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52 pages 1 hour read

Salman Rushdie

The Satanic Verses

Fiction | Novel | Adult | Published in 1988

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Parts 6-7Chapter Summaries & Analyses

Part 6: “Return to Jahilia” - Part 7: “The Angel Azraeel”

Part 6 Summary

Gibreel falls into another dream. This time, he returns to the town of Jahilia nearly 25 years after the events of his previous dream. By this time, the inhabitants of Jahilia have slipped into poverty. In contrast, Mahound and the religious followers are returning "in splendor and omnipotence to the place whence they fled emptyhanded" (216). Mahound is now a well-known and respected man in the region. In contrast, Baal is poor and struggling to produce any poetry of worth. Baal is woken by a man who comes into his house to warn him that Mahound is returning to Jahilia. The man is Salman the Persian, a former follower of Mahound who has become disillusioned with Mahound's new religion. To Salman, the religion (known as Submission) is too demanding and overly regulated, as though the "rules, rules, rules" (219) were designed exactly to suit the needs of a businessman like Mahound. Salman recalls a dream that gave him the idea that it was his job to test Mahound. He was given the task of transcribing all Mahound's thoughts and ideas. After the dream, Salman decided to "surreptitiously" (221) make small but significant changes to his transcription to see what would happen if he adjusted the so-called word of God. When Mahound did not notice these small changes, Salman became disillusioned with the prophet and his religion. He left to return to Jahilia but now, as he explains to Baal, Mahound is also returning to the town "in triumph" (222). Salman is so concerned that he will be killed that he passes out. Baal thinks about what Salman has told him.

Mahound arrives in Jahilia. He brings an entire army of followers with him. Abu Simnel surrenders the town quickly because he knows that he cannot beat Mahound, much to the displease of Hind who is now the most powerful figure in the town. Khalid, one of Mahound's first and most trusted followers, leads the army into the temple and orders the men to destroy the idols of the old gods and goddesses. The townspeople of Jahilia convert to Submission, one at a time. Even Hind reluctantly agrees to join Mahound's religion, but Mahound insists that all "are welcome in my tents" (226) so long as they submit to his religion.

Baal escapes Mahound's men by hiding in a brothel named the Curtain. He dresses like a eunuch and, in this disguise, spends time in the brothel, listening to "the customers' gossip" (227). He hears about the people's struggles to adhere to Submission's strict rules and that Mahound has twelve wives and he suggests to the brothel owners that the prostitutes should model themselves after these twelve women because it could be "damn good for business" (229). The idea works, though the prostitutes slowly begin to behave as though they are really Mahound's wives. They demand that Baal play the role of Mahound; he becomes "the husband of the wives of the former businessman, Mahound" (231), and they work out a schedule for him to perform his platonic husbandly duties. During this time, Baal is inspired again and writes the best poetry he has ever written. The prostitutes appreciate Baal's plan, but when Mahound orders a clampdown on the town's vices, the brothel is closed. Baal and the prostitutes are arrested. After Baal performs one final public recitation of his poetry, they are all executed. Some time later, Mahound contracts a "fatal sickness" (237). Hind has placed a curse on him. On his deathbed, the goddess Al-Lat appears to him in a vision, telling him that the sickness is her revenge and she is "satisfied" (238).

Part 7, Chapter 1 Summary

Having returned to his human appearance, Saladin thinks about his existence. He thinks about his relationships and the city of London, "its conglomerate nature mirroring his own" (239). For many years, he has experienced the same dream in which he teaches a "small boy of about five" (241) to ride a bike; he imagines this boy is his son. Even though his appearance is no longer monstrous, Saladin is still concerned about returning to normal life as everything he once valued is gone. Saladin visits Pamela with the help of Hanif, Mishal, and Pinkwalla. Pamela drinks whiskey despite her pregnancy, and Saladin realizes that he has "fallen out of love" (242) with her. Saladin announces that he will live in the empty spare bedroom so that he can organize his life. Once everything is in order, he tells Pamela, they can file for divorce. Saladin does not know whether he will ever be able to forgive Pamela.

Once he has moved into the spare bedroom, he deals with the difficult problems of coming back to life. Having been declared dead, Saladin's bank accounts have been frozen and he cannot get a job because casting "start talking about zombies" (245). Saladin begins to feel his anger subside, however, including "his obsessive loathing of Gibreel" (245). During this time, Joshi goes out of his way to be friendly and polite to Saladin as he continues his relationship with Pamela. One day, Joshi invites Saladin to a political protest. Many members of the community (including the Sufyan family, Pamela, and Joshi) are incensed that the community leaders Dr. Uhuru Simba has been arrested. The police believe that Dr. Simba is the serial killer known as the Granny Ripper. Joshi admits that the doctor is a bad person but insists that this "doesn't mean his disembowels senior citizens" (247).

Protesters take to the streets to call for Simba's freedom. After the protest, as Pamela complains of feeling faint, Saladin accompanies Joshi to a karate school. Joshi is a karate instructor and Alleluia Cone is one of his "star" (251) students. She is not present at the class, but everyone knows that she is dating the famous movie star Gibreel. On hearing this, Saladin worries that all the disparate parts of his existence are closing in around him. He hails a taxi and, as he sits in the car, he hears he American voice of Eugene Dumsday talking about his miraculous escape from the hijacking. Saladin thinks about the changes that have taken place in his life and begins to believe that they are "irreversible" (252). 

Part 7, Chapter 2 Summary

After being released from a prison in New York, Mimi Mamoulian and Billy Battuta return to London. They throw a Charles Dickens-themed party to celebrate their freedom and invite both Saladin and Gibreel, insisting that the party will be "quite a circus" (253). Among the "society grandees, fashion models, film stars, corporation bigwigs, a brace of minor royal Personages, useful politicians, and suchlike riff-raff" (254), Saladin spots Gibreel standing amid the London-styled decorations and he is overcome by rage. The heavily-medicated Gibreel does not notice Saladin's envious fury and greets him as a friend, politely inquiring about Pamela's health. When Saladin tells Gibreel about Pamela's affair with Joshi, Gibreel is confused. He cannot process the news of Pamela's infidelity and her resulting pregnancy, so he begins to believe that Alleluia has actually been unfaithful to him with her karate instructor, Joshi. Gibreel attacks Joshi.

A week later, Alleluia invites Saladin to join herself and Gibreel on a trip to Scotland because Alleluia believes that Saladin "can really help" (260) Gibreel. Even though he loathes Gibreel and imagines himself murdering the man, Saladin accepts the invitation. They visit Scotland and the heavily medicated Gibreel spends most of his time with Alleluia while Saladin sits alone with his thoughts. He begins to understand that Gibreel is "going off [his] wretched head at a rate of knots" (263), even if he does not forgive him.

After the trip, Saladin spends more time Gibreel. When Gibreel quizzes Saladin on his favorite things and then mocks his "conventional cosmopolitan answers" (265). When he asks Saladin to take him to a favored restaurant, Saladin takes Gibreel to the Shaandaar Café in the hope that he might provoke a fight between Gibreel and Joshi. However, Joshi is not there. Instead, a group of young racist British men spits in Saladin's food. During this time, Gibreel's heavily medicated state means that he unwittingly shares intimate sexual details about Alleluia. Saladin plots revenge against Gibreel using these details. He telephones Alleluia's home and, disguising his voice with his professional talents, makes obscene comments about her body. His words embarrass Alleluia and elicit Gibreel's "demons of jealousy" (267). Eventually, Gibreel and Alleluia end their relationship. Gibreel is distraught and once again takes to walking around London, convinced that he is the archangel Gibreel. He buys a trumpet from the shop belonging to John Maslama and gives it the name Azraeel. 

Part 7, Chapter 3 Summary

While in police custody, the Muslim man arrested on suspicion of murder dies. The death of Dr. Uhuru Simba causes outrage and "a sizeable crowd" (271) of people do not believe the police's version of events, in which he broken his neck after falling out of his bed. Arguments, fights, and stand-offs between white and non-white communities break out as "violent incidents" (272) occur more frequently. Pamela and Joshi obtain documents showing that the real reason for Simba's murder was "the work he was doing" (273) to combat racism. Pamela and Joshi go to the Brickhall community relations council's offices to make copies of the documents.

When the serial killer strikes twice more after Simba's death, the minority community in London is outraged. A group of young Sikh men catch the actual Granny Ripper at the scene of his latest crime. He is revealed to be "a bland, pale man" (273) and people suggest that the police will attempt to hide their terrible mistake. The Black and Asian communities in London launch a protest against the police. The police respond with an anti-riot taskforce. The clashes between the two sides are broadcast on the news. A mysterious van follows Pamela and Joshi to the council offices.

Gibreel is still wandering the streets of the city. He "no longer recognizes the distinction between the waking and dreaming states" (275). He struggles to vocalize his thoughts but feels like he is hurtling toward an inevitable "final embrace" (276) with his adversary. In his confused thoughts, this unnamed adversary appears to him with the face of Saladin. Gibreel sees a group of prostitutes. He raises his trumpet Azraeel and blows a sound at them. Fire bursts from the end of the trumpet and burns the men beside the prostitutes. To Gibreel, this miracle is evidence that he is the archangel of his dreams. He continues to walk through London, which now seems to him as though it is on fire. He begins to think that London "is a city that has cleansed itself in flame, purged itself by burning down to the ground" (278).

When Gibreel reaches the Shaandaar Café, he sees that it is on fire. He notices that Saladin is outside. Gibreel breaks from his trancelike state just long enough to remember the details he told Saladin about his sex life. He realizes that Saladin used these details to scuttle Gibreel's relationship with Alleluia and that "the evil is not external to Saladin, but springs from some recess of his own true nature, that it has been spreading through his selfhood like a cancer, erasing what was good in him" (279). He realizes that Saladin has been fully consumed by his hatred and envy, just like the fire is consuming the city.

Saladin runs into the café in a desperate attempt to save the Sufyan family. Gibreel chases Saladin into the café, blowing Azraeel as he enters. The café begins to collapse and Saladin is trapped under a fallen piece of the roof. Gibreel decides that he cannot kill Saladin or leave him to die. He rescues his adversary and drags Saladin out into the street. Gibreel, Saladin, and the other survivors of the fire are rushed to hospital. Pamela, Joshi, and many other people are not so lucky. Their bodies are found inside the community center whether they were copying the documents; the police attribute the fire to an "act of arson" (280) and choose not to investigate the likelihood that Pamela, Joshi, and others were murdered by the police.  

Parts 6-7 Analysis

Gibreel's dreams about Mahound explore the dichotomy of faith and cynicism. Baal is a former polytheist who loses his faith in all gods. He cannot believe in Mahound's religion because he believes it is insincere. Salman echoes Baal's cynicism; even though he was one of Mahound's most devoted followers, he begins to doubt the authenticity of the religion of Submission. He cannot bring himself to figuratively submit to the religion because his mind works tirelessly to find flaws in Mahound's reasoning. To Salman, the rules of Submission are simply too convenient. Salman suspects Mahound of creating a religious framework based on his own ideas rather than the direct word of God. Salman runs away from Mahound, driven out by the relentlessness of his cynicism and inability to maintain his faith.

Saladin struggles with his identity throughout the novel. He is an Indian man who hates India; he wants to be English but struggles to be accepted in England. He has spent his life trying to resolve the tension between these disparate identities, so much so that Saladin has never truly understood himself. This problem takes on a more literal aspect in Part 7, when the aftermath of Saladin's suspected death leaves him without access to his bank accounts and documents. The state believes that Saladin is dead, so the documents confirming his identity and financial means are taken from him. Saladin's identity suffers further crises when he loses his wife and his job. The foundations of Saladin's old identity vanish.

In Part 7, Gibreel and Saladin reunite for the first time since the fateful evening when Saladin was arrested and Gibreel did not intervene. Since that time, Saladin has harbored a growing hatred for Gibreel. While the rest of Saladin's life has fallen apart and he falls even deeper into his ongoing identity crisis, he emerges with one constant in his life: his loathing for Gibreel. The incident with the police is the reason for Saladin's hatred, but his motivations run deeper. When Saladin sees Gibreel at the party, he realizes how easily Gibreel seems to fit into English society. Saladin assumes Gibreel is a famous film star who quickly integrates into British high society, possessing everything that Saladin covets. However, Saladin does not know about Gibreel's repressed guilt and shame, his struggles with mental health, or the visions haunting Gibreel's dreams. Saladin dedicates his life to hating an imagined version of a man he does not really know.

When Gibreel runs into the burning café to save Saladin from the fire, he is performing a symbolic gesture. Gibreel is responsible for the flames spreading through the community. Armed with his magical trumpet, he set fire to the buildings now used as a cover to murder people like Pamela. Gibreel caused the fire and then performs a heroic act by saving someone from a problem that he created. For once, Gibreel is facing up to the consequences of his actions. He could not save Rekha Merchant, so he is trying to save Saladin. When going into the burning building, Gibreel realizes that Saladin is responsible for the harassing phone calls that caused the end of Gibreel's relationship with Alleluia. Gibreel saves Saladin nonetheless, performing a symbolic gesture of forgiveness.

The extent to which Gibreel understands his moment of growth is debatable. At this moment in time, he is heavily medicated and experiencing strange visions. Fantasy and reality are blurred together in Gibreel's mind, so his awareness of his role in starting the fire is questionable. He might not understand that he is facing the consequences of his actions, and other than the moment of searing lucidity in which he understands Saladin's actions, he lacks the self-awareness needed to achieve atonement for his sins. Gibreel, as ever, is caught in a struggle to acknowledge his own guilt. This time, however, he might be too far removed from reality to even know what he has done or why he might need to be forgiven. 

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