logo

54 pages 1 hour read

Charlie Donlea

Those Empty Eyes

Fiction | Novel | Adult | Published in 2023

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Interlude 1-Part 1Chapter Summaries & Analyses

Part 1: “The Final Witness”

Interlude 1 Summary: McIntosh, Virginia; January 15, 2013

Content Warning: This section of the guide discusses murder, death by suicide, rape (including rape of minors), child pornography, alcohol use disorder, and gun violence.

An unidentified shooter invades the Quinlan home and shoots a man and woman while they’re sleeping in bed. When their 13-year-old son, Raymond, comes to investigate the noise, the shooter kills him too. Knowing that the Quinlan family has a fourth member, the shooter breaks down the door to 17-year-old Alexandra’s bedroom but finds the bedroom empty and the window open.

Part 1, Chapter 1 Summary: “District Courthouse; Thursday, September 26, 2013; 3:05 p.m.”

In the months after the Quinlan murders, Alexandra was wrongly accused of killing her family, sent to juvenile detention, and released. Alexandra is now suing the McIntosh police force, who wrongly assumed she was guilty. Her attorney, Garrett Lancaster, questions a police officer (Donna Koppel, who is also his wife) as part of his prosecution. He worries about Donna’s testimony because it “goes against” the story that the McIntosh police established after Alexandra’s detainment.

Part 1, Interlude 2 Summary: “McIntosh, Virginia; January 15, 2013; 12:46 a.m.”

The night of the murders, Donna (a police officer) arrives at the Quinlan home. She’s greeted by a neighbor who heard gunshots and called the police. When her backup arrives, Donna enters the house.

Part 1, Chapter 2 Summary: “District Courthouse; Thursday, September 26, 2013; 3:30 p.m.”

Local attorney Garrett questions Donna about her state of mind the night she entered the Quinlans’ house. He establishes that she was nervous, since this was the kind of call that most police officers rarely receive. He asks Donna if she would have done anything differently that night knowing what she knows now, and she says yes.

Part 1, Interlude 3 Summary: “McIntosh, Virginia; January 15, 2013; 12:54 a.m.”

Donna and the other officers enter the house and find Raymond’s corpse upstairs. They then find Alexandra, covered in blood and holding a gun; she’s sitting in front of the bed where her parents’ bodies lie. Donna arrests Alexandra.

Part 1, Chapter 3 Summary: “District Courthouse; Thursday, September 26, 2013; 3:50 p.m.”

During his line of questioning in court, Garrett establishes that three hours after Alexandra’s arrest, Donna began to suspect that the police incorrectly concluded that Alexandra killed her family. Garrett proclaims that rather than helping a distressed young woman, the police that night contributed to the media frenzy surrounding the murders that stigmatized Alexandra and sent her to prison. After, he calls his final witness: Alexandra herself.

Part 1, Chapter 4 Summary: “McIntosh, Virginia; Thursday, September 26, 2013; 6:08 p.m.”

After the difficult day in the courtroom, Donna and Garrett return home and sit outside together in silence.

Part 1, Interlude 4 Summary: “McIntosh, Virginia; January 15, 2013; 1:12 a.m.”

A reporter comes to the Quinlan house as the police exit with Alexandra. The reporter asks her whether she fired the shots, to which she replies, “They’re all dead” (30). The reporter notices that Alexandra’s eyes look empty.

Part 1, Interlude 5 Summary: “McIntosh, Virginia; January 15, 2013; 3:20 a.m.”

An hour after the shooting, a detective arrives at the police station where Alexandra is being held for questioning. Donna insists that the detective be gentle with her, but the detective, already assuming that Alexandra is the killer, insists that he must get the truth and adds that Alexandra’s feelings are thus inconsequential.

Part 1, Interlude 6 Summary: “McIntosh, Virginia; January 15, 2013; 3:30 a.m.”

As Donna watches the detective interview Alexandra, she begins to feel that something about the situation isn’t right. Her fellow police officers tell her to just let the detective do his job, but Donna decides to call Garrett instead.

Part 1, Interlude 7 Summary: “McIntosh, Virginia; January 15, 2013; 4:05 a.m.”

Garrett arrives at the precinct, and Donna fills him in on what’s happened. She asks him to take Alexandra’s case as her attorney.

Part 1, Interlude 8 Summary: “McIntosh, Virginia; January 15, 2013; 4:15 a.m.”

Donna’s fellow officers are upset that she called her husband in; to them, the case is clear-cut. Garrett is quick to question the police as to whether they followed the correct steps in locating next-of-kin for their questioning of a minor; this gives the police pause, and Garrett takes the opportunity to speak with Alexandra privately.

Part 1, Chapter 5 Summary: “District Courthouse; Friday, September 27, 2013; 9:12 a.m.”

Garrett calls Alexandra to the stand, where she tells the jury about how she was wrongfully sent to juvenile detention and mistreated by the minors there because of how the media portrayed her: as a cold-blooded killer. In addition, Garrett establishes that her detention stopped her from completing high school on time and affected her ability to attend college. He then questions her about the night of the murders.

Part 1, Interlude 9 Summary: “McIntosh, Virginia; January 15, 2013; 12:26 a.m.”

The night of the murders, Alexandra wakes to gunshots. She goes to her parents’ room after Raymond, arriving just in time to see his murder. Returning to her bedroom, she considers jumping from the window but decides not to, instead leaving the window open and locking her bedroom door from the outside. She hides behind a grandfather clock in the hall and watches the shooter break down her bedroom door, fail to find her inside, and then leave through the front door.

Part 1, Chapter 6 Summary: “District Courthouse; Friday, September 27, 2013; 10:32 a.m.”

Garrett establishes in his questioning that Alexandra heard the shooter drop a gun in the foyer. She says she went to the foyer to get the gun because it was her father’s, and she knew that it could hold only two cartridges at a time; however, she heard three shots, so she knew that it must still hold one cartridge. Retrieving the gun, she went to her parents’ room to defend them in case the shooter returned. After establishing these facts, Garrett turns the witness over to the defense attorney, who refuses to question Alexandra.

Interlude 1-Part 1 Analysis

This first section immediately showcases some of the many uses of the novel’s mosaic approach to story-building. These chapters oscillate between perspectives and time periods: Some chapters narrate Garrett’s prosecution of the state of Virginia; some tell the story of what happened the night of January 15, 2013; and others depict what’s happening outside the courtroom during the trial. The sections narrating the aftermath of the Quinlan murders are told from Donna’s third-person limited perspective. As a police officer, Donna’s job is to impartially observe the crime scene; the text repeatedly emphasizes that Donna is one of the only police officers who is truly impartial in her assessment, implying that Donna’s narration represents the “truth” of what happened in the aftermath of the murders. These sections juxtapose Garrett’s grandiose prosecution of the State on Alex’s behalf. This braided structure reveals where Garrett’s questioning and his witnesses’ testimony diverge or align with the objective “truth” of Donna’s narration of the interludes.

In addition, the mosaic approach in this opening section demonstrates the role of community in responding to an incident like the Quinlan murders. Although these murders have the greatest impact on Alex, not until the end of this section does the text reveal the evening of January 15 through her eyes. Instead, the events of that evening and their aftermath are told by the killer, Garrett, Donna, Tracy Carr, and even by the defense attorney, highlighting how the perceptions of many different community members shape the ways that deeply personal tragedies become public. In addition, this approach demonstrates how competing versions of what is “true” quickly emerge: The image of Alex sitting at the foot of her parents’ bed after their murders means something significantly different to Donna than it does to the other officers at the crime scene; similarly, Alex’s vacant stare has a different meaning for Tracy than it does for Donna. In responding to a tragedy, a community creates and disseminates many stories about that tragedy.

The novel critiques true crime stories, introducing the theme of The American Cultural Obsession With True Crime. These opening chapters do significant work in characterizing the Quinlan murders as the quintessential true crime story. The novel positions the events of January 15, 2013, as an intrusion of peace-shattering violence in the ordinary, relatable world of suburban America. Alex, a typical suburban teen, dupes the killer via a door-locking trick that she learned as a result of her desire to sneak out of the house at night, and she evades the killer by hiding behind the family’s grandfather clock. The clock and the sneaky door-locking symbolize modern suburban life; however, the murders reconfigure both of these symbols into reminders of Alex’s trauma. The imposition of violence on the suburban sphere is a central conceit of the true crime genre, a conceit that the novel uses liberally in this opening.

blurred text
blurred text
blurred text
blurred text