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Luca and his wife Agata married young but have been separated for many years. She is a professor of feminist studies at a university in Palermo. Luca suggests visiting her to see if she can help Sara learn more about Serafina and the land transfer. Over espressos, Agata explains her work in the history of feminism in Sicily and her passion for giving a voice to the lost women of history. Luca receives a call, and he explains he must leave immediately. Agata offers Sara a place to stay for the night; she has a friend in the consulate who will help replace the passport. After Luca leaves, she tells Sara that Luca is meeting with investors for his restaurant, but she fears they aren’t good people. She and Luca have no children and are married by name only, which is better for her public image. Though Sara is exhausted, Agata insists on taking her through the streets of Palermo, sampling street food and soaking up the nightlife.
Agata asks about Sara’s inquest, and she explains that she only wants to sell the land and get back home. Agata says that people in town want to prevent the sale and that Sara shouldn’t trust anyone, not even Giusy. Agata leads Sara to the catacombs under the city, its walls lined with children’s corpses. Agata explains that Sicilian women had many children die, and this is where they buried them. The walls contain drawings that tell the women’s history, particularly their reverence for the African goddess Astarte. As the goddess of women’s empowerment, the women worshipped her. Over time, as other religions infiltrated the island, they changed her name. Agata has a tattoo of Astarte, which Sara notices is the same as Fina’s. Agata is named after Saint Agata, a young girl who was raped at 13. Agata was born after her mother was raped and later died by suicide.
The catacombs appear all over the island and are part of Agata’s research. Agata also found Serafina’s diary, which she gave to Giusy. She kept certain pages for herself. Agata says she, along with women in town, helped Giusy when her husband became abusive, insinuating that Giusy killed him. Agata doesn’t know who killed Serafina, but she gives her the missing pages from the journal, which confirm that the land belongs to Sara’s family and that Marco and Serafina were lovers. Agata warns Sara that she should leave Sicily. The following day, Sara visits the consulate, and Agata’s friend helps her replace her passport. Sara senses that she is being watched. Agata’s friend warns Sara about opening a bank account and getting scammed. Sara calls Pippo to drive her to the bank and help her complete the preparations for the land transfer. Giusy calls Sara. She is worried and reports that the council is meeting because the buyers from the Emirates are rushing to close the deal.
Serafina, Cettina, and the other village women keep Marco alive by transporting him to Palermo for more advanced treatment. He remains there and slowly improves, but Cettina and Serafina’s relationship is irreparably damaged. Rosalia dies and leaves all her belongings to Serafina. Soon, Serafina senses that she is being watched. She opens her door to find broken glass scattered on the stoop, and someone murders a cat and leaves it outside her window. One night, she hears a noise downstairs and grabs the machete she sleeps with to investigate. Gio has returned without notice, though he claims he sent a letter. She feigns excitement and prepares him a meal. Later, while the boys are at school, Gio takes her up the mountain and tells her to sell the land and move to the US with the boys. He feels guilty for leaving them and forcing Serafina to work. When she explains that Marco is ill and she will need to discuss the sale with him, Gio emphasizes that this is an order. Later that night, after they share a meal with the boys, Serafina receives a note from Marco asking her to visit him.
Though he would have accompanied her to Palermo, Gio becomes ill and remains in Caltabellessa while Serafina travels to meet Marco. She expects to find him near death, but he is much improved. Marco and Serafina spend a rapturous day together in Palermo, eating, holding hands, and behaving as if they are married. All day, she dreads telling him her news. They have sex and hold each other. While sharing a bath, Serafina tells Marco of Gio’s return and his demand to sell the land. Marco is hurt but tells Serafina he doesn’t care whether she sells the land. He only makes her promise not to leave him. Knowing she has no choice, Serafina lies to Marco, promising to stay. When she returns to Gio later that night, he drunkenly accuses her of being unfaithful in his absence based on his mother’s suspicions. She refutes his accusation and lies about the land, claiming that Marco never deeded it to her. Soon, Serafina discovers she is pregnant with Marco’s baby.
Sara attends the city council meeting packed with attendees, including Giusy, her cousin Nino, who claims ownership of the land, the sheik who wants to buy the land, and a reporter hired by Giusy to follow Sara. Nino addresses the council, claiming that his family has owned the land for generations. He attacks Sara’s character, claiming all her documents have been forged. Giusy calms Sara, telling her that Nino wants to protect the land because he works for the Abruzzi family, helping them traffic drugs. Giusy speaks on Sara’s behalf, saying she is there on an errand for a family member and only seeks to reclaim what is rightfully hers. When she mentions Serafina’s name, people groan and mumble. Raguzzo also speaks and takes questions from the crowd. Nicolo, the sculptor, addresses the crowd and vouches for Serafina’s character, citing how she once cared for him in her clinic. He states, “We have demonized a woman who did nothing but keep our village alive” (317). Finally, Sara takes the podium and shares her story of fulfilling Rosie’s wishes. She refutes Nino’s claims and produces the legal documents validated by a lawyer, solidifying her claim on the land.
The council breaks to deliberate, and Giusy encourages Sara that the decision will go their way because the sheik will sway the council to vote in her favor. Sara returns to the hotel, prepares a steak, and calls Sophie. After falling into a deep sleep, Sara is awakened by a knife pointed at her back and Nino telling her to get out of bed. Nino says Giusy let them in and shoves Sara into Luca’s car with the shattered windows.
Gio returns to the US and searches for a home for the family. Serafina keeps her pregnancy secret for as long as possible and even considers terminating it. Once she begins to show, she feels her mother-in-law and others in the village suspect her betrayal. Cettina reports that Marco will return home soon. He writes to Serafina, begging her to move to Palermo, but she ignores his letters. Carmine disparages her name and tells people she is a murderer. Near the end of her pregnancy, someone throws a firebomb through the window of the clinic, burning it to the ground. Serafina goes into labor a month early and nearly dies from blood loss. When she regains consciousness, Cettina is there holding her baby girl. She thought Serafina was dying and came to say goodbye. When the baby opens her eyes, green like Marco’s, there is no denying the secret, and Cettina whispers to Serafina that she loves her, but she is in danger.
Nino and a tall man shove Sara into the car and drive her to the top of the cliff near the cave. Nino plans to throw her off the cliff and make it look like an accident. Suddenly, Giusy appears with a gun. Nino taunts her for double-crossing them. Giusy fires the gun into the air and, while Nino is distracted, slides a knife toward Sara, which she uses to cut the ropes binding her hands. In one swift motion, Sara plunges the knife into Nino and kills him. Giusy disappears just as Fina arrives in a police car. At the police station, they begin to question Sara, but she is in shock and badly injured. She asks for a lawyer, and when the door opens, it’s Carla. When she couldn’t reach Sara, she began to worry and hastily got a flight out to find her. Carla says the police aren’t charging Sara because she acted in self-defense. Carla gets a doctor and takes Sara to collect her belongings at the hotel.
Giusy is waiting for Sara in her room. Sara accuses her of involving her in murder and nearly getting her killed. Giusy reveals that Fina is her daughter, and she did it because, with Nino’s death, she inherited the land. She plans to take over the drug cartel business to provide for Fina and future generations. She promises Sara a cut of the money but makes no apologies for her actions, saying, “Rose wanted you to learn how she lived, how she persevered against all of the odds, and I have given you that” (346). Giusy reveals that Rosie was Serafina and Marco’s daughter and had known about the land for decades but only decided to investigate it later in her life. She gives Sara the diary, which Sara donates to Agata to aid her ongoing research. With pages still missing from the diary, the mystery of Serafina’s death remains.
On the way to their Airbnb, Carla and Sara stop for coffee, and Sara notices a statue in the fountain that looks like her. She finds Nicolo, the sculptor, and he reveals that the sculpture is of Serafina. The image is of an older woman, and Sara doesn’t understand because he met her as a young boy. Nicolo explains that he met her again when she was in the US. Serafina wasn’t killed in Sicily; she faked her death and moved to the US but lived alone. Serafina continued her nursing work in the US, and Nicolo met her at an art gallery. She gave him the deed to the land along with a note and asked him to get it to Rosie. Sara scatters some of Rosie’s ashes into the fountain and then takes Carla to the dragon’s ear, where they scatter the rest. Sicily’s beauty strikes Carla, and she suggests they move there, but Sara wants to return home and rebuild her business and life with Sophie.
Cettina stays with Serafina and nurses her baby while she recovers. She isn’t angry with Serafina for having a baby with Marco and understands their love for one another. It isn’t safe for Serafina to remain in Caltabellessa, so Cettina helps Serafina create a plan to fake her death. Serafina arranges for the children, including Rosalia, to sail for the US without her, telling Gio that she must remain behind to oversee the sale of their house. With help from the village women, they stage Serafina’s brutal murdered, and they claim to bury her body to spare her family the pain of seeing her. In the night, Serafina slips away and sails to Philadelphia. Serafina keeps in touch with Cettina, who keeps her abreast of village life. Eventually, some men return and reclaim their jobs, forcing the women to return to their domestic roles. Ten years later, Cettina tells Marco the truth about Serafina just before he dies.
Serafina graduates from college. She keeps track of her family and learns that Gio never remarried. Santo, the only son to marry, has three children. When he and his wife die in a car accident, Rosalia takes in the children and raises them. Rosalia goes to college and becomes a teacher.
Cettina and Serafina’s letter correspondence eventually turns into phone conversations. Though they plan for Cettina to visit one day, she dies from cancer. Serafina continues her nursing work and thinks of Rosalia often. When Serafina learns she is dying, she travels by train to see Rosie but only sits outside her house, happy to watch her from afar and be at peace with the freedom and opportunity she gave her.
In this section, the introduction of Agata into the present-day timeline adds another layer of intrigue and further underscores the novel’s exploration of Women’s Empowerment Across Generations. Agata is an unconventional woman within the scope of the text, as she works in academia and, though married to maintain a specific image that adheres to Sicilian expectations, she lives alone and is childless. Her work seeks to platform the voices of women from the past whose stories have been physically and metaphorically buried in the annals of history, making her key to the amplification of Serafina’s story and Sara’s reclamation of the land. Agata takes Sara on a physical journey through the streets of Palermo, a sensual journey where Sara feels the beating heart of Sicilian culture. Though her journey through Sicily has often been a sensory feast, this night takes on a more spiritual quality, as Agata longs for her to experience the city in her soul. Their descent into the catacombs represents the hidden history of Sicilian women, as they have been forced to bury their truth. The catacombs take on a womb-like feel despite being filled with the mummified remains of Sicilian children, a bleak reminder of the sacrifices of past generations, particularly that of women and children. Agata becomes an essential guide for Sara through her family’s journey as she is the one who finds Serafina’s journal. However, her knowledge also broadens Sara’s view beyond her family and into the broader story of all Sicilian women. This exploration of the external landscape of Palermo helps Sara to understand her interior self as it intersects with Sicilian women, highlighting The Role of Cultural Identity in Self-Discovery.
The mention of Penelope earlier in the story invokes specific images of femininity, and Agata expands on the role of mythological women in Sicily’s culture by explaining Sicilian women’s reclaiming of Astarte as a symbol of women’s empowerment. Her association with love, sexuality, and strength resonates with women seeking to challenge traditional gender roles. Astarte symbolizes a connection to ancient feminine power and women’s strength and resilience. Her presence in the narrative underscores Serafina and Sara’s exploration of their identities. Learning about her ancestor’s connection to a powerful woman deity reinforces Sara’s journey toward self-discovery and empowerment and further strengthens her connection with her Sicilian heritage. Astarte’s prominence in the island’s lore represents Sicily’s rich history of various cultural influences, including those from Phoenician and Greek mythology. It emphasizes the island’s layered past, which Sara must understand to understand herself fully, furthering The Role of Cultural Identity in Self-Discovery. The journey through the catacombs symbolizes a path from confusion and disconnection to clarity and empowerment for Sara. She emerges resolutely to finish what she started, not just for Rosie’s honor but for herself and her daughter. Sara is motivated by a desire to sell the land and build a new life for her daughter and herself, which she did not believe she was capable of at the beginning of her trip to Sicily. Learning about Serafina, meeting empowered women like Giusy and Agata, and connecting with Luca all help to reignite her passion for cooking and life, but the landscape of Sicily also reinvigorates her.
Empowered with her new knowledge and sense of self, Sara takes control of her destiny by having Pippo drive her to collect the necessary documents to prove her identity and claim her inheritance. The act of proving her identity is literal, but it also symbolizes Sara’s reclamation of self. The rising action begins as Sara defends her family’s honor in the town council meeting. The threatening presence of Nino, Giusy’s cousin, underscores that though Sara is a contemporary woman, speaking her mind still puts her in danger. The attack symbolically occurs near the dragon’s ear, the fabled cave where the story begins, where Serafina was reported to have died, and where the witch lived. Giusy and Sara regain their power by reversing fate and overcoming the attackers. Though Giusy’s actions confuse Sara, the symbolism of sliding Sara the knife demonstrates Giusy’s understanding of how best to empower Sara to save herself. Giusy’s explanation for her betrayal underscores the motif of complicated relationships between women and the lengths women must go to for safety.
In parallel, the tension increases in the past timeline as Gio’s return home coincides with Marco’s miraculous recovery, putting Serafina in an impossible situation. The discovery of her pregnancy only intensifies her precarious situation, and she must do the unthinkable to protect herself and her children. Ironically, to live, Serafina must die, or appear dead to Sicilian society. However, Nicolo, who first helped Sara “see” herself in the sketch, provides the final puzzle piece by revealing that Serafina didn’t die but instead lived a full, successful life in the US. In this sense, Serafina’s second life in the US was also a rebirth, just as Sara’s return to the US promises to be. The threads of the two storylines weave together in the end as Sara takes hold of a second chance at life through a gift from Aunt Rosie, a gift from Serafina’s sacrificial love. Thus, the novel celebrates the collective power of women who support each other and Women’s Empowerment Across Generations. From Cettina helping Serafina enact her plan to Carla’s unwavering support for her sister, the story reflects the beauty of solidarity and support between women.
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