57 pages • 1 hour read
Richard OsmanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
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The narrative opens with retired nurse Joyce Meadowcraft’s diary, discussing when she met fellow retiree Elizabeth Best three months or so ago. Elizabeth questions Joyce about a girl who was stabbed with a knife. She asks Joyce how long it would have taken the victim to bleed to death, and if the woman would have survived longer with someone there with medical training to help save her. Joyce responds that the size of the woman described would “probably die in around forty-five minutes” and “wouldn’t die at all” if she had help (2). Elizabeth then invites Joyce to the Thursday Murder Club, a weekly gathering held at their retirement home, Coopers Chase.
Switching narrative into third-person and out of the diary, Chapter 2 opens with Police Constable (PC) Donna De Freitas, who is sitting with pensioners at the Coopers Chase Retirement Village. She is there to give a talk about safety, but the participants complain that they already know all the basic security measures. Donna is later invited to lunch with Elizabeth, Joyce, and two other retirees: Ron Ritchie and Ibrahim Arif. Donna asks how they all became friends, and after some joking around about it, Joyce explains that they are the “Thursday Murder Club” (6). Coopers Chase Retirement Village was formed ten years prior, when the church sold the land and the first residents began moving in, the requirements being that they be over 65 years old. There is an “old convent dominating” the land, with “three modern residential developments spiraling out” (7), and a “Garden of Eternal Rest” placed up the hill. It is all owned by Ian Ventham and built by “his builder Tony Curran, and his gang” (8).
Joyce’s diary entry opens the fourth chapter, describing her “first meeting of the Thursday Murder Club” in the Jigsaw Room (9). In attendance, there is Elizabeth, Ibrahim, and Ron; however, they are missing Penny Gray because she is now in Willows, the nursing home at Coopers Chase. The group was started by Penny and Elizabeth before Ibrahim—who was a psychiatrist—joined them and then Ron, who invited himself.
In Chapter 5, Ian visits Bogdan Jankowski at a café in Tunbridge Wells. He says that he has a job for Bogdan because he plans to fire Tony, who runs the construction for all of his sites. He wants Bogdan to take Tony’s place, and the man agrees, but he warns Ian that Tony will not be happy with the decision. Tony owns “twenty-five percent of everything that he built at Coopers Chase,” and Ian only agreed to that much because of their close friendship (17). Ian needs Tony off the project he intends to start with the land the cemetery is on. Chapters 6 and 7 change scenes to focus on a conversation between Ron and Ian at the consultation meeting discussing the tearing down of the graveyard and the rebuilding Ian has planned; the residents are not happy about it, and Ron is arguing that the lease says they should have a say in whether or not it goes ahead. Unbeknownst to them, Father Matthew Mackie enters the room in the back.
In Chapter 8, Ron and Joyce are sitting outside having a few beers, and Ron’s son, the famous fighter Jason Ritchie, is introduced. The conversation between the three is paused when they notice Ian and Tony appearing to have a quiet argument by their vehicles, although they are too far to hear anything. In Chapter 9, Ian visits Karen Playfair, the daughter of Gordon Playfair who “owns the farmland at the top of the hill, adjoining Coopers Chase” (24). Ian is trying to get him to sell by offering more and more money; however, Karen says that her father will not budge because he doesn’t like Ian. Chapter 10 opens with Tony deciding that he is “going to kill Ian Ventham” for cutting him out of the deal, but before Tony can do much else, he is bludgeoned in the head by a spanner. The murderer places a “photograph on the worktop” before leaving. (27).
The first few chapters introduce the narrative structure of the story, which alternates between first-person diary entries by Joyce, and a third-person perspective for the rest of the other characters. By opening the chapter with Elizabeth and Joyce’s meeting, the book provides a starting point to explain the background of the group and introduce its key members. The first-person diary entries are often used to relay or summarize important information through a retelling by Joyce. Joyce is a character who wants to grow; she wants to live a more exciting life, come out of her shell, and show her daughter she is not to be underestimated. By giving Joyce the only first-person point of view, the author elevates a quiet character who merely follows along as the group solves the case to a main protagonist role. Other than her entries, Joyce does not play much of an active role when it comes to figuring out the case. She often accompanies Elizabeth on her adventures without knowing where they are going, so it her diary that forms her into the strong character that the story needs to relay the plot.
Placing the story in a retirement home further reinforces this idea of something, or someone, being underestimated. A retirement home is not usually a place that is expected to have a high crime rate. Coopers Chase is described in an almost pastoral way, yet it becomes this scene of several unsolved murders. The Jigsaw Room is first mentioned in these chapters, when Joyce is invited there with the group; the name of the room is symbolic as it is the meeting place of The Thursday Murder Club, and when they are there, they focus on cracking old murder cases by piecing together facts like a puzzle.
Through background details given about Coopers Chase, tension builds surrounding the conflict brewing between Ian and the residents regarding the future plans for the property. Ron takes a stand as the voice for the residents, something he does throughout the story. Ian does not care about those living there, as he tends to view at world through the framework of profit alone. Tension is further shown to build between Tony and Ian, with Bogdan even saying to Ian that Tony will want to kill Ian for cutting him out. The story reveals the demeanors of Ian and Tony within the first few chapters. The impression of Ian is that he is a man who is very greedy; he lies to Bogdan when he claims that a job was done wrong, just to see if he can get a discount, and he does not care about the residents of the property he owns. Tony, though killed early in the story, is described by others as a man to be feared, with Tony planning on killing Ian in the future for firing him. The morality of the two men is already brought into question, making it known early on that they are not good people. This will be important later on when their murderers are brought to justice, with the book questioning whether or not their murderers should be forgiven.
Tony’s murder scene reveals a motif carried throughout the story from beginning to end: the photograph. A photograph appears first after the murder of Tony when one is left on the scene, framing him with two other men and leaving the question of who took the photo; however, the photograph, along with alternate forms of images, are used as evidence several times to either create suspicion or clear someone of suspicion as the case evolves through the story.
By Richard Osman