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Violet points out that the children won’t be able to convince the adults that Stephano is really Count Olaf, or that Uncle Monty was murdered by Count Olaf and not killed by a snake, without actual “proof” and “evidence.” Violet tells Klaus to stay in the Reptile Room and research the snake that allegedly killed Uncle Monty. She instructs Sunny to guard the door, telling them she plans to search Stephano’s bedroom for clues. Violet first pauses by the kitchen, eavesdropping to make sure the adults are still distracted by their debate about transportation. She then sneaks upstairs to find that Stephano’s bedroom is disgusting, typical of Count Olaf, but devoid of any useful evidence.
After eavesdropping once more, realizing the adults are close to a resolution, Violet returns to the Reptile Room. Fortunately, Klaus has learned from a book that the Mamba du Mal, while poisonous and deadly, strangles its prey as well as biting it. This type of attack leaves the corpses bruised all over, not pale. Klaus reminds Violet that Uncle Monty kept snake venom to study in test tubes and suggests that Stephano injected it into Uncle Monty.
Mr. Poe arrives and announces they’ve decided that Mr. Poe will ride with Dr. Lucafont, and the children will ride with Stephano. Klaus protests, trying to share what he has learned, but Violet shushes him. Mr. Poe goes to get ready to leave. Violet instructs her siblings to create a diversion in the Reptile Room. Despite Klaus’s fresh protests that he isn’t sure how to create a suitable diversion, she then runs outside to the jeep and toward the pile of suitcases left there, including Stephano’s suitcase.
Lemony Snicket observes that the moral of “The Boy Who Cried Wolf” shouldn’t be to avoid lying, but rather to avoid wolves. He says sometimes it’s necessary to lie or deceive people, such as in the Baudelaires’ current situation, in which Sunny and Klaus need to create a diversion for the adults.
Sunny crawls to the Incredibly Deadly Viper, opens its cage, and begins screaming. Klaus and Violet, knowing their sister well, immediately recognize that the scream is fake. Mr. Poe, however, comes running, and as he doesn’t know the viper’s name is a misnomer, he panics. Klaus contributes to the chaos as Sunny continues pretending to be in peril.
Stephano finally points out that the snake is actually harmless despite its name. Mr. Poe asks Stephano if he’s certain. Stephano/Count Olaf, who is incredibly vain, responds that he is absolutely sure, because he has expert-level knowledge on snakes, having read extensively about them in preparation for this job. Dr. Lucafont seems to attempt to stop him, oddly referring to Stephano as “boss.” But Sunny, followed by Klaus, leap on the mistake, pointing out to Mr. Poe that Stephano has lied. Despite Stephano’s earlier claim that he knew nothing about snakes, he has now revealed that the opposite is true.
While her siblings are keeping the adults busy, Violet is still outside trying to figure out how to open Count Olaf’s locked suitcase. She rushes inside and uses parts from her lamp as well as tacks to fashion a makeshift lockpick. She rushes back to the suitcase and tries to open it, but she needs some sort of lubricant. She looks up and sees Stephano watching her through the glass walls of the Reptile Room. Realizing she has little time left, she rushes back inside to get some soap, then outside again to the suitcase. She gets the suitcase open, although her lockpick breaks in the process.
Violet finds several pieces of evidence in Count Olaf’s suitcase: a test tube that used to contain snake venom, a syringe with a needle, papers, and makeup.
In this section, The Importance of Teamwork is highlighted through the ways in which each Baudelaire child contributes uniquely to accomplishing the tasks at hand, which ultimately ensures their survival as well as their success in exposing Count Olaf. The same traits that Mr. Poe criticized at the beginning of the novel end up allowing the children to make it through seemingly impossible circumstances. Klaus asks research questions and reads books to discover that the snake couldn’t have been the culprit behind Uncle Monty’s death. Violet creates a lockpick to gain access to Count Olaf’s suitcase, where she finds evidence proving he’s the murderer. Sunny uses her playfulness and her love for biting to create a diversion with the Incredibly Deadly Viper, allowing her siblings enough time to handle the rest. None of them could have accomplished all this on their own. Each of their unique abilities and contributions is necessary for the success of the group.
This section also further highlights The Vulnerability of Children. The children have to convince an adult, specifically Mr. Poe, of the truth in order to save themselves. Their fate is dependent on getting an adult to believe them. Although all three Baudelaires are children, they each have varying degrees of access to the worlds of adult knowledge, adult language, and adult logic, which they must employ in order to prevail as children in a world run by adults. Klaus has an exceptional vocabulary which helps, but he lacks the ability to get adults to listen to him because he’s dramatic, interrupts a lot, and is impatient, often making adults assume he is upset, lying, or exaggerating. Violet has a better understanding of adult etiquette and adult thinking patterns, but she is sometimes hampered by Mr. Poe’s sexism and fails to be forceful enough when the moment comes. Sunny is very perceptive, especially so for a baby, and she uses the fact that she is a baby to play into adults’ assumptions of her helplessness, as when she creates a diversion with the Incredibly Deadly Viper. Nonetheless, it is really catching Stephano in a lie that finally causes Mr. Poe to start suspecting him; the children’s evidence only comes later.
Uncle Monty gave the Incredibly Deadly Viper its name, which he tells the children is a misnomer meant to help him pull a prank on his colleagues. Ironically, the misnomer ends up providing something much more meaningful than a good joke: it helps the children create a diversion, expose Count Olaf, and save their own lives. Not only is the snake harmless and playful, as Monty promised, but it’s actually helpful, assisting the children in preserving their lives rather than threatening their lives. Throughout the novel, snakes demonstrate the theme of The Difference Between Perception and Reality, and this moment is no exception.
Snicket again differentiates The Reptile Room from stories meant for “small children” by insulting well-known tales like “The Boy Who Cried Wolf” and “Little Red Riding Hood.” He insists that this novel is much more mature and realistic, as the morals of those other stories are too “simplistic” or “foolish.”
By Lemony Snicket
Action & Adventure
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Appearance Versus Reality
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Challenging Authority
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Good & Evil
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Jewish American Literature
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Juvenile Literature
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Laugh-out-Loud Books
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Power
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Safety & Danger
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Truth & Lies
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