted many children at the camp, however, Crew couldn’t use the prints as evidence because Jacqueline was already inside Lolland’s cabin when he assaulted her.
Alex returns to her hotel room to sleep. She realizes that she might be able to match the lone fingerprint from the site of her family’s murders to Jacqueline’s because Jacqueline would have given her print when she took the bar.
Alex wakes to find Jacqueline in her hotel room, injecting her with a chemical that is paralyzing her.
Jacqueline explains that the drug is slowly paralyzing Alex but won’t kill her because it wasn’t administered directly into her heart. She then explains that she killed Alex’s parents because they aided and abetted Glazer and that her brother was “collateral damage.”
Jacqueline admits that she thought about killing Alex at her apartment last night but that Alex’s “mentor” talked her out of it. She adds that she knew she’d eventually have to kill Alex, however, because Alex would never stop searching for the truth. Just as Jacqueline fills another syringe with the paralytic agent, the FBI burst into the room.
Annette, pointing a gun, comes into the room, announcing herself as FBI. Jacqueline refuses to move away from Alex and, just as she’s about to plunge the syringe into Alex’s heart, Annette shoots.
Motivated by memories of Raymond, Alex gets out of bed and moves toward the gun that got away from Annette in the scuffle. Alex hears Jacqueline plunge the syringe into Annette. When Jacqueline gets up and notices that Alex isn’t where she should be, Alex shoots.
Both Alex and Annette recover from the paralytic. Alex retrieves Jacqueline’s fingerprint from the bar and confirms Jacqueline killed her parents. She decides not to go public with this information, since it would destroy Garrett’s career.
Alex returns to her family home, where she meets a realtor who confirms that the house will easily sell. Movers come and take away the grandfather clock. Tracy Carr arrives at the house, and Alex says that she wants to make Tracy an offer.
Alex moves back to London, where she starts working as a private investigator at Leo’s firm. She sees that Tracy Carr has broken the story about Laura McAllister’s report—a story that Alex gave her in exchange for Tracy dropping all investigation into Alex’s personal life.
The unnamed boy from Camp Montague, now a grown man, visits the Chadwick’s private estate. Since the legal system hasn’t brought the Chadwicks to justice, the man waits outside their house intending to enact justice of his own.
On the night of the Quinlan murders, the boy from Camp Montague waits in the car outside the Quinlan home as Jacqueline commits the murders. When Jacqueline emerges, she confesses how the killings went awry and Raymond was murdered. The man returns home, disturbed. Later, his wife, Donna, calls him, and Garrett Lancaster heads to the police station to meet Alex Quinlan.
Buck Jordan’s status as a red herring comes into play once again in this section, in Chapter 72. The use of the ambiguous “he” pronoun throughout this chapter suggests that the narrator is the same unnamed male character in the Camp Montague Interludes. Readers must infer, based on the clues earlier in the novel, who this male survivor of childhood sexual abuse could be. Buck Jordan, given his alcohol use disorder and virulent hatred of sexual “perverts,” seemingly fits the profile. His function as a red herring in this chapter sets up the element of surprise that comes with the revelation of the novel’s final Interlude.
This closing section brings full circle a motif that the novel established on the first page: the idea of sin. Jacqueline, in making her decision to scatter Lolland’s photos around his corpse, says that “the world needed to know his sins and judge him accordingly” (298). This assertion recalls the novel’s opening lines, in which Jacqueline claims that “the most egregious sins should always be noticed and never forgiven, and that those who commit them should be punished” (1). This language of sin and punishment offers a lens into Jacqueline’s mindset. “Sin” connotes a violation of moral rather than legal boundaries; if Jacqueline views the transgressions of rapists as “sins” rather than “crimes,” it suggests that she holds her victims to a moral code outside the bounds of the American legal system. If the actions of these rapists are “sins,” this further suggests that retribution for their actions must likewise come from outside the legal system; in this way, Jacqueline can justify her actions as necessary and morally correct, if not legal. Jacqueline’s actions are motivated by the trauma she experienced as a survivor of sexual assault, foregrounding The Effects of Sexual Violence as a theme.
Jacqueline isn’t the only character in this section who enacts retribution. Alex, too, has to make choices about what actions are justified for the sake of punishment and revenge. After getting her hands on Annette’s gun while Jacqueline and Annette are fighting, Alex chooses to murder Jacqueline. This choice is, in part, self-defense: In her somewhat paralyzed state, Alex has little choice but to kill Jacqueline or be killed. This choice, however, intimately connects to her honoring the memory of her family and getting at the root of her own trauma. In the moment before pulling the trigger, “Alex took a calming breath, focused her mind like a laser, allowing the image of Raymond standing outside their parents’ bedroom to fade from her thoughts long enough for her to concentrate” (333). Unlike Jacqueline’s killings, Alex’s murder of Jacqueline is legally defensible. Like Jacqueline, though, Alex allows her own system of moral evaluation to factor into her decision. Raymond is the one member of Alex’s family who was murdered without any reasonable justification whatsoever; his presence in Alex’s thoughts as she chooses to pull the trigger suggests that her decision is motivated, in part, by her desire to avenge his murder. Both Jacqueline and Alex use violence as a means of retribution in this section; their differing and overlapping motives explore the novel’s nuanced stance on the use of violence inside and outside of the legal system, introducing the theme of The Limits and Possibilities of Extrajudicial Violence.
In addition, these closing chapters touch on the theme of The American Cultural Obsession With True Crime when Alex strikes a deal with her media devil, reporter Tracy Carr, giving her the means to expose the truth about the institutional silencing of rapes at McCormack University. In exchange, she asks that Tracy cease all mention of the Quinlan murders or Alex.
Throughout the novel, Alex works largely by herself. Although she receives help from Leo to escape from Drew and Verne, and although she learns her trade from Buck, most of her snooping, stealing, and discovering throughout the novel is done alone. This dynamic begins to shift in this closing section, however, as Alex starts to learn to make the most of the skills and kindness of others to achieve her goals. To hack the Lancaster & Jordan computers, for example, Alex reaches out to Kyle Lynburg, a friend from her time in juvenile detention. When Alex needs to leave Lancaster & Jordan at the end of the novel and doesn’t know where to go, she reaches out to Leo, who readily offers her work. These actions suggest that Alex has come to understand the importance of community-building. While the revelation that her employer murdered her family might have shattered her ability to trust others, Alex’s actions throughout this closing section suggest that her experiences, and her time processing her trauma, have helped her start to build a stronger, more open community.
By Charlie Donlea
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Guilt
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Memory
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Power
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Revenge
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The Past
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