54 pages • 1 hour read
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The ride in the back of the produce truck is harrowing for both Alina and Saul. They travel in total silence in the darkness and suffocating closeness with only Alina’s small cache of food and water. When they arrive at the Don River, they climb out of the crate and board a boat, more a raft, to cross into Soviet territory, free of the Nazis. There is no drama to the crossing. From there the two walk to the train station, chaotic with Polish refugees. The two-week train ride to Buzuluk is difficult. The two are crowded into a cattle car with little sunlight or ventilation. The refugees must take turns sitting. When they arrive at the camp in Buzuluk, they are initially turned away as the camp is over-crowded. Alina negotiates. Her companion, she says pointing to the wan Saul, is a doctor and can be useful. Only when she gives them her mother’s ring, however, do they gain entrance.
Over the next months, Saul emerges as an inspirational force, ministering to dozens of refugees and their children. Alina, because of her supposed injury and her cast, is given charge of teaching the camp’s orphans. Alina never stops waiting for Tomasz to arrive. Her friendship with Saul deepens. He refuses to abandon hope that Tomasz will get to Buzuluk. Until then, he assures Alina, he will never forget Tomasz’s sacrifice: “I am grateful for the opportunity to help you in return. This, my friend, is how we find the best of humanity, during times when the worst of humanity may seem to have the upper hand” (371). When Alina feels the first signs that she may be pregnant, Saul agrees to marry her, to stand in for Tomasz, so Alina might avoid the ostracism directed at unwed mothers even in the refugee camps.
When the British officers finally arrive to escort Tomasz and his wife (and the film canister) to England, Alina is unsure what to do. Saul insists they must finish the mission, that Tomasz will find her. They fly off to London, deliver the film canister, and in short order find themselves on the way to freedom in America, husband and wife, Dr. Tomasz and Hanna (née Wisniewski) Slaski.
Over the next 50 years, Saul finds professional success in central Florida as a respected pediatric surgeon until his retirement. After a brief stint as a college teacher, he dies in his late 80s from the onset of dementia. The two raise Tomasz’s child, a daughter they name Julita, in a happy and stable home, determined their daughter will never know “hunger or oppression” (403), sharing parenting joy and sorrows, and never finding the right moment to reclaim their identities. Alina never entirely gives up hope that someday Tomasz will show up at her doorstep. She clings to the lines from the letter he left in her plaster cast along with the canister of film: “I will not rest until you are back with me where you belong” (397).
For her part, Alice Michaels faces a dead end. With only two days left before she returns to Florida, she sees her only hope is Emilia’s granddaughter. Alice returns to the clinic and begs the woman to at least tell her where Tomasz Slaski’s grave is. It is actually behind the farmhouse Alice had visited just days before. Why would he be buried on the Dziak farm? The simple grave marker deepens the mystery: It indicates that Tomasz Slaski was recognized for his heroic efforts to help Jewish refugees.
Nothing makes sense for Alice. How could her father, a gentle and compassionate man, let his only sister believe he was dead for so many years? Alice returns to the clinic and demands the woman help her, threatening to stay in the clinic until she agrees to let her visit Emilia. Security comes and removes Alice from the clinic. A call to her family that night confirms that things are coming apart. Callie is struggling to make dinner, Eddie was sent home from school after a tantrum, and Wade is locked in his study on a conference call. Alice then gets a message from her mother: Babcia has suffered another stroke.
On her last day in Poland, Alice briefly thinks of giving up and taking an early flight home. Then she thinks, “It feels so unfair that after all of the love [Babcia]’s given me, this one thing she’s asked me of me is something I just can’t give her” (359). She and Zofia take a trip up to the mountains around Trzebinia. The view is breathtaking, and for a moment Alice feels totally herself. As they head down the mountain, Alice receives a text. Emilia wants to meet her.
The meeting that afternoon is tearful. Alice hooks up a Skype connection, and for the first time in nearly 80 years Babcia and Emilia meet. Slowly, Alice pieces together the story of the switched identities. She learns that Tomasz Slaski turned himself into the Nazis after Alina left with Saul to prevent the truck from being stopped by any checkpoints. He sacrificed himself to ensure Saul and Alina safe passage and to ensure the film made it to the Allies. Alice finds out that Tomasz was arrested and executed by the Nazis and that Alina’s surviving family secured his body and buried it on the hill where Alina and Tomasz would meet.
Alice decides that her grandfather, whatever his name, was a gentle and loving man. Before she leaves for the airport, she Skypes Wade and discovers that Wade and Eddie are playing chess and that Wade is communicating to his son through his app. She understands better now that her kids need two parents and that her love for Wade is deeper than ever: “Just for a second, all of the chaos inside me eases, and my mind is completely still. I have a great love [for my family]. It’s not clean and simple, because our lives are not clean and simple—and it’s harder day-to-day to keep that love in our focus, because we have so much else to manage” (392).
On the long flight home, Alice finally untangles Babcia’s cryptic message: Babcia fire Tomasz. The fire icon in the communication app was the closest she could come to ashes—it is a request, Alice realizes, to bury Babcia’s ashes next to the man she loved. Alice returns to the hospital long enough to have a joyous and tearful reunion with her grandmother. Babcia dies quietly the following morning. The Michaels family flies to Poland, and in a dignified ceremony they inter the ashes of both Saul and Babcia with Tomasz. The simple memorial marker also lists Saul’s wife and his daughter Tikva, so they will never be forgotten.
Alice, on the return home, feels energized. She now knows that her family is a dynamic, that she does not need to be the single driving force. She thinks that perhaps the experience of the last months might make for a promising book.
In these closing chapters, both Alina and Alice complete their emotional evolution into empowerment, both emerge from difficult circumstances to assert the integrity of their identity, and both see that difficult relationships do not necessarily demand the sacrifice of that integrity. As Alina moves into an extended family that both is and is not the family she and Tomasz imagined during the depths of the Nazi occupation, and as Alice returns to her family with her altered perception, ready now to be both mother and woman, these two characters complete their movement into heroic, even inspirational independence.
When Alina emerges from the produce crate, it is as if she has been redeemed, as if she is emerging triumphant from the chaos, pain, and suffering of her war experience. Nothing better reveals that movement into independence and confidence than her expert handling of the stubborn guard who attempts to prevent Saul and her from entering the refugee camp. The camp is full, she is told curtly, but she does not panic. Undeterred, without a second thought or any distracting emotional unease, Alina coolly negotiates their admittance using her mother’s gold wedding ring as a bribe. That sacrifice indicates the depth of Alina’s evolution. Even as she blinks back the tears, realizing she has negotiated away her dead mother’s last gift of love and happiness for her only daughter, Alina understands she has done the only thing she could so. This is her moment of selfhood; for the first time, she is self-contained, self-sustaining.
Her decision to marry Saul Weiss to avoid camp whispers over her pregnancy celebrates that selfhood. The wedding bonds Saul and Alina in a platonic friendship, a caring relationship that will nurture Alina and Tomasz’s daughter. This, Saul reminds her, is “how we find the best in humanity during times where the worst of humanity may seem to have the upper hand” (374). Inevitably, a reader asks the same question that Alice asks: How could Saul and Alina maintain the masquerade of Tomasz and Hanna for decades and their true identities never share with their family? The moment, Alina admits, never seemed right. Beyond that, “[i]n some absolutely unique way, [they] were bonded to one another in spirit, if not in body” (403). Alina never abandoned hope that Tomasz might someday return and “life would begin again in earnest” (404). Until then, in raising Tomasz’s daughter with Saul, and then nursing Saul when he began his decline into dementia, she holds true to the promise she made to Tomasz the night he headed back to Trzebinia. She takes care of Saul, developing a love perhaps not romantic but certainly heroic.
Alice Michaels completes a similar journey to heroism in which she finds the confidence and the integrity to accept her place within a most unconventional family and still find within that community a heroic sense of self. Alina celebrates her role as an unconventional mother and wife; Alice also embraces her role as an unconventional mother and wife and determines that her commitment to that dynamic does not deny her access to her creative self. During the return flight from interring Babcia next to her beloved Tomasz, Alice sees herself as a writer: “I started writing down the things I learned on my trip for Callie and Eddie to read when they are older, but the project has taken on a life of its own—I think I might have inadvertently started writing a book” (415).
Much like Alina, who closes her story far from the starry-eyed lovestruck farm girl, Alice is far from the frazzled burned-out mother who needed to self-medicate in a warm bath and drift off into a wine-induced quiet. More importantly, she rejects the simplistic either/or dilemma that drove her so easily to hopelessness, frustration, and deep bouts of existential unhappiness. She can be in the family and of the family but not limited by the family. Her grandmother’s story has taught her courage and independence and the resilience that is possible when a woman grows into heroic action. She realizes, “I always thought my family needed 100 percent of my energy—but I’m learning that I can give them the full focus of my love and take the time to nurture other things that matter to me” (413).
Beginning with her brazen stand at the medical facility that ensures she will meet Emilia (a moment that recalls Alina coolly negotiating at the camp gate), in these closing chapters Alice earns her redemption, her affirmation of herself as mother, wife, and woman. She emerges from an interment of her own, from the claustrophobic feelings that made her family her prison. Alice acknowledges that her “family life is never going to be easy, but that can’t stop any one of [them] reaching [their] dreams” (416). That hard-earned optimism indicates that the only gift that matters in the end is the willingness to “live [life] to the fullest” (416), the closing words of the novel.
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