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Ashley PostonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Clementine West is the protagonist and narrator of The Seven Year Slip. At the novel’s beginning, Clementine is a senior publicist at Strauss & Adder Publishing and is highly devoted to her job, leading her friends to believe she overworks herself to distract from the problems in her life. Clementine grew up on Long Island but often spent time at her Aunt Analea’s Upper East Side apartment, which she inherits just before the novel begins after Analea’s death. Analea was an inspiring presence to Clementine; the two often traveled together in Clementine’s teens and early twenties. She remembers herself as having “the thirst for adventure sown into my very bones” (222), and she loved traveling and expressing herself through her watercolor paintings.
However, after Analea’s death, Clementine absorbs Analea’s fear of change and sees herself becoming a different person. This new version of Clementine cares less for adventure than she does for security and stability, as she feels rattled after her aunt’s death by suicide. Though she loses her passion for her job in publishing, she still stays with it because she believes that it is a good and stable path for her and that others would be proud of her for it. She cares excessively about what others think of her, and she realizes how she hadn’t permitted herself to fall apart after Analea’s death as she believed she needed to stay strong. When she meets Iwan, certain passions are reignited in her, as well as memories of her aunt’s life in Apartment B4. Yet when Clementine sees how Iwan has changed over the years, she is frightened by this change and feels like his personal growth prevents her from knowing him. While Clementine wants everything to stay the same, she must come to terms with the fact that change isn’t always a bad thing and it can often occur when things stay the same.
Despite her fear of change, Clementine is a dynamic character who begins to find herself again throughout the novel. She rediscovers her love for watercolors and her passion for adventure once she starts living for herself rather than for others. Toward the end of the novel, she starts to recognize that she is not working toward a future she wants for herself, saying “The longer I sat here, in this small cubicle, the more I began to wonder what, exactly, I was working toward” (222). For much of her life, Clementine had modeled herself on Analea or her boss Rhonda, yet she finally begins to change when she realizes she must instead be herself. She also recognizes that things can change and stay the same as she falls in love with Iwan. She describes falling in love as a long process rather than an instantaneous moment when she says, “I kept falling, tumbling, not realizing I wasn’t on solid ground anymore [...] tripping headlong into something so deep and terrifying and wonderful I didn’t realize I had fallen at all” (277). In accepting herself for who she is, Clementine also accepts those around her and the love they have for her.
James Iwan Ashton meets Clementine seven years in the past in her aunt’s magical apartment. Iwan grew up in the Outer Banks of North Carolina with his mother Vera, his sister Lily, and his grandfather James, who first introduced him to his love of cooking. When he is 25 years old, Iwan sublets Analea’s apartment for the summer to find a job as a dishwasher—something he believes will get him into the competitive world of fine dining. Clementine is enamored by Iwan’s passion for food and dedication to making the perfect meal, which he believes is not about fancy ingredients or preparation but instead should be about memories and experience. He and Clementine seem to understand each other on a deep level and they immediately begin to fall for one another. He gets a job at his grandfather’s favorite restaurant, the Olive Branch, where he later becomes Executive Chef, and where he continues to become more well-known for his work. Though he continually thinks about Clementine over the years, he knows she wouldn’t believe him if he told her how they had met as that moment in her life would be in the future.
By the time he meets Clementine again in the present, Iwan is a world-famous chef who is on the verge of publishing a cookbook and opening his own restaurant. Though his friends continue to call him Iwan, he goes by his grandfather’s name, James, once he starts becoming successful. Clementine also notices how he adopts a new persona as James and, much like her, presents himself how he thinks others want to see him. Clementine “also mentions how she “kept looking for some crack in his facade to see the man I knew underneath” (170). Yet on top of his new polished persona, Clementine is especially concerned with the change she sees in his views and attitude. At the meeting at Strauss & Adder, she immediately notices the changes from the Iwan of seven years prior. She thinks of the man she met in her apartment and thinks that he “was the man who wrote the Eater article. Not this one. And his recipes weren’t hidden behind a skill-set paywall, inaccessible to anyone who didn’t know what jus was” (134). With the change in his views, Clementine sees a striking difference in his passion—the thing that most endeared him to her.
Much like Clementine, Iwan overworks himself as he tries to do what would make his grandfather proud, ignoring what he wants in the process. However, he is also a dynamic character who recognizes this at the end of the novel as he sees the ways his new restaurant appeals to others’ expectations rather than his own passions. Both Iwan and Clementine learn that they need to live for themselves rather than others, showing how they have helped each other grow as characters.
Aunt Analea is like a second mother to Clementine, who idolizes her throughout Analea’s life. Though Analea is only present for one moment in the chronology of the novel, memories of her haunt Clementine throughout the story and influence all of her choices. Clementine saw Analea as “the main character in her own story” (87) and described her as a vivacious and brave woman who always “lived like she was dying” (210). Analea was a performer who starred in one Broadway show before leaving her career because she wanted to. Apartment B4 at the Monroe was her home, yet she discovered its magic on the first day she moved in and met a woman from seven years in the past. Analea quickly fell in love with Vera, yet her heart was broken when she found her in the present and discovered they wanted different things in life. Due to her fear of change, Analea did not pursue a life with Vera, yet they remained friends throughout her life. On New Year's Eve the year before the novel begins, Analea dies by suicide just after speaking to Clementine about plans for an upcoming trip. Clementine often compares the way she died to the way she lived—like every moment was her last.
As with everything else about her aunt, Analea’s death greatly affects Clementine, who is determined to be nothing like her because she was so hurt by her actions. She determines that she won’t live her life recklessly like Analea, yet in doing so, Clementine remains stagnant and her life begins to mirror Analea’s after she lost Vera. While Analea’s fear of change greatly influences Clementine, she is also influenced by her passion for life and her determination to live every moment like it was her last, especially toward the end of the novel. Even after her death, Analea stays with Clementine in everything she does and Clementine describes Analea in the final chapters by saying “She lived because she loved, and she lived because she was loved, and what a lovely lifetime she gave us” (264).
Though Clementine often feels alone after the death of her aunt, she is supported by her friends at work like Drew, Fiona, and Juliette. Drew Torres is a dedicated Senior Editor at Strauss & Adder, where she works incredibly hard like Clementine but is not nearly as fixated on her job as Clementine is. At the beginning of the novel, Drew is trying to secure a book deal with James Ashton and often goes out of her way to ensure this dream project runs smoothly. She often understands when Clementine needs her space and sometimes sides with her when she chooses to remain stagnant rather than change. Her wife, Fiona, more often pushes Clementine to change with good intentions, arguing that she needs to think more of herself and less of her work. A designer at Strauss & Adder, Fiona is deeply concerned with her friend’s personal life and, like Drew, is always sure to check in on Clementine and help her whenever she needs. Juliette works with Clementine in publicity yet is not as close to her as Fiona and Drew. Though Juliette doesn’t always have her priorities in order, Clementine sees a bit of her own insecurity in her. By helping Juliette recognize that she deserves more, Clementine also realizes that she deserves more, too.
One of the most influential people to Clementine after Analea’s death is her boss, Rhonda Adder. Rhonda is the co-publisher of the company she helped to found and runs more departments than seems possible to Clementine. Clementine aspires to be like Rhonda, and she models her life so that she can reach Rhonda’s position. Clementine describes Rhonda as “an icon among bookish people, the person they all wanted to be. The person I wanted to be. Someone who had her life together. Someone who had a plan, had goals, and knew the exact tools she needed to implement them” (25). Contrary to Rhonda, Clementine does not feel like she has goals or the tools to implement them, so she uses Rhonda as a template from which she can make a plan. Later in the novel, Clementine views Rhonda’s life more realistically, saying “I’d need to throw my whole self into it. As many hours as I’d worked, I knew Rhonda put in more [...] To be as good as I wanted to be, I’d have to do that, too” (222). When Clementine realizes her job no longer makes her happy, she feels like she has wasted not only her time but also Rhonda’s. However, Rhonda encourages her to find herself and what makes her happy whether or not she stays in publishing.
By Ashley Poston