63 pages • 2 hours read
Ben MacintyreA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
By definition, spies lead a double life, so this is arguably the book’s main theme. Gordievsky leads a double life professionally and, in the end, personally. Macintyre hints at this theme early on, when he describes Gordievsky’s family: His father worked for the KGB and its predecessor organization, the NKVD, taking part in Stalin’s purges. He never talked of that time, however, and Gordievsky eventually believed that his father had regrets or at least doubts even though he claimed that “[t]he NKVD is always right” (9). Gordievsky’s mother was less sure about that, and her parents secretly harbored religious beliefs, which were outlawed at the time under the Soviet system. The family thus had hidden “layers of deception beneath the surface” (9).
Gordievsky’s own double life started to form during his university years. When his good friend Standa Kaplan, from Czechoslovakia, was openly critical of the Soviet model, Gordievsky kept quiet, “flattered to be the recipient of such dangerous confidences” (17). In addition, he began secretly listening to the BBC and Voice of America on the radio at night. When he finally did start spying for the British intelligence agency MI6 during his second stint in Copenhagen, his entire existence became a double identity.
This double life was apparent in his career, as he presented himself to his KGB superiors as a loyal foot soldier dedicated to the Soviet system, all the while passing increasingly sensitive secrets to the British government through MI6. However, his duplicitous existence also became true of his personal life. His first wife was a fellow KGB officer, and his second wife was the daughter of a KGB general, so he never confided in either one about his spying. Later, in planning his escape to Britain, he decided not to bring his family, continuing to tell his wife that he was being framed before disappearing from her life forever. In the end, he loved his wife, “but he did not entirely trust her” (247)—a direct result of his double life because he shielded a part of himself from her.
Reading about Gordievsky’s double life is gripping; one is always wondering whether this time he’ll get caught. It may also lead to some introspection about one’s own personal deceptions, however they may pale in comparison to Gordievsky’s. The idea of a double life holds a certain fascination for all of us, as people present different faces for different situations. Speaking at the 2022 Jaipur Literature Festival, the author said, “We like the idea of looking one way on the outside and being something completely different on the inside” (“For Your Eyes Only: The Life and Times of Ben Macintyre; Ben Macintyre with William Dalrymple.” YouTube, uploaded by Soneva, 17 June 2022).
Given that the story takes place in the context of the Cold War, one of the book’s central themes is Democracy Versus Authoritarianism. These are the two systems that Gordievsky was caught between, as he first served Soviet-style authoritarianism and later shifted his allegiance to Western-style democratic systems. He was born into a family with strong KGB ties and married women from similar families, so his initial loyalty to the Soviet system was strong—and, tying into the theme Living a Double Life, his concern for protecting his family moved him to conceal his change in loyalty from them.
As Gordievsky grew older and became more worldly, his eyes opened to the benefits of democratic systems. He had great affection for literature and classical music, both of which flowered in free societies. One of Gordievsky’s early experiences that Macintyre notes was a trip to Berlin in 1961. His older brother, Vasili, was already working in Germany for the KGB, and as part of Gordievsky’s recruitment, he was sent to be a translator at the Berlin embassy. The two met in the city that Christmas and attended a symphony concert together: Bach’s Christmas Oratorio. The music delighted and moved Gordievsky. As Macintyre writes, his home country was “‘a spiritual desert’ by comparison, where only approved composers could be heard, and ‘class hostile’ church music, such as Bach’s, was deemed decadent and bourgeois, and banned” (16).
Gordievsky’s commitment to the Western system only grew when he was later posted to Denmark’s capital city of Copenhagen. Everything seemed bustling and gleaming to him compared to the drabness of Soviet cities. Goods in Denmark were plentiful, whereas they were scarce back home. Danish culture was spiritually nourishing, whereas Soviet culture starved the soul. Additionally, the sexual freedoms in Copenhagen were astonishing to Gordievsky compared to the repression found in Russia. It wasn’t merely culture and commerce that drew him to the West, though. He was profoundly dismayed in 1968 when Soviet tanks moved into Prague, brutally crushing the political liberalization there known as the Prague Spring. It now became a struggle of good and evil for him. To be sure, he loved his country, but he wanted it to evolve for the better, and he could see that this was not possible under the existing regime. He therefore decided to work for its destruction so as to make a better future possible.
A third theme of the book concerns the price of loyalty. This applies foremost to Gordievsky’s life, as he paid a heavy personal price for his loyalty to the West. In deciding to cast his lot with Western democracies and spy for MI6, he lived for a decade in constant danger. At any time, he could have been found out—and Macintyre describes a few close calls that Gordievsky had in the course of his work.
When Gordievsky was back working in Moscow between posts in Copenhagen and London, he was newly married to Leila—happily so—and starting a family. However, playing into the theme of Living a Double Life, the story reveals that MI6 was at the time acting on some of the intelligence he’d provided, putting him at risk if he were exposed as the source. As Macintyre notes, “Gordievsky might, once again, have chosen to make a break with the past, sever all contact with MI6, hope the KGB never discovered the truth, and lie low for the rest of his life” (101). Instead, he doubled down on his commitment to the West by learning English in his middle age in hopes of getting a post to London. It worked. Gordievsky got the post, putting him at even greater personal risk than before.
The greatest price that Gordievsky pays for this loyalty, however, didn’t concern himself but rather his family. When the time came to put Operation PIMLICO into action, he made the excruciating decision to escape alone and leave his family behind. He knew the escape plan would have far less chance of succeeding if they came along. If they were caught, his family would suffer a terrible fate for something in which they didn’t have a choice; in particular, the KGB would assume that Leila had been in on his change in loyalty from the start. On the other hand, if he succeeded in escaping alone, she could plausibly deny knowing anything about his spying. In the end, when he escaped, they were punished anyway, to spite him, and cut out of his life for seven years. Despite missing them terribly, Gordievsky remained a solitary figure because his marriage didn’t survive the lack of trust that his spying had created. When Leila was finally allowed to join him in Britain, the reunion was short-lived, and they divorced two years later.
By Ben Macintyre
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