103 pages • 3 hours read
Gary D. SchmidtA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
The novel’s hero and protagonist, Holling Hoodhood, is an average seventh-grade boy. He loves baseball, lunch recess, and adventure stories, and he has a crush on Meryl Lee. Holling narrates the story from a limited, first-person perspective, so the reader only sees his interpretation of characters and events as he navigates the perils of seventh grade: a teacher who hates him, classmates who regularly issue death threats, and bullying from “penitentiary-bound” eighth graders (182). Schmidt’s use of casual diction, including slang and direct address to the reader, adds to Holling’s voice as the narrator, creating humor and making it feel like he’s talking to a friend.
When the novel begins, Holling is content to remain in his comfort zone and stay on his father’s good side. He smiles and nods when his father talks about Holling taking over the family architecture business someday, and he stays out of arguments between Heather and his father. However, Holling matures over the course of the school year. He tries new things, such as playing Ariel the fairy in the local theater production of The Tempest and taking up cross-country running. On a deeper level, he learns to look past his initial labels for others, such as “father” and “teacher,” and to see the whole person that exists beneath the label. For example, Holling realizes his misconception about Mrs. Baker, and all teachers for that matter. She has not always been a teacher; she has a past, interests outside of teaching, and a personal life. Holling also learns the importance of deciding his future for himself. Even though he isn’t sure who he wants to be, he wants the chance to choose his own path.
By the novel’s end, Holling is no longer afraid to speak his mind to his father, stand up for his sister, and venture out of his comfort zone. He learns the value of community and what it means to be a good friend. Holling’s coming-of-age functions as a major theme of the novel, paralleling the internal changes and maturity typical of young people his age.
From Holling’s perspective, Mrs. Baker, his English teacher, is out to get him. Holling can sense her annoyance on the first day of school when she learns that every student except Holling will leave on Wednesday afternoons for their respective religious classes. Mrs. Baker appears to be a strict, no-nonsense teacher at the novel’s beginning. However, alongside Holling, the reader discovers more of Mrs. Baker’s life and personality and begins to see her in a new light.
Mrs. Baker’s genuine love for her students becomes clear throughout the school year. She takes Holling to Yankee Stadium for opening day, comes to his theater production and cross-country race, and even coaches him in running. From the latter, a new side of Mrs. Baker is revealed: She was a silver medalist in the 1956 Melbourne Olympics for the women’s relay. Hearing about Mrs. Baker’s athletic side compels Holling to confront assumptions that Mrs. Baker has always just been a teacher. Holling realizes that she had a life outside of teaching, and that she still does. Her husband, Lieutenant Baker, is deployed in Vietnam, which causes her perpetual worry that she tries to hide as she teaches each day. However, despite her own hardships, Mrs. Baker cares for her students. She wants to teach more than just English; she wants her students to grow into wise, loving learners who will go out and change the world someday.
Holling’s father is unquestionably the head of his household. He works hard to provide for his family and commands respect from his children. However, he is so caught up in furthering his business that he neglects family relationships. He places a high value on reputation, wanting to appear perfect in the eyes of the community. Schmidt ironically contrasts the Hoodhood’s Perfect House with their imperfect family dynamic. Although Holling’s father watches over his Ford Mustang “like his Reputation” (213), he fails to see what’s most important: listening to his daughter and welcoming her home after she runs away; helping his son navigate his seventh-grade year; and showing up to support Holling’s interests and endeavors. His imperfections in all these areas lead the reader to characterize him as materialistic and selfish.
Holling’s view of his father is affected when he hears his father’s unsympathetic reaction to Kowalski and Associates’ withdrawal from the junior high school bid. He calls them “chumps” and says, “if you can’t play for keeps, you shouldn’t be in the business in the first place” (154). In this moment, Holling sees his father as Shylock—greedy and coldhearted—yet also wonders if his father ever imagined a different life for himself. Rather than simply labeling Holling’s father as the villain of the novel, the reader recognizes that he wasn’t always this way. He became obsessed with success over time and through a series of small decisions. Although Mr. Hoodhood is uncaring and insensitive, Schmidt directs the reader to consider that there’s more to him than the father and businessman Holling sees. In this way, Holling’s father acts as a warning to Holling, motivating Holling to make his own decisions, value people above success, and be a better man than his father.
Holling’s older sister Heather has strong political opinions and isn’t afraid to voice them. She takes a stand for what she believes in, even if it means facing her father’s wrath. In this respect, she is an example for Holling, who tends to avoid conflict and has not given much thought to his opinions about current events, such as the Vietnam War and the upcoming presidential election.
Heather represents America’s youth during the late 1960s. She blasts the Monkees and the Beatles in her bedroom, supports the “flower child” (36) movement for peace, and runs away to California in her boyfriend’s yellow Volkswagen Beetle. Heather’s actions deepen Schmidt’s portrayal of this period in American history, showcasing pop culture and the zeitgeist of the late 1960s.
The change that takes place in Heather and Holling’s relationship over the course of the novel reflects the internal changes each one experiences. Their relationship goes from a classic sibling rivalry to a supportive friendship after Heather returns home from trying to run away. It takes losing her to make Holling realize how much he loves his sister, and it takes running away to make Heather see how much she has left to learn about life and the world.
By Gary D. Schmidt
7th-8th Grade Historical Fiction
View Collection
Books on U.S. History
View Collection
Coming-of-Age Journeys
View Collection
Family
View Collection
Friendship
View Collection
Juvenile Literature
View Collection
Laugh-out-Loud Books
View Collection
Realistic Fiction (Middle Grade)
View Collection
SuperSummary New Releases
View Collection
Vietnam War
View Collection
War
View Collection