66 pages • 2 hours read
Elizabeth GilbertA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Alma arrives in Holland in July 1854. She has been at sea for a year, although she initially had difficulty booking passage due to her insistence on bringing Roger the dog. Alma is writing a treatise on the idea that struck her while she was underwater, which she believes explains everything she questioned about why organisms change. As she puts it, “The natural world was a place of punishing brutality, where species large and small competed against each other in order to survive. In this struggle for existence, the strong endured; the weak were eliminated” (441). The eternal struggle for resources explains, to Alma, why species differentiate and mutate. William Herschel called it continuous creation; Alma calls it her theory of competitive alteration, and she uses her long study of mosses to explain the adaptations that different species have made, including her favorite, Dicranum. Alma writes and rewrites her treatise, claiming:
This life is a tentative and difficult experiment. Sometimes there will be victory after suffering—but nothing is promised. The most precious or beautiful individual may not be the most resilient. The battle of nature is not marked by evil, but by this one mighty and indifferent natural law: that there are simply too many life forms, and not enough resources for all to survive (447).
Alma travels to Amsterdam with Roger and goes to the Hortus Botanicus, the botanical gardens. There, she asks to see Dr. Dees van Devender, her uncle.
Alma is interviewed by her uncle. He is wary of Alma, asking her about Beatrix and Hanneke, but he sneaks Roger treats under the desk. She tells him she would like to work in the garden and leaves him her treatise. She also leaves Roger, who has attached himself to Uncle Dees. As she walks around Amsterdam that night, Alma hopes she can find a way to stay in the city; it strikes her “not so much as a city, but as an engine, a triumph of human industriousness. It was the most contrived place one could ever imagine. It was the sum of human intelligence. It was perfect. She wanted never to leave” (459).
The next morning, her landlady pounds on Alma’s door. The waiting carriage takes her to her uncle’s home. She finds him holding her treatise, petting Roger, and weeping. “God bless you, child,” Uncle Dees says to Alma. “You have your mother’s mind” (461).
Four happy years follow. Alma lives with her uncle and enjoys his family. She is given a job at the botanical garden and a title: the Curator of Mosses. She sends for her books, even the scandalous ones, which still stir desire, but Alma “did not even attempt to fight these urges anymore; by now it was evident they were a part of her” (463). She creates a cave of mosses in the garden and cares for it diligently.
Uncle Dees presses her to publish her treatise, but Alma believes there is a hole in her theory. She cannot explain what she calls the Prudence Problem: “[I]f outcompeting one’s rivals was the key to dominance, adaptation, and endurance” (464), then how to explain people who make sacrifices, like Prudence? Her theory cannot explain why kindness and selflessness exist, and so Alma feels it cannot be complete. She similarly cannot explain Roger’s devotion to her uncle.
In the summer of 1858, Alma learns that Hanneke, Retta, and George Hawkes have died. Two weeks later, her uncle dies of a fever. In her grief, Alma misses the news that comes from the proceedings of the Linnean Society of London that July, but in December of next year, she learns of the publication of a book by Mr. Charles Darwin, On the Origin of Species by Means of Natural Selection.
Alma obtains a copy of Darwin’s book, reads it, and is stunned and satisfied to hear the echo of her own ideas, for, “like two explorers seeking the same treasure trove from two different directions, she and Darwin had both stumbled on the identical chest of riches” (473). She feels both heartbroken and vindicated, yet she is also glad she had not published, for she feels this theory truly belongs to Darwin, who wrote of it so eloquently. She finishes the book and cries, knowing that “there was nothing else she could do, in the face of an achievement so splendid and so devastating, but weep” (475).
However, even Darwin has not solved the Prudence Problem because he avoids talking about humans in his book, and while debates rage among readers, no one else manages to solve the Prudence Problem, either. As she follows the debate, Alma learns that another scientist had also reached Darwin’s conclusions, and his ideas were presented at the same meeting; his name is Alfred Russel Wallace. Alma reads his work and learns what she can of him. That another man reached her conclusion and was also overshadowed by Darwin is a consolation to her.
Alma lives into her seventies, continuing her work with mosses. She never tells anyone about her theory, and she never finds an answer to the Prudence Problem. She observes the career of Alfred Russel Wallace, who becomes interested in the occult and supports radical politics. In 1882, Alma is 82, and Charles Darwin dies. Alma invites Wallace to visit the Hortus Botanicus, and he accepts.
Wallace arrives, and Alma enjoys visiting with him. She tells him of her time in the South Seas. On the last day of his visit, she shows him her cave of mosses, and he is enthralled. She tells him of her theory, and he asks to read her paper. She takes it from Ambrose’s leather valise, now quite worn and dusty. Wallace is excited by the thought that there were three of them who discovered this idea. Alma recalls when she and Prudence first met Retta, who said the same thing about there being three of them.
Alma tells Wallace that she did not publish because she could not find a “convincing evolutionary explanation for human altruism and self-sacrifice” (492). They agree that Darwin arrived at the idea of natural selection first, and it is fitting that he be recognized for it; Wallace calls him “our generation’s Virgil, taking us on a tour through heaven, hell, and purgatory. He was our divine guide” (492). Wallace says he believes in a spiritual dimension to humanity that accounts for unique human consciousness. Although Alma does not believe in a supreme intelligence in the universe, she enjoys her time with Wallace and tells him so. She reflects that all she ever wanted was to know the world, and she has added her bit of knowledge to the world’s library. She calls that a fortunate life.
That evening, still contemplating their discussion, Alma takes a walk and sits beneath a shellbark tree, a transplant from the Americas. She feels that her death will come soon, and she is not afraid, but she wants to keep living awhile longer.
The botanical print heading this section is the leaf and nut of the shellbark hickory, Jauglans laciniosa. This is the tree Alma rests beneath after her revelatory conversation with Wallace. Like her, the shellback is a transplant from America; it is an example of the ferrying of botanical specimens that built the Hortus Botanicus, Kew Gardens, and Henry’s early career. The walnut is also a tree known for its slow growth, thick bark, and long life—all characteristics that Alma shares.
Part 5 represents the culmination of Alma’s research on mosses and the breakthrough that answers the questions she has been considering throughout her career. The miniature world she has made her focus is now the means by which she can explain the entire world and this impulse toward survival—something she learned from her father, from Tomorrow Morning’s orphaning, and from Ambrose.
Alma’s arrival in Amsterdam and the botanical gardens run by the van Devenders is not a transplantation so much as a return to her roots. As much as she was her father’s favorite, Alma is her mother’s daughter in her steadfastly practical, organized nature. While Tahiti seems to Alma to belong to an earlier epoch of time, Amsterdam is at the center of technology and industry, and Alma belongs in the modern world. She creates her own cave of mosses, the fruition of her decades of study and her own contribution to this centuries-old institution and this evolving scientific field. Her care for this place is her legacy.
Alma still feels she doesn’t understand something essential about human nature in that she cannot explain what she thinks of as the Prudence Problem: If all of nature is predicated on the instinct for survival and motivated by competition for resources, how does one explain the altruistic, self-negating, sacrificial actions of people like Prudence, who fruitlessly sacrificed marriage to the man she loved and denied herself luxuries and even fine foods so that she would live no better than her neighbors? Wallace introduces the third and bridging element, something Alma has never considered but which creates a link between Alma’s scientific posture and Ambrose’s celestial nature. Wallace believes in a supreme intelligence that orders the universe and a human consciousness that allows for will, imagination, sacrifice, and beauty. These things have always meant little to Alma, but she recognizes the cohesion of the theory with Wallace’s exclamation, regarding her and Darwin, that there were three of them. The phrase recalls Retta’s declaration about Alma, Retta, and Prudence. The three of them together blended knowledge, beauty, and joy: the pinnacle, one might say, of human existence.
Alma feels satisfied about sharing her discovery with Darwin and Wallace because knowledge, for her, has always been its own reward. While she craved the admiration of her father, Alma does not need the recognition of the scientific world, only the regard of the people who matter to her: her father, her uncle Dees, and now Wallace. Ultimately, she is satisfied with the knowledge that her theory exists in the world and can instruct others with its presence in the larger human conversation; she doesn’t need to claim responsibility for its origins. Still, while this discussion with Wallace is a completion for Alma, it doesn’t prepare her to give up her own life, and in a final, internal proof of her own theory, she expresses the desire to keep living as long as she can, even though she understands her death to be imminent.
By Elizabeth Gilbert