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51 pages 1 hour read

Susan Beth Pfeffer

This World We Live In

Fiction | Novel | YA | Published in 2010

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Part 3Chapter Summaries & Analyses

Part 3: “June”

Part 3, Chapter 8 Summary

The family is startled when the doorbell rings: Miranda’s father has returned, along with his wife and baby. The baby’s name is Gabriel; it is not the Baby Rachel that Miranda dreamed of, but she is happy to see that he is healthy—and now, hopefully, safe. Traveling with them are three others: 18-year-old Alex Morales; his 14-year-old sister, Julie; and a middle-aged man named Charlie. They have become like family during their travels.

Dad and his wife, Lisa, relay the story of what happened. They never made it out west to discover if Lisa’s parents were still alive. Instead, they were shipped from one evacuation camp to another—thankfully, Lisa always received extra rations because she was pregnant—where they eventually met Charlie. Their descriptions of the camps “make it sound like a prison camp,” as Matt comments (92). After the birth of Gabriel, they decided to make their way back to Pennsylvania; on the way, they met Alex and Julie. Mom determines sleeping arrangements and offers everyone food.

The next day, Miranda overhears Mom and Matt having an argument while she is trying to hide her diaries in her room. Matt realizes that they do not have enough food to share with five other people and a baby; Mom will not turn them away—especially since Gabriel is a baby. Miranda also hears that her dad wanted to take her with him when they left before, but Mom vetoed the idea. When Miranda sneaks out of her room and goes downstairs, she overhears another argument, this time between Dad and Lisa. They do not want to allow Alex to take Julie to the convent; Lisa, in particular, believes that Julie has been a literal godsend. Alex comes into the living room and notices that Miranda is eavesdropping on the conversation. He asks to borrow some of the textbooks he has seen so that Julie can continue her studies. Miranda directs him to Jon’s ninth-grade texts.

Part 3, Chapter 9 Summary

While Miranda thinks that she should be feeling better—her father is back, her little brother is healthy, and she has met an interesting teenage boy—she still feels unsettled. Jon seems to have fallen for Julie. The food situation continues to be of concern, and everyone cuts their rations back, except for Lisa, who is still nursing. Miranda notices that Charlie eats the least of anyone, and he explains that he was once quite overweight. He feels healthier for having been forced to eat less.

Dad tells the kids that he will not leave them again, which is a relief to Miranda. They make a plan to get more food from City Hall—Dad will pretend to be Bob Nesbitt, their neighbor’s son—and then they will set up the Nesbitt house for the five of them to stay in. Meanwhile, Miranda is trying to find a secure hiding place for her diaries when Alex interrupts her. He asks if Julie can borrow some clothes. He also notices all of Miranda’s books and admits that he misses reading. He sees a copy of Pride and Prejudice on her shelf and talks about the sin of pride. He talks about how, before the disaster, he decided—after a fight between his parents over money—that he would never be poor again. He worked hard, and he felt smart and proud. Now, he feels like nothing more than a beggar. Miranda can sense his despair.

Miranda and Dad successfully convince Mr. Danworth of City Hall to increase rations for the “Nesbitt” family. Miranda realizes that she is jealous of her father’s attachment to Alex and Julie. Later that week, Mr. Danworth comes by to meet the baby and check on the family. Everyone fawns over the baby, and Miranda understands that he represents hope for the future—not just for Dad and Lisa but for everyone.

Part 3, Chapter 10 Summary

Mom starts overseeing school lessons for Jon and Julie, though Miranda is aware that Jon’s real interest is in spending time with Julie. She decides to start clearing out Mrs. Nesbitt’s house so that she can have some time to herself. She is interrupted by the arrival of Syl and Julie; thus, she is pleased when Alex asks her to go searching through houses with him. She is thankful that he does not talk much.

However, Alex offends her when he suggests that they look in places other than the suburbs; he thinks there may be more left out in the countryside. Out of spite, Miranda takes them past the pile of bodies she discovered; they are now decaying rapidly in the warmer weather. She is further bothered by the fact that Alex seems to take in all of this without fear or sadness. It is simply the way the world is right now.

They do not have much luck at the first couple of farmhouses they encounter, though Miranda finds some paperback mysteries. Then, they stumble upon a farmhouse wherein the smell coming from the kitchen is overpowering. Miranda wants to move on, but Alex presses forward. They find the dead bodies of a man and his dog in the kitchen. Alex deduces that the man has something hidden somewhere, based on the fact that he did not kill his dog (the dog had been feeding on the man’s body before dying). They search the house, to no avail, but find a treasure trove of non-perishable foodstuffs in the barn, including four 20-pound bags of rice. They also find a van with a quarter tank of gas. After loading it up, they head home. When they return, everyone celebrates—and Miranda sees Alex smile for the first time.

Since some of the food is technically expired, Charlie suggests that everyone take on a “food buddy” to try a little bit from each can. If nobody gets sick, then that can is safe to eat. Miranda and Alex end up together in this endeavor, even though Alex annoys her. On Sunday, Dad’s group decides to observe the Sabbath and pray. Miranda and Mom decide to break down boxes.

Part 3, Chapter 11 Summary

Jon and Julie go into town for the weekly food rations. When they return—with a dozen bags of food—everyone is elated. This, along with the stash that Alex and Miranda discovered, means that they will have enough food for everyone, at least for a while. Mom decides to throw a kind of makeshift party. They enjoy soup and spinach; rice, shad, and green beans; and then some dried figs for dessert. Afterward, they play charades until Syl brings down her guitar. They try to remember the words to Beatles songs. Julie asks Syl if she could teach her how to play. When Syl says yes, Alex interrupts: It would be pointless because they are leaving in a few days. He insists that she go to the convent that their older brother, Carlos, suggested when they saw him down in Texas, where he is stationed with the Marines. Julie wants to stay, and they engage in a raucous fight.

When Dad and Lisa try to convince Alex that Julie could stay with them—she is family, they insist—Alex will not accept this. He says that only the church will be able to keep her safe. Julie runs outside, and Miranda follows her, bringing her a coat. Julie explains that since their parents are gone, Carlos is the authority. Alex will leave her at the convent, and then he will go on to Ohio where there is a monastery he will join. Charlie comes outside to coax them back into the house, and Julie notes that she misses the stars. The conversation veers toward the idea of life on other planets; they do not know about the suffering here on Earth, just as Miranda cannot know about their suffering elsewhere. At least they—Mom; her brothers; Dad, Lisa, and Gabriel; Charlie; and Alex and Julie—have survived, she thinks; at least this makeshift family is together.

The next day, Dad and his group move over to Mrs. Nesbitt’s house. Miranda feels like their house is now too quiet.

Part 3, Chapter 12 Summary

Lisa persuades Miranda to talk to Alex about not taking Julie away. Miranda is not very hopeful that she will have any success, but she agrees to try. Miranda and Alex go out looking for more supplies again, and this time, Miranda convinces him to stay in the suburbs. On the journey, Miranda brings up the subject, and Alex insists that they are leaving tomorrow. Miranda questions him about the logistics—and the logic—of his plan. Alex explains that he has seen far worse than Miranda has, back in New York City; he understands how slim their chances of survival are. He must save Julie, he thinks, and then he will join the monastery as penance for what he has done (which he does not relay to Miranda; see: Background). He begins to sob. Miranda convinces him to stay for the weekend; if he still insists on leaving, then they can do so on Tuesday, after the food pick-up on Monday.

Horton has quit eating, and Miranda fears the worst. She knows that Jon, in particular, will be devastated. Charlie stops by to invite them over to the Nesbitt house for Sunday prayers and dinner. Mom decides to stay behind, as she needs some time to herself, she says. After the dinner, Alex walks Miranda back to her house. He tells her that she “would have been [his] dream girl” in another world (149). She implores him to stay, but he will not budge on his plans. They kiss, and she walks the rest of the way home alone.

Part 3, Chapter 13 Summary

The next day, it begins to rain and never stops. Miranda is stuck in her house, so she does not know if Alex and Julie have left yet—surely, they will wait until the weather clears. It rains steadily for the following two days, after which the ground has turned into a muddy mess. Miranda and Matt have a fight over Alex leaving: Matt thinks that Alex is terrible at hard work, like chopping wood, and Miranda retaliates that Syl does not contribute much, either. The argument becomes so heated that Miranda fears that Matt may hit her. Mom intervenes, and Miranda runs outside, where she immediately runs into Alex. They kiss and hold each other, and Miranda begs him not to leave. He still refuses to hear her pleas.

Alex and Julie are staying, for now, because Julie has developed a cough. Alex insists that they will leave as soon as she is better. Miranda asks him why he feels the need to take her away from her makeshift family and leave her with strangers in the convent. She asks him why he is willing to sacrifice his relationship with her. Alex says that he refuses to allow Julie to suffer: He has squirrelled away some sleeping pills, and if the need arises, he will administer them to her and aide her death rather than let her suffer. While Miranda is appalled, she also understands.

Miranda dreams that Alex asks her to marry him. She begins to think that once Alex takes Julie somewhere that he believes is safe, he will come back to Miranda. When Alex drops by the next day to say that they are leaving the following day, Dad offers them the van; this infuriates Matt. Miranda points out that Alex found the van, and they decide that they will split the gas between them. Matt suggests that they siphon the gas into one of the more fuel-efficient cars available—but Mom has neglected to keep them operational, which, in turn, infuriates Dad. The entire group is fighting.

Once everyone calms down, it is decided that Dad will drive Alex and Julie to the convent. They will take the van, and Miranda will accompany them. Dad wants to spend some time with her. Miranda believes that this works to her advantage: Once Julie is safely ensconced at the convent, Alex will come back home to be with her.

Part 3, Chapter 14 Summary

When Miranda arrives at the Nesbitt house, she finds Lisa and Dad in a fight. Lisa is distraught that Dad is actually allowing Julie to leave. Lisa and Julie have formed a tight bond, and Lisa believes it is God’s will that the two stay together. However, Dad cannot circumvent Alex’s will; neither Alex nor Julie is his child to overrule.

After they set off, Miranda understands that in such an unstable world, she might never travel this far again. The van overheats several times during the journey, but they eventually make it to the convent. There are no girls there and no sanctuary. There is only one lone nun left behind, Sister Grace. She has been instructed not to take anyone else into the convent. Another nun has died in her bed, and they help bury her before they leave.

The van finally ceases to run when they are still 40 miles from home. They have given all their food supplies to the nun, and now they must endure two or three days of walking to get home. Dad tries to keep everyone’s spirits up, and they finally make it back—only to find that, while they were gone, Horton died.

Part 3 Analysis

The arrival of Dad, Lisa, and Gabriel creates a conflict between the impulse to welcome loved ones and the need to conserve scarce resources. Miranda’s first thought, aside from expressing joy at the return of her father, is of food: “Did Dad expect us to feed all these people? Sure, he and Lisa were entitled to whatever we could give them, but the others were strangers to us” (90). The scarcity of food, as well as otherwise limited resources, underpins all the family’s discussions and logistical plans. Later, when the group finally agrees to let Dad drive Alex and Julie to the convent, the argument is over the limited supplies of gas available. Though they all care for each other and want the best for each other, this world of scarcity sometimes requires ruthless calculations.

These calculations, and the impoverished circumstances of all who have survived thus far, are counterbalanced by the growing attachment to religious faith as a means of Finding Hope Amid Scarcity and Loss, as further explored in Symbols & Motifs. While Miranda does not remember either her father or Lisa ever being very religious before the disaster, they now hold Sunday ceremonies, Bible studies, and prayer groups on a regular basis. Lisa has come to believe that “God brought Julie to [her], to help [her] through. He can’t want [her] to lose her” (99). Her belief buoys her through the most difficult of times, and it helps her cope with the fact that she was never reunited with her parents and has no idea if they are alive. Julie, too, has accepted that she will likely never see her parents again. Through this, and through their religious faith, the two bond.

In contrast, Miranda and Mom—the two members of the group who never join in the religious activities—rely on hope and luck. Miranda thinks about what Alex and Julie must have endured, traveling the country by themselves, with no parents to protect or care for them. She decides, unequivocally, “I’m one of the lucky ones” (100). This also informs her reevaluation of getting lost and seeing the mound of bodies in the field: She could have been stranded, assaulted, or stuck outside overnight in the cold.

Although Miranda is maturing as a young woman, she still struggles with The Tension Between Responsibility and Independence. She worries that someone will invade her privacy and discover her diaries, so she is constantly “searching for a better hiding place” for her written thoughts (95). As an adolescent on the cusp of adulthood, she needs privacy and solitude to reflect on her developing identity. At the same time, like everyone in this post-apocalyptic world, she relies on community for survival. During this unprecedented time, the act of self-expression has become something extraordinarily precious, even something sacred. Miranda’s desire to find “the absolutely safest place to hide [her] diaries” reflects this sense of sanctity (105), but it begins to preoccupy her to a degree that interferes with practical tasks. The diaries are the last bits of privacy she can protect and the last bits of her former self that she can recall.

Though she prizes her privacy and longs for independence, Miranda is also maturing into a full-fledged member of the community: She has become more attuned to others, more considerate, and more cooperative—even if she is still prone to fits of temper when she does not get her way. Her romantic entanglement with Alex represents this change most significantly. It also follows many of the tropes of the romance genre, including the notion that opposites attract: Where Miranda is rather childish and more carefree, Alex is serious and rarely smiles. In another trope of romance fiction, their bond deepens as they are forced to share close quarters, whether they wish to or not. They also express dislike for each other before those feelings turn to mutual affection: “I don’t like spinach and I’m not at all sure I like Alex,” Miranda writes (131). Once he is determined to leave, she writes, “The last living boy in America can go to hell for all I care. Except I do care” (152). This push and pull is typical of romance. Finally, the two must overcome what seem like insurmountable obstacles to be together. Even as they turn around and go back to Howell, the reader is uncertain as to whether Alex will stay.

Against the backdrop of all these personal challenges, the book considers the value of culture in a post-apocalyptic world. In Part 2, Miranda is reading Romeo and Juliet and thinking about The Wonderful Wizard of Oz (both works reverberate within the book in different ways). In this section, Alex glimpses a copy of Pride and Prejudice on Miranda’s shelf and muses, sadly, on what he believes are his own sins of pride. There are references to James Joyce’s infamously difficult novel Finnegan’s Wake, Vincent Van Gogh’s painting Starry Night, and the character Princess Leia from Star Wars. All these references have something to say about the book itself: The group now lives in a world as confusing and difficult as Joyce’s novel, while the gesture toward Van Gogh’s work is heartbreakingly ironic, as there are no longer stars in the sky to see. The context in which Princess Leia is mentioned posits that human life has meaning even in suffering, even during events so extraordinary that the throughline of progress has been irrevocably disrupted. All of this suggests that culture does not lose its meaning in the face of apocalypse; it merely illuminates different challenges and different paths to the future.

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