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Sara wakes sick from drinking and desperate to piece together her memory of the night before. She remembers Giusy producing a crumpled piece of paper but never showing her what was on it. Giusy explained that she spoke to Rosie when she planned the trip. Giusy is familiar with local law enforcement and often helps people searching for answers in town. Sara remembers going to a club with Giusy and the chief of police and stumbling home after he whispered to her, “Go home, little girl” (99). After breakfast, Giusy invites Sara for a hike and promises to show her the paper. As they are walking, a man passes by on a scooter and whacks Giusy on the butt. Sara is horrified, but Giusy explains the Sicilian culture: Men feel like they can do that to unmarried women.
Giusy leads Sara to the mouth of a cave, where they share a picnic. Giusy inherited the hotel building when her parents died but couldn’t own it because she was a woman. She married Orlando for security and had her children very young, but Orlando was unfaithful and left her. She can’t sell the hotel because it’s in his name. Listening to Giusy share about struggling to balance running a business as a woman and a mother makes Sara reflect on her experience. She loves being Sophie’s mother but wonders if motherhood ruined her business. Jack wanted more children but didn’t understand the intense weight motherhood placed on Sara. She betrayed him by resuming her birth control after a miscarriage; soon after, their marriage fell apart.
Gesturing to the mouth of the cave, Giusy explains the local folklore surrounding it. Sara is familiar with the story of the dragon that reportedly ate wayward children. Giusy says the myth was a cover story. The “dragon’s ear,” as the cave was called, was a shelter where vulnerable women were brought for safety. The village women made up the dragon myth to keep others away and keep the women hidden. Giusy finally shares the paper with Sara, which is a police report with the details of Serafina’s murder. Police found her tied to a stake outside the cave. She had been beaten, stabbed, and strangled.
With the promise of finding wealth in the US, all the young men leave Sicily, leaving the villages full of women and older men. Gradually, the women take over the jobs, and when goods become scarce, the Mafia buys and sells them for enormous profit on the underground market. Serafina’s children grow, and she lives comfortably with the money Gio sends, but there are no safety guarantees for women left without their husbands.
Marco becomes the mayor of Caltabellessa, and he and Cettina continue to live like brother and sister even in their marriage. Cettina names Melina’s baby Liuni, and though he remains weak, regular treatments from the witch help him grow stronger. One day, when Cettina is sick, Serafina takes Liuni to the cave for treatment. Marco walks with her, and when they part, he kisses her cheek. Serafina feels a strong attraction to him. The witch shows Serafina how to mix and apply a salve to massage into Liuni. Watching her work, the witch proclaims Serafina a “natural” and asks to train her to become a healer.
Serafina trains with the witch, learning about tinctures and treatments and assisting in births. One day, Serafina asks the witch how she acquired her knowledge. She explains that most of her knowledge was passed to her by other women. When she was young, her parents sold her as a servant to a doctor in Palermo. As she matured, he taught her medicine and eventually took her as a lover. After his death, she became an outcast since she was unmarried, and she chose to live alone and practice her healing. The witch’s name is Rosalia. Serafina responds, “The little saint who lived and died in a cave? The patron saint of those infected by the plague” (118). Serafina cherishes her days of learning with Rosalia, and later, she wishes she could return to this time.
Giusy assumes Sara is in Caltabellessa to solve and avenge Serafina’s murder. Though Sara is horrified at how Rosie’s mother died, she isn’t interested in solving the mystery and only wants to see if the land sale will bring enough money to solve her problems. Giusy is disappointed in Sara, claiming she should follow Rosie’s wishes and solve the murder. Even though the murder occurred 100 years ago, people in town still discuss the case because Serafina was considered a witch and an unfaithful wife. Her legacy remains, and Sara will never sell the land if she doesn’t clear the family name. Sara claims that Giusy must have the wrong person because the family always described Serafina as a saintly mother. Giusy says she is wrong and calls her “ungrateful” and an “asshole” (123) for not being willing to listen to the truth. Giusy also has a vested interest in the issue because Rosie promised her a small portion of the profit from the land sale, and she needs the money to pay off her debts and sell the hotel. Sara promises to think it over.
On the return to her room at the hotel, a man rushes past her, and she realizes he burglarized her room and stole her passport. Giusy takes her to the roof, where she can get cell service to call the consulate to report her lost passport. Sara checks her messages from Sophie and calls Carla for moral support. Carla is in a meeting and can’t talk, and Giusy leaves to return to work, leaving Sara alone on the roof. Feeling lost, confused, and alone, Sara considers jumping from the roof. She admits that in the chaos of recent events in her life, this isn’t the first time she’s thought about death. As she stares over the edge, someone pushes her from behind.
As more men leave for the US, Serafina becomes the town doctor and veterinarian. After performing an emergency cesarean section on a horse, some of the villagers call her a witch. Marco tells her that the children in Sciacca have rashes and need her help. Serafina begins dreaming about Marco and relishes spending time alone with him. After examining the children’s rashes, Serafina knows from Rosalia’s books that it isn’t an illness but an infestation of tiny bugs that travel on ships and burrow beneath the skin. She instructs the women to burn all their clothing and linens, and while Marco visits the local church for help in replacing their clothes, Serafina bathes the children and dresses their wounds.
After seeing her work, Marco declares Serafina a “doctor,” which makes her blush. On the drive out of Sciacca, Marco accidentally hits a bicyclist named Enzo. The boy isn’t injured, but Marco’s car won’t restart. Enzo insists they allow his father’s friend to repair the vehicle and that they stay with his family overnight. After a delicious meal and wine, Marco and Serafina retire to separate rooms. Though she hoped for more, Marco bids her goodnight with a chaste kiss. Serafina notes that after that night, she is called not just “witch” but also “whore.”
Though Sara is certain someone or something is trying to push her, it’s only Giusy pulling her back from the ledge. Giusy arranges a meeting with the notaio to discuss the land deed. They will also visit the police department to report the stolen passport. Giusy explains that crime has been increasing since the local Mafia lost control of the drug cartel to foreign dealers. She also explains that there is no grave for Serafina: Since she was accused of being a witch and adulteress, she couldn’t be buried in sacred ground.
Giusy has already sent the land deed to Signor Raguzzo and has a photocopy of Sara’s passport. All this makes Sara wonder if she can completely trust Giusy, but she has few options. Raguzzo explains that farmers nearby use the land, citing squatters’ rights, since it has been vacant for 100 years. The farmers aren’t happy Sara is inquiring about reclaiming the land in town. More importantly, Raguzzo reports that a group of wealthy men from Gulf states are interested in purchasing the land for a resort and golf course. He estimates the land is worth $300,000—a staggering number for Sara as it would solve much of her financial stress. The news encourages Giusy, who says, “Sicily is still the sadly forgotten stepbrother of Italian tourism” (158) and welcomes bringing in more tourists.
Sara is eager to sell, but Raguzzo states many roadblocks, including how Serafina got the land. The deed states that Marco gave it to her to open a clinic, but many in the village believe she coerced him, perhaps with sorcery. Sicilians still aren’t keen on women owning property. Raguzzo encourages Sara to replace her passport, set up a local bank account, and wait for the town council to meet to discuss the land transfer. Raguzzo will also help Giusy get her husband’s name off the deed to the hotel. At the police station, Sara answers the woman officer’s questions regarding the theft. She realizes that Giusy knows Raguzzo, who helped her obtain the police report detailing Serafina’s death. The officer tells Sara that her arrival in town has reawakened an old, unresolved conflict, and that Sara is unsafe there.
In this section, Sara is confronted with the grisly details of Serafina’s death, which motivates her to accept Rosie’s dying request for her to investigate Serafina’s demise. Though Sara says she is only in Sicily to scatter Rosie’s ashes and collect the money from the sale of the land, hearing the story of her namesake forces her to examine her history, highlighting The Role of Cultural Identity in Self-Discovery. Sara is largely disconnected from her cultural roots but deeply connected to and motivated by Rosie. Traveling to Sicily, which Rosie arranged, immerses Sara in Sicilian food, culture, and history. This experience sets the stage for a transformative journey into Sara understanding her family and their motivations, particularly as they relate to the limited choices for women with ambitions beyond motherhood alone. Though Sara is only beginning to uncover the details of Serafina’s death—which will prove untrue, as Serafina escaped to the US and faked her own death—she feels connected to Serafina. Both women felt isolated in their lives, caught between the challenges of motherhood and the desire to build strong careers. As such, learning that Serafina was outcast by society is painful for Sara, perhaps even furthering her dark thoughts as she grapples with divorce, grief, and the loss of her business.
With Rosie gone, Sara has nothing to tie her to the past, but Rosie left a path in Sicily through people like the driver and Giusy to encourage Sara to explore her past and uncover her connection with her namesake. As a Sicilian with deep connections in Caltabellessa and extensive historical knowledge, Giusy serves as a guide and ally for Sara. The theft of Sara’s passport, a literal stealing of her identity, adds a layer of complexity to the story, as she is now trapped in Sicily until she can obtain a replacement. A lack of identification also prevents the land transfer, which the locals seek to prevent. Meeting with the notaio and the police investigator forces Sara to realize that Unraveling Family Secrets will be complicated, requiring her to temporarily put aside her desire for an immediate resolution to her personal problems to not only fulfill Rosie’s wishes but also ensure her safety while in Sicily.
Like Serafina and Sara, Giusy refuses to fit into societal expectations for women, further representing Women’s Empowerment Across Generations. Sara discovers that Giusy is, like herself, a mother struggling to keep her business afloat within a patriarchal society that labels her an undesirable woman because she is single. On their way to the cave, Giusy is grabbed by a man, and she explains that this is normal treatment for unmarried women, highlighting the dangers of being unprotected by a man in past and present Sicily. Additionally, outdated laws that prevent women from owning property keep Giusy trapped until she can get her husband’s name removed from the deed to her hotel. Just as hearing Serafina’s story broadens Sara’s view of her family history, learning about Giusy’s struggles creates trust and empathy: Sara sees they share the same frustrations and roadblocks to their independence despite their different origins. These frustrations and roadblocks are also shared by Serafina in the past, highlighting Women’s Empowerment Across Generations.
The past timeline reveals Serafina’s burgeoning awareness of her calling to become a healer, which puts her at odds with her culture and community. Giving the witch a name, Rosalia, humanizes her and foreshadows Serafina turning outcast once she becomes a greater healer. Ironically, stepping into her calling and serving her community dooms her to become a pariah, as people no longer see her as a wife and mother and instead as a curse. Rosalia’s warning casts a foreboding shadow over the narrative: “We must be careful what we call ourselves” (117). With the departure of most of the able-bodied men of the village, the women step into leadership roles physically and emotionally as they care for their children and take up the trades that keep the town economically viable. Doing the work of both men and women should be viewed as a strength, yet in the eyes of society, their subversion of gender roles labels them as troublemakers. Sara’s path converges with the past when she learns that the land Rosie sent her to explore belonged to Serafina, as women rarely held land in 19th-century Sicily. Sara now sees that her struggle to be an independent woman is inextricably tied to her relative, who fought for the freedom to live authentically. Like Sara, Serafina lived with the tension of loving her children yet wanting more than a life of quiet domesticity. Both Sara and Serafina struggle to find a place in society as they follow their career goals and are subsequently mislabeled as unfit mothers, as highlighted by Sara’s husband seeking full custody of their daughter. The text’s tension grows as both Serafina in the past and Sara in the present find themselves in dangerous situations that threaten their physical safety. Serafina’s growing attraction to Marco and her practice of medicine sets the villagers against her. In the present, Sara’s presence in the village dredges up painful memories of the past and threatens to expose secrets some wish to remain buried. Sara is also physically like Serafina, which the villagers note, and the villagers take on roles similar to their 19th-century counterparts, resisting Sara’s ownership of the land by questioning the deed’s authenticity. Both Sara and the villagers represent the power of legacy and the inheritance of characteristics and attitudes from ancestors.
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