47 pages • 1 hour read
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Violet (14), Klaus (12), and baby Sunny Baudelaire are orphans, their parents having died in a fire at the beginning of the previous novel. They have survived being placed in the care of an evil, murderous man named Count Olaf, who wants to steal the fortune their parents left them to inherit when they each turn 18. In the previous book, however, Count Olaf escaped the authorities, vowing to one day find the Baudelaires again, steal their money, and make their lives miserable until they’re old enough that he doesn’t need to keep them alive anymore.
Now, their deceased parents’ friend, Mr. Poe, is driving the Baudelaires down “Lousy Lane,” a gray and dreary road laden with gothic imagery, toward their new guardian’s house. Mr. Poe, a banker who always has a cough, is kind and well-intentioned but usually oblivious to danger. He often fails to listen to the children, which almost cost them their lives in the previous book. The Baudelaires worry about what their new guardian, a distant relative named Dr. Montgomery Montgomery, will be like. In the previous book, the children survived because of their unique abilities, which they combined via teamwork. Violet loves figuring out how things work, building machines, and thinking like an engineer. Klaus loves reading and research. Sunny loves biting things, including people, and she’s also highly intelligent and aware for a baby, seemingly able to fully understand language.
Mr. Poe’s car is small, so he didn’t have room to bring the children’s suitcases with them. He promises to bring them later. They arrive at Dr. Montgomery’s large stone house, which is surrounded by a vast lawn and intimidating snake-shaped hedges. However, the man who opens the door is short and chubby, and he greets the children warmly, announcing that he is their “Uncle Monty” and has made a coconut cream cake.
The Baudelaire children chat with Uncle Monty and Mr. Poe over cake. Uncle Monty is a herpetologist, meaning he studies snakes. He travels the world searching for new species and researching old species. He insists it’s not dangerous because he knows how to take proper safety precautions with certain snakes, and other snakes aren’t dangerous at all. Uncle Monty is attentive and friendly, fetching Sunny a raw carrot when she doesn’t like the soft cake. Uncle Monty says whenever he goes on trips henceforth, the children will come with him.
To prepare for an upcoming trip to Peru, Violet will fix snake traps and cages and build better ones that are more humane for the snakes. Klaus will read about Peru’s climate, culture, and snakes. Sunny will bite a large rope into small pieces that Uncle Monty can use. Uncle Monty expresses excitement that the children are willing to help because his wonderful assistant, Gustav, just quit unexpectedly, leaving a lot of work to finish before the trip. Uncle Monty has hired a new assistant named Stephano, but he won’t start for another week.
Before leaving, Mr. Poe promises to bring the children’s suitcases soon and says they can call him if they need anything. Uncle Monty says the children can each pick their own bedroom and decorate it how they want. Count Olaf had forced them into a single room, so they’re excited. Monty shows the children his Reptile Room, which has glass walls and is filled with snakes, lizards, frogs, toads, and various other reptiles and plants, as well as books and equipment. Monty also shows the children a new species of snake he recently discovered, which he’s named the “Incredibly Deadly Viper” (23). The chapter ends on a startling cliffhanger as the snake bites Sunny on the chin.
Because The Reptile Room is the second book in a series, the narrator, Lemony Snicket, notes some details from the first book, The Bad Beginning, especially in the first chapter. Serial writers often use this strategy to remind loyal readers what happened in the previous installment while catching new readers up on details they might not know. In this case, only key details are shared, and they are woven into the narrative, rather than being what the novel opens with.
Like many gothic novels, the novel opens with a description of a setting that is dreary, gloomy, and menacing, which is meant to set the mood or tone for the events of the story. Snicket shows the children traveling out of town and down a miserable road that, the narrator suggests, foreshadows how miserable the events of the book will be. Victorian gothic fiction often incorporates in its early chapters introductions of grand yet eerie houses or castles that are somewhat isolated from the rest of society. Moreover, gothic novels like Bram Stoker’s Dracula also often begin with or eventually involve someone traveling away from their safe and familiar home into uncharted territory. In American gothic fiction, often nature and the forest are used in place of houses or castles, or in addition to them, since the United States has fewer castles and fewer old buildings. Similarly, the snake-shaped hedges surrounding Uncle Monty’s house generate a sense of foreboding among the children.
Lemony Snicket announces himself as a participatory narrator in this first section of the novel, so that readers know what to expect going forward. He comments on the story, breaks the fourth wall, reminds readers that this is a book, explicates themes, and even delivers vocabulary lessons. Snicket serves as a guide who accompanies the reader through the book, helping them process the actual facts of the plot as well as their emotions about what happens. Snicket, along with Sunny, is also one of the “characters” who most often contributes comic relief to the novel.
This section introduces the novel’s core themes. First, The Difference Between Perception and Reality is illustrated through Mr. Poe’s obliviousness to the snake-shaped hedges. Much like Mr. Poe will later fail to recognize Count Olaf as Stephano, despite the children’s warnings, he is simply oblivious to anything more subtle than the most undeniable evidence. Second, the novel also introduces The Importance of Teamwork by re-hashing the events of the previous novel, which foreshadow how the theme will repeat in this second novel. In these early chapters, the children begin to recognize Uncle Monty as a good guardian when he outlines the three tasks he most urgently needs help with, as these tasks perfectly align with each of their unique talents. Last, these chapters introduce The Vulnerability of Children in part by rehashing the events of the last novel. Moreover, the first chapter opens with a dreadful and arguably risky setting, leading the nervous children—who do not even have their suitcases—from Lousy Lane to a house surrounded by intimidating snake-like hedges. All the while, the chapters highlight the incompetence and obliviousness of Mr. Poe, the man who has been entrusted with the children’s affairs.
By Lemony Snicket
Action & Adventure
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Appearance Versus Reality
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Challenging Authority
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Good & Evil
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Jewish American Literature
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Juvenile Literature
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Laugh-out-Loud Books
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Power
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Safety & Danger
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Truth & Lies
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