42 pages • 1 hour read
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Suren/Wren first appears in the mortal realm as a toddler sitting in an alley. Thought to be experiencing the early stages of frostbite from the cold, she’s brought to a hospital and leaves with foster parents who raise her until the age of eight. By age nine, her birth parents, the faeries Lady Nore and Lord Jarel, come for her at night, accompanied by a storm hag named Bogdana. They claim Wren as their daughter and return to Faerie, where she will rule the Court of Teeth as its queen. Wren is appalled by her parents’ monstrous appearances and begs to stay with her human family. She is slapped by Lady Nore. Lord Jarel tells Wren her true name, Suren, and removes her human glamour, revealing her monstrous appearance. The changeling wishes to stay with her human family, whom she believes will love her despite her faerie nature. Her parents claim her human family no longer wants her, but she is doubtful; Lady Nore and Lord Jarel glamour Wren’s human family to react with terror and violence when she flees to their room. Wren dissolves into tears, and when Lady Nore and Lord Jarel threaten to murder the human family, Wren agrees to leave with them. At age 11, she returns to the mortal realm, living on the streets as a wild creature.
Eighteen-year-old Wren spends her time observing her unfamily—her former human family. Whenever she referred to these humans as her family at the Court of Teeth, she was brutally punished by Lady Nore and Lord Jarel. Now, she remains in the mortal realm, to “remind [herself] of what they were to [her], and what they will never be again” (23). When Wren is not watching her unfamily, she’s at the Devil’s Tree in the local graveyard, where teenagers often come to seek wishes from the devil—a glaistig, a bloodthirsty faerie with goat feet. As she eavesdrops on the glaistig, she overhears news that the Prince of Elfhame and heir to the Greenbriar line—Oak, whom she hasn’t seen in four years—is in the area. At night, a man makes a deal with the glaistig, but when the glaistig disappears, Wren severs his curse. Having been cursed by Lady Nore and Lord Jarel throughout her childhood, she’s become adept at breaking curses, and does so to save foolish humans.
Afterward, Wren returns to her unfamily’s home, where she eats their leftovers and entertains fantasies of rejoining the family. Even if this were possible, she knows revealing herself would only bring the storm hag Bogdana to their doorstep. As she leaves, she discovers Bogdana lurking and draws her into a chase far away. Though Bogdana hunts her now, she was the only one who looked out for Wren in the Court of Teeth. When Lady Nore and Lord Jarel punished and tortured Wren, Bogdana came to her aid, offering help and words of encouragement. When Bogdana catches up to Wren, Oak and his personal guard, Tiernan, appear on horseback and threaten Bogdana into leaving before binding Wren’s wrists.
Oak and Wren were once childhood friends, but when Lady Nore and Lord Jarel offered their help in the Battle of the Serpent—the battle that occurred when a curse on High King Cardan’s crown transformed him into a giant serpent—in exchange for Oak marrying Wren, he and his sisters, including High Queen Jude, reacted with disgust. Since then, Wren has blamed Oak for her life on the run from Lady Nore’s bounty hunters.
Seventeen-year-old Oak offers Wren his cloak, but she’s never been affected by the cold. She believes this to be a move of fake gallantry to counter her restraints, but accepts the cloak to cover her efforts to free herself. Oak, Wren, and Tiernan stop by a deserted house, where another prisoner, Tiernan’s former lover Hyacinthe, resides. He was cursed into a part falcon form by High Queen Jude, as punishment for joining Madoc’s coup against Elfhame eight years ago, and wears the magical golden bridle—which elicits a “shudder of recognition” from Wren (41). Oak and Tiernan detail how Lady Nore has remade the Court of Teeth, and rules from the Ice Needle Citadel in the north, using old magic to create monsters. Oak claims Lady Nore stole the bones of the first queen of Faerie, Mab, imbued with the power of creation. She is currently growing her cause, recruiting Folk and falcon-soldiers by enticing them with the promise of breaking their curses.
Oak and Tiernan believe Wren’s power over Lady Nore—enforced by High Queen Jude’s order that Lady Nore “follow Suren and obey her commands” (46)—will allow them to defeat her and secretly rescue Oak’s foster father, Madoc. Though Madoc loves Oak like a son, his ruthless redcap nature prompted him to murder the royal family to place Oak on the Elfhame throne—and rule through him. His coup ultimately failed because Lady Nore betrayed him during the Battle of the Serpent, but Oak seems to love his father despite this. A traumatized Wren agrees to help, as she assumes Oak will place the golden bridle on her if she refuses. She knows she must eventually confront Lady Nore.
Wren recalls the failed marriage proposal between her and Oak. In the memory, Oak sneaks into Madoc and the Court of Teeth’s encampment, where he finds Wren tied to a post. He offers her food and a game to play. They play for entertainment, but Wren eventually suggests they play for stakes. The first stakes prompt the loser to share a secret. When Oak loses, he tells a story of glamouring his human sister to hit herself “over and over, and [he] laughed while she did” (54)—which he now regrets. Wren allows the story to remind her that “no matter how soft he seemed or how young, he was as capable of cruelty as the rest” (54). She raises the stakes, owing Oak a favor if she loses; Oak must cut her bindings if he loses. She loses, and he asks her to sing a song. Oak loses next, and attempts to cut Wren’s bindings, but cannot get through them before Lady Nore and Lord Jarel return to camp. At Wren’s disappointment, Oak promises to return the following day.
Oak returns with a sword to cut through Wren’s ropes. He hides her in his room, where she spends days eating the food he brings, hiding under his bed, and playing human card games with him. After three days, she is dragged out in chains and exiled from Elfhame by Jude.
The opening chapters provide exposition from The Folk of the Air trilogy, setting up the conflicts troubling the mortal realm and Faerie, eight years after the events of The Queen of Nothing. Told from the first-person perspective of the protagonist, Suren, or Wren, The Stolen Heir establishes her learned cynicism and lack of identity. Early on, the novel establishes an eerie tone and depicts the wicked yet playful world where faeries toy with human lives. As early as Chapter 1, Wren notes that in the Court of Teeth, “there was a nisse who made charts of the sky, looking for the most propitious dates for torture and murder and betrayal” (23). Whereas humans view astrology as an enjoyable hobby, a path to personal and spiritual growth, the fae approach emotions and relationships differently. Instead of looking for symbols of positivity and growth, fae astrologers find dates most susceptible to negativity and destruction.
Games play a key role in Faerie. Lady Nore and Lord Jarel play games with Wren as a child, leaving out desirable items like food or books to “punish [Wren] for taking it” (59). Oak’s introduction highlights the world of Faerie through his love of games and talent with Manipulation of Truth. In a conversation with Wren, he cleverly weaves words to imply he only visited the mortal realm, when in reality, he once lived there. She catches the lie when he later contradicts himself, reinforcing that while fae can’t technically lie, they can deceive. On the other hand, Wren has unconventional relationships with humans. Unlike most Folk, who don’t care for mortal lives, she wishes to save as many as possible. She does so by returning to the mortal realm and severing curses with the glaistig, hiding from humans for fear of endangering her unfamily. Wren’s values and much of her identity are aligned with humans more than fae, which is why she is distrustful of her kind. When Oak mentions glamouring his human sister as a child, she notes her former friend’s cruelty.
The introduction of the magical golden bridle, worn by Hyacinthe, illustrates The Importance of Autonomy—which is Wren’s core value, having been imprisoned and tortured at the Court of Teeth. Her past as a changeling, living among humans as a fake human, is a contributing factor to her identity crisis once she discovers she’s one of the Folk. When Lady Nore and Lord Jarel reclaim her and remove her glamour, she is appalled by their monstrous appearances and believes “the monsters came […] because she had been wicked” (15). Lady Nore and Lord Jarel spend years torturing Wren’s human tendencies out of her, such as her calling her human parents family. She eventually trains herself to call them “unmother” and “unfather,” which further alienates her at the Court of Teeth. When she imagines the possibility of rejoining her unfamily as she is now, she feels like a “cuckoo trying to fit back into the egg” (27), further highlighting her isolation and self-deprecation.
Three mother figures are introduced in this section: Wren’s unmother, Lady Nore, and the storm hag Bogdana. While Wren’s unmother makes the most positive, yet short-term impression on Wren, Lady Nore and Bogdana leave a long-term impression. Lady Nore revels in torturing her “ferociously for any imagined slight, until [Wren] became a snarling beast, clawing and biting, barely aware of anything but pain” (32). Wren becomes animalistic due to Lady Nore’s conditioning. She often overreacts to pain—or the possibility of pain—desperate to hurt others before they can hurt her, which becomes relevant as the novel progresses. Despite being a cruel creature by nature, Bogdana shows kindness to Wren by carrying her when she collapses on their walk to the Ice Needle Citadel and encouraging her in times of need. Yet, her kindness does not stop her from hunting Wren after her escape from the Court of Teeth, leaving tracks of human corpses in her wake. This allegiance to Lady Nore hurts Wren, fueling her desperate desire to be loved.
By Holly Black
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