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37 pages 1 hour read

Edgar Allan Poe

The Raven

Fiction | Poem | Adult | Published in 1845

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Symbols & Motifs

The Raven

The raven plays various symbolic roles in the poem. As Poe would know from his academic training, ravens have deep mythological significance in world literature, often playing messengers of bad news (Ovid’s Metamorphoses, Chaucer’s “Manciple’s Tale,” Shakespeare’s “Macbeth”). In this context the raven may come bearing some arcane or otherworldly knowledge from the afterlife.

The raven can also be interpreted as an unthinking animal, the ultimate symbol of irrationality. In this reading its landing on a statue of Athena signifies the topsy-turvy nature of Poe’s world, with the terrifying dominion of irrationality over wisdom and the arts. Without the positive influence of Lenore in his life, the speaker turns to the supernatural (“books of forgotten lore”) and illogically ascribes human characteristics to an animal. One might even argue that the speaker, knowing full well that the bird can only reply “Nevermore,” phrases his questions in such a way as to confirm his own dread about death and the afterlife, inviting irrationality to take up a permanent presence in his life.

The figure of the raven may also suggest, on a symbolic level, grief itself. As the speaker mourns, trying to distract himself, isolated from his friends, he finally realizes that the pain of his grief will never really go away. No matter how much time passes, it will shadow him “forevermore.” 

Lenore

Lenore is the only named character in “The Raven” and the object of the speaker’s obsession, but we don’t learn much about who she is. Is she a family member of Poe’s? A lover? A friend? This vagueness heightens the sense that Lenore symbolizes a feeling of loss in general. Poe uses the name elsewhere in his poems for this purpose, most notably in his 1843 poem “Lenore.” The name also has a storied association with death and loss in the Gothic ballads, most notably the German poet Gottfried August Bürger’s “Lenore,” which inspired the English-language Romantic poets.

Dreams and Nightmares

In his fiction Poe often looks to sleep as a vehicle to pluck his speakers from the realm of reason into the realm of emotion and uncertainty. Early in “The Raven” (stanza 2), the speaker is described as nodding, “nearly napping.” Later, he apologizes to the unknown visitor for coming to the door late, explaining that he was sleeping (stanza 4). Is it all a dream? By the rules of myth and folklore, including the Greek and Roman myths that are referenced throughout the poem, the speaker’s sleepy state puts him at special risk of experiencing supernatural phenomena: Liminal spaces such as the space between wakefulness and sleep, are inherently dangerous and unpredictable.

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