47 pages • 1 hour read
Jamil ZakiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The Chapter 3 Summary mentions anti-gay violence and antisemitism.
In Chapter 3, Zaki focuses on Tony McAleer, who was once deeply involved in hate groups. Zaki begins by recounting Tony’s story of brutally beating a gay man at a construction site alongside fellow White Aryan Resistance (WAR) members; WAR is a white supremacist and neo-Nazi group. During the attack, Tony notes “he felt nothing” (52). Like many other hate group members, Tony had a history of abuse. Hate groups provided him with “an outlet for his aggression” and an opportunity to “flex his intellect” (54) regarding his worldview. He grew more aggressive and hateful of people he viewed as outsiders. Zaki finds this type of behavior by hate group members extremely concerning, as “ignoring outsiders’ emotions makes it easier to oppress them” (56). Empathy in these instances is far out of reach.
Fatherhood and discussion with Dov Baron, a Jewish leadership trainer, helped Tony leave his hate groups. Dov helped Tony realize that people could accept him despite his past and present actions. For years, Tony hated Jewish people, viewing them as outsiders. Yet, it was a so-called outsider who offered him compassion, imploding his worldview of insiders and outsiders. Zaki uses Tony’s story to show how “hatred buries empathy but does not kill it” (60).
Tony and several colleagues founded the organization Life After Hate, which “infiltrates Aryan, neo-Nazi, and KKK message boards and social media pages, reminding visitors that they still have options” (69). Life After Hate treats hate group members with empathy. Tony believes that doing so is one of the main ways to change a hate group member’s worldview. These members often feel shame at not being accepted by others, which drives their anger. By showing them compassion, Life After Hate helps break through this anger. The organization also shows hate group members that they have options and can look to a happier, less violent future. Being able to imagine one’s “future self” (72) helps people make better decisions, including being more empathetic.
Chapter 4 looks at empathy as “a kind of untethering” (75), or freedom from conscious awareness. Conventional wisdom held that the brain only responds to outside stimuli. Yet, researchers in the early 21st century discovered regions of the brain that would activate when people simply sat around. Zaki highlights how this was a mystery to neuroscientists because “Nature is ruthlessly efficient, and the brain consumes a lot of energy; why waste it sitting around” (75)?
Zaki goes on to describe how sitting around enables the brain to daydream. Daydreaming helps the brain think about the past, plan for the future, and create fictional worlds. Zaki underscores how “sitting around is one of our most important jobs” (75). The parts of the brain that are active when a person is idle are also important to empathy. Engaging “the brain’s untethering system” (76) helps people connect more deeply to others’ feelings and thoughts. Zaki believes that art, especially narrative art or storytelling, is the best way for people to understand each other. To support this assertion, he provides three examples.
The first example is stage acting. Zaki spotlights Stephanie Holmes, artistic director at the Young Performers Theatre (YPT), who “teaches her actors to recognize common threads between their own experiences and those of their characters” (77). This method helps actors realistically convey deep emotions to their audience. Research has documented that theater training strengthens a person’s empathy.
Reading fiction also helps grow empathy, because “novels and stories give people a chance to experience countless lives” (81). Researchers have found that compared to people who read less, avid readers more easily understand other people’s emotions. Reading is “contact-lite” (82), meaning people can still get a sense of an outsider’s life without interacting with them in-person.
Zaki finally turns to the radio drama Musekeweya (or New Dawn), which George Weiss created a decade after the Rwandan genocide; Weiss’s parents themselves survived the Holocaust. As a result, Weiss used mass media to try and rid the world of hatred. He hoped New Dawn would encourage reconciliation between the Hutus and Tutsis (the main perpetuators and victims of the Rwandan genocide). Research by Yale graduate student Betsy Levy Paluck documented that the show “increased listeners’ empathy for people on both sides of Rwanda’s tragedy” (85). All of these examples highlight how storytelling is one of the most critical strategies for rebuilding empathy.
In Chapters 3-4, Zaki examines how people “recast their own lives” (87) and develop more empathy as a result. Former hate group member Tony McAleer’s organization, Life After Hate, works to first change hate group members’ perceptions of themselves. In doing so, the organization is then able to help hate group members overturn their prejudices. Likewise, narrative art such as plays, books, and radio shows help people better understand outsiders through fictional characters. Each of these strategies helps reduce hate and rebuild kindness.
Zaki states that hatred of outsiders is not fixed in Chapter 3. As Tony’s story demonstrates, connecting with so-called outsiders can help reduce conflict (contact theory). Building strong relationships with others helps people better empathize with them. This notion is well-documented in scholarly literature. For example, studies have found white Americans are more likely to join Black Lives Matter protests if they live or work with Black Americans. Zaki notes that contact is one strategy for building a kinder world: “When it works best, contact offers evidence for outsiders’ worth and helps us believe in our own. It might also allow us to imagine a future in which outsiders are no longer outsiders at all” (73).
In Chapter 4, Zaki explores the power of storytelling in building empathy. He notes that “fiction is empathy’s gateway drug. It helps us feel for others when real-world caring is too difficult, complicated, or painful” (82). For this reason, it can rebuild connections between people, even in seemingly impossible situations like the aftermath of a civil war.
The radio show New Dawn is one such example. Initially, the show did not help the Hutus and Tutsis (the main perpetuators and victims of the Rwandan genocide) connect in-person. However, it did make more watchers believe that other community members were pro-reconciliation. Zaki states that “media often moves the needle in this way: first changing people’s impressions of their community’s beliefs and only later working its way into their own” (86).
Life After Hate and New Dawn both illustrate that there is no universal strategy for solving the empathy crisis. Instead, people need to tailor strategies to fit various situations. With Life After Hate, Zaki learned the importance of talking to people in specific situations to understand what strategies might work best. Tony and his colleagues disagreed that “contact was about changing people’s minds about outsiders” (71)—a viewpoint held by Zaki. From their experiences, “hate group members expect people to try to change their minds” (70). As a result, hate group members always have prepared counterpoints, threats, and tricks to counter such arguments. Tony, like his colleagues, began to change his worldview when someone showed him genuine compassion. Life After Hate starts here. Contact helps coax hate group members’ self-compassion, which, in turn, makes them more receptive to life outside hate groups.
Likewise, New Dawn spoke of reconciliation in a way that Rwandans were receptive to. Many Rwandans did not want to outright speak about the genocide. However, the radio show “delivered themes relevant to reconciliation—betrayal, cruelty, forgiveness—while avoiding opening up old wounds” (266). Rwandans saw themselves in the show’s characters. As a result, the show’s healing moments helped viewers consider reconciliation between the Hutus and Tutsis.
In Chapters 3-4, Zaki convincingly documents that the only way to build a kinder world is to bring everyone along for the journey. This will not be done with one overarching strategy, but numerous strategies tailored to address specific hatred.
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