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70 pages 2 hours read

Philipp Meyer

The Son

Fiction | Novel | Adult | Published in 2013

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Symbols & Motifs

The Garcia House

The Garcia house is a recurring motif that points to Violence as the Catalyst of History. It stands as a monument to the massacre in which the McCulloughs slaughtered the Garcia family in misguided and misapplied vengeance. The murders cement the McCulloughs as a family to be feared. Sometime after the massacre, Eli sets the Garcia house ablaze—not because of its symbolic value, but only because of the strategic advantage it affords their ranch. This affirms that the wanton violence against the Garcias was never about justice for Glenn’s injury, but about the threat the Garcias and other prominent families pose to the McCulloughs.

For future generations, the story of the Garcia house is reshaped to fit the mythology that favors the McCulloughs. Jeannie uses the house to play pretend, symbolically repurposing it for her entertainment despite the violence it represents. It is commonly acknowledged in Ulises’s time that the McCulloughs killed the Garcias, but when the historian shows Ulises the photograph of the Texas Rangers standing among the dead Garcia bodies, the evidence legitimizes their brutal actions as something sanctioned by the state. The McCulloughs’ version of the story thus becomes the official history, even as Peter’s diaries speak against it. This shows how the winners of violent conflicts are often given the privilege to define history as they see fit.

Land

Land ownership is a symbol of power in the novel, more than the cattle or the oil that constitute the McCulloughs’ business interests. Whoever controls the land controls the capacity to generate wealth, which is why Eli sees Arturo Garcia as the biggest threat to his family when he first constructs the ranch.

Eli uses his desire for more land to justify violence against Arturo and later, Pedro. When thieves attack Eli’s ranch, Eli argues that the thieves must have been associated with or hired by Arturo because his land surrounds the McCullough estate. Eli assassinates Arturo but finds a new rival in Arturo’s heir, Pedro. This is why Eli later supports the Garcia massacre, which effectively results in the Garcias’ land being turned over to Eli’s ranch. During Peter’s and Jeannie’s storylines, the ownership of land directly translates to the potential for wealth in the oil business.

There is also a larger struggle for land and power happening in the periphery of the novel, which also chronicles the Texas Rangers and the white settlers’ conflict with the Indigenous nations across Texas. The Texas Rangers suppress the Indigenous populations so that it is safer for the white settlers to move in, claim Indigenous territory, and use its resources. In the later parts of the novel, Eli realizes how much the soil in Texas has been degraded by the presence of white settlers. This is in contrast to Comanche agricultural practices, which include sustainability rituals out of deference to the earth.

The Shadow

Throughout his storyline, Peter is haunted by a shadow that constantly changes forms and leaves him uneasy. This shadow is a symbol of Peter’s moral conscience. Hence, the form the shadow usually inhabits is that of the Garcias who have been killed in the massacre, most notably Pedro.

Peter stops seeing the shadow in María’s presence. This represents his willingness to atone for his participation in the massacre and seek absolution for his family. In Chapter 51, however, the shadow starts to resemble Eli and Peter himself, which points to Peter’s newfound guilt for betraying his family. The shadow is crucial for externalizing Peter’s character development, which is why it disappears once he commits to a life with María in Mexico. No longer weighed down by the burden to fit into his family, Peter is no longer haunted by the shadow. 

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By Philipp Meyer