57 pages • 1 hour read
Diane WilsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Rosalie is The Seed Keeper’s protagonist. Most of the point-of-view chapters are hers, but her characterization further develops through other characters’ viewpoints, namely Gaby and Darlene’s. She is a tall Dakhóta woman who was raised by her father in a rustic cabin. She is bookish, as that is a pastime she shared with her father, and books are one of the few possessions she has when she enters foster care. The other possession she carries throughout the novel is her father’s rabbit fur hunting cap. This item signifies not only how she misses and admires her father, but the survival skills he taught her, including trapping and skinning rabbits. Demonstrating that particular skill gets her removed from her first foster home. Without any women to influence her early life, Rosalie’s attire beyond the cap is masculine, “like she shopped in the boys’ wear and never owned a mirror” (56), according to Gaby. Trained to be resourceful from an early age, Rosalie wears glasses that are held together with tape or safety pins. This detail about her appearance indicates that Rosalie is more focused on seeing others and observing what’s around her than seeing herself. She is the “eyes” of her friendship with Gaby.
Rosalie is also quiet and withdrawn. In her early years, her silence keeps her hidden from people who come around to the cabin when her father is away, but once she starts school, her quiet nature makes her stand out as socially awkward. She quietly yearns for a community where she fits in. She develops a louder, more certain voice as the narrative progresses, particularly when she develops as a writer. At the same time, she doesn’t like to tell people what to do, as Gaby points out. She is calm and patient, traits that help her as a gardener and reflect the plant world from which she draws solace.
Though Gaby is Rosalie’s best friend, her appearances and conversations with Rosalie are often fleeting except for the scene outside Aunt Vera’s house as teenagers. The reason for this suits Gaby’s main trait, her “high energy, the way she always needed to keep moving” (354). As a teenager, this trait gives her a short attention span and a low threshold for boredom, so she is not a good student. Gaby has a goal, however, to become a lawyer to take on important causes in her community, such as protecting waterways and helping Indigenous children who have been removed from their homes. The author sets the reader up for disappointment with Gaby when she is arrested in a drug raid and gets pregnant. However, Gaby subverts stereotypes and uses the birth of her son as a turning point to focus on her goals, speaking to the strength of her character.
She is a foil for Rosalie: stylish where Rosalie is “a mess,” outspoken and fiery where Rosalie is calm and withdrawn, engaged in a Dakhóta community whereas Rosalie is on her own. She is the “mouth” part of their friendship. Later in the story, Gaby makes a large career shift to be more present for her son. She does this after imagining what Rosalie would do, as Rosalie would not take family for granted after being orphaned at age 12. Gaby still has a fire within her to do big things for her community, but she learns to attend to her family first.
The first image of John is at the grocery store when he gives Rosalie a quarter for bread. He is around 10 years older than her but about the same height. He wears a John Deere cap and “looked strong, with broad, hay-baling shoulders and ropy forearms—a man used to working with his hands” (54). Rosalie is subtly attracted to him physically, but she is also drawn to his kindness, not only in giving her the money but in not making a show of her poverty. He, too, is quiet and observant, something which may remind Rosalie of her father, as do his reddened eyes from drinking.
John’s character arc brings him closer to Rosalie, as they are two lonely people who have found a safe place to land. They are closest during her pregnancy, but they grow apart over issues of who will have the most influence on their son. John appreciates Rosalie’s culture when it leads to her starting a garden to feed their family, but when they interact with the broader community, he can no longer ignore the violent history and the “dormant hostility” directed at his son (185). He wants Tommy to be “less Indian” to get along.
Getting along is John’s consistent motivation. He starts the story as an outsider, but one who does not like to ruffle feathers. Once he becomes more successful and respected, he wants to be seen—and for his son to be seen—as an insider. What goes along with that is ignoring the painful past, including anything related to the Dakhóta people. He worries about the possible effects of signing on with Mangenta, but as long as there is someone else to tell him it’s okay (his son), he does so and turns a blind eye to the consequences.
Wakpá is, symbolically, the river connecting Rosalie to her past and home when he is responsive to her lessons about plants, animals, and gardening. He is the vehicle to help her recall her father’s lessons, a way to reengage with Dakhóta culture. He also resembles Ray Iron Wing to a striking degree, so it initially appears that Rosalie regains part of her lost family circle. However, unlike Rosalie, the boy has two parents, and as is often the case, Tommy looks to his same-gendered parent as a role model.
Tommy, like John, is primarily motivated by gaining the approval of his father. The medium by which the Meister men seek respect is the farm. While Thomas does not have the aptitude for the day-to-day operations, he has a knack for finances and business, something his father lacks. Both men worry that the changes they make to the farm would upset their fathers and about losing the farm that has been passed down through generations.
Thomas seemingly rejects his mother and his Dakhóta heritage. This may be due to the bullying he receives at school for being Indigenous, though it’s eventually revealed that Rosalie didn’t teach him as much as she thought she did. When his father offers him an opportunity to be more like him, Tommy is thrilled, not only because he receives his father’s time and attention but because he can distance himself from the side of his background that gets negatively targeted. In essence, like his father, he can get along.
As a young adult, Thomas aligns himself thoroughly with Mangenta, believing their innovations are good. His character is at a crossroads at the end of the story, as he must choose between moving up the ranks at Mangenta and embracing his newfound link to his heritage. While the corn from Darlene and his interactions with Carlos clearly impact him, it is unclear if it is enough to overcome the path he has carved for himself.