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54 pages 1 hour read

Charlie Donlea

Those Empty Eyes

Fiction | Novel | Adult | Published in 2023

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Part 2Chapter Summaries & Analyses

Part 2: “The Escape”

Part 2, Chapter 7 Summary: “Tuesday, September 29, 2015; Paris, France; 1:35 p.m.”

For two years after winning her case, Alex lived under the care of the Lancasters but now attends university in Cambridge, England. She has been lying to the Lancasters about what she’s doing in Europe: Although she’s technically enrolled in university, she’s actually searching for answers about her family’s murders.

Part 2, Chapter 8 Summary: “Tuesday, September 29, 2015; Paris, France; 1:45 p.m.”

On a train leaving Paris, Alex reflects on how the police chalked her family’s murders up to a botched home invasion—a theory that doesn’t explain the lone fingerprint found on the windowsill and the photo of three women left at the bottom of her parents’ bed. Alexandra has been investigating these two pieces of evidence, along with a box of unmarked statements from a Swiss bank that she found in her father’s belongings, as she tries to solve the mystery herself.

Part 2, Chapter 9 Summary: “Wednesday, September 30, 2015; Zürich, Switzerland; 9:35 a.m.”

Alex speaks to a banker at the Swiss bank where the statements originated. She transfers $1,000,000—money from her settlement—into the bank and then tries to bribe the banker to give her information about the statements. Since no name is attached to the statements, the banker refuses, so Alex leaves. However, the banker’s assistant, Drew Estes, recognizes Alex.

Part 2, Chapter 10 Summary: “Wednesday, September 30, 2015; Zürich, Switzerland; 11:30 a.m.”

Upon seeing Alex leave the bank, Drew contacts his girlfriend. Both are true crime fanatics and are obsessed with the conspiracy theory that Alex Quinlan killed her family but got away with the murders.

Part 2, Chapter 11 Summary: “Wednesday, September 30, 2015; Zürich, Switzerland; 9:41 p.m.”

Alex goes to a bar, where she thinks about how she’s going to explain to her guardian, Garrett Lancaster, why she moved $1,000,000 of her settlement money into a Swiss bank. From a booth in the bar, Drew and his girlfriend, Verne, watch her.

Part 2, Chapter 12 Summary: “Friday, October 2, 2015; Cambridge, England; 2:15 p.m.”

During one of her rare trips to campus, Alex encounters a girl who invites her out for drinks later that night and gets her address in doing so. The girl is Verne.

Part 2, Chapter 13 Summary: “Friday, October 2, 2015; Cambridge, England; 7:45 p.m.”

Later that night, Verne and Drew arrive at Alex’s apartment. They reveal that they know Alex’s history, and they threaten Alex that they’ll expose her location and identity to the paparazzi unless she gives them money. Alex haggles with the pair over how much money to pay them, while scheming about how to get to her bedroom. She tells them that she has 1,000 pounds in her room—enough to tide them over until she can properly manage a withdrawal of the larger amount they’re demanding. In her room, Alex instead retrieves a loaded gun that Garrett secretly and illegally got her when she first moved to England. Verne sneaks up behind Alex while she has the gun in hand, frightening her, and she inadvertently fires the gun. In the aftermath of the gunshot, Verne is on the floor, and Drew runs for the door, which suddenly bursts open.

Part 2, Chapter 14 Summary: “Saturday, October 3, 2015; London, England; 10:05 a.m.”

Alex awakes 12 hours later with no memory of what happened after firing the gun. She’s in Leo’s apartment, and he explains that Garrett hired him to keep her safe. He followed her to Switzerland, where he noticed Drew and Verne starting to track her; he broke into her apartment immediately after hearing the gunshots. Leo reveals that he captured Drew and Verne.

Part 2, Chapter 15 Summary: “Saturday, October 3, 2015; London, England; 10:15 a.m.”

Leo and Alex discuss what to do with Drew and Verne and how to keep them from going to the police. Leo describes the pair as “useful idiots,” which gives Alex an idea of what to do with them.

Part 2, Chapter 16 Summary: “Monday, October 5, 2015; London, England; 11:22 a.m.”

Under orders from Leo, Drew Estes returns to Switzerland to retrieve information from the bank where he works. Leo has threatened Verne’s life if Drew doesn’t comply.

Part 2, Chapter 17 Summary: “Thursday, October 8, 2015; London, England; 4:20 p.m.”

Drew returns to London and meets Leo and Verne in a pub. There, Drew delivers documents he stole from his boss’s computer. Leo tells the couple that he’ll harm their families if either of them says anything about the encounter with Alex; Drew and Verne agree to stay silent.

Part 2, Chapter 18 Summary: “Thursday, October 8, 2015; London, England; 5:15 p.m.”

Leo delivers the papers from the Swiss bank to Alex. When Alex leaves Leo’s apartment, a car pulls up. Garrett gets out of the car and tells Alex that she’s being removed from school and returned to the US, where he’ll give her a job.

Part 2 Analysis

The opening of this section signals that the text is jumping two years ahead. The novel’s many time jumps are necessary to convey the complexity of the mystery at the heart of the story: Understanding the truth behind the Quinlan murders means understanding a history of violence and abuse that spans many decades. The shifting between time periods, however, especially periods within Alex’s life, poses a challenge, raising the question of how the text can maintain its breakneck pacing while also conveying how much the circumstances of plot and characterization change between these periods. Chapter 7 exemplifies one solution to this question. The opening chapter of this section switches from being told in-scene to being told entirely in summary, relaying a lot of information quickly and keeping the pacing of the section brisk. The switch to an in-scene moment at the end of Chapter 7 helps the text transition smoothly into a moment in Alex’s life that instigates this section’s plot.

Even though Drew and Verne aren’t American, they epitomize the theme of The American Cultural Obsession With True Crime as consumers of American true crime stories. In attempting extortion, they take their obsession further than simply reading or viewing crime stories, engaging in criminal activity themselves. This emphasizes the novel’s underlying message about the harm that the media can unleash on innocent people like Alex who have already experienced the traumatic effects of a crime. Except for the two chapters centering on them, this section of the novel is told entirely from Alex’s perspective and thus does significant work in characterizing Alex by showing how she’s changed in the years since the trial and how the events of the past have shaped who she is now. Subtext conveys much of this information. After Leo rescues Alex from Drew and Verne, for instance, she asks Leo what happened, saying, “Last night is one big blank spot in my mind” (102). Alex’s memory lapse can be read as a trauma response. She hasn’t heard gunshots since the night her family was murdered; the act of turning a gun on other people with the intent to kill could resurface these memories and their trauma. The text uses Alex’s memory trouble to build on her characterization in the previous section and to demonstrate how her past still affects her.

Because this section is narrated almost exclusively from Alex’s perspective, and because the novel uses a limited third-person perspective throughout, the reader’s understanding of the circumstances motivating the events of the plot is limited to Alex’s understanding, which is highly effective in this section. At this point, Alex understands herself as someone who operates fundamentally alone: She believes that it’s up to her to discover the truth behind what happened to her parents, even if this means duping Garrett and Donna into believing that she’s thriving at university. Since this is her mindset, Alex is twice surprised in this section by the emergence of characters who, in her view, shouldn’t be nearly so physically present in her life: first by Leo’s intrusion into her flat, and later by Garrett’s arrival on her street. The appearance of these characters is also surprising for readers because of how completely the novel immerses itself in Alex’s perspective; logically, however, it makes sense that Garrett would keep tabs on Alex and her scholastic troubles. Throughout this section, the third-person limited perspective is a tool both for characterization and for creating a sense of surprise.

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