logo

44 pages 1 hour read

Alexander Pope

The Rape of the Lock

Fiction | Poem | Adult | Published in 1712

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Symbols & Motifs

Queen of Spleen

The Queen of Spleen is a goddess in “The Rape of the Lock” that symbolizes melancholy, hysteria, and other emotional turbulences. Her representation suggests that these maladies of mood are exclusive to women and reveal Pope’s gender bias. The Queen’s handmaids, Ill Nature and Affectation, are also symbols that comment on women’s temperaments. Affectation is of note, as it mirrors one of the poem’s central arguments: appearance versus reality. In Pope’s time, the spleen (an organ that cleans the blood in the body) was thought to be the center of emotional and psychic ailments. These ailments were largely attributed to “female concerns” and used as evidence against a person’s character.

The Lock

In the “Rape of the Lock,” the lock is not just a coil of Belinda’s hair. The lock becomes a symbol of value, power, and control. Belinda’s value and limited power as a woman in society is directly related to her intact hair. The final lines of Canto 4, “Oh hadst thou, cruel! been content to seize / Hairs less in sight, or any hairs but these!” (Lines 177-78) suggest Belinda’s hidden pubic hair. These lines directly relate the lock to Belinda’s virginity and therefore affect her social status and marriageability. If a suitor has stolen a lock of her hair, society might see Belinda as an unsuitable match and deem her unmarriable on the grounds of a compromised virginity. The possibility of this opinion arises during Thalestris’s rousing speech, where she rallies Sir Plume to demand the lock of the baron. In Pope’s time, women had very little civil rights or potential opportunities for social or economic advancement. Marriage was one of the only ways women could secure a respected position in society. Therefore, the scandal of the lock symbolizes Belinda’s potential social ostracization.

Belinda’s social predicament is even further addressed by the baron’s refusal to return the lock, as he believes it a token of masculine conquest. The lock becomes a symbol of power and domination in a patriarchal society that limits the opportunities available to women.

Beauty

A central motif in “The Rape of the Lock” is physical beauty and the effect it has on individuals and society. In particular, Pope is critical of Belinda, whose beauty he suggests has resulted in extreme vanity. Pope uses Belinda to imply that women who take pride in their appearance are frivolous and amoral. In Canto 1, Ariel sends Belinda a dream that is ridden with moral reproaches about vanity. When she wakes and readies herself for the party at court, Belinda’s dressing table is ridden with “puffs, powders, patches, bibles, billet-doux” (Line 138). Pope implies that Belinda’s cares and concerns are purely superficial, given that she spends time adorning herself. The inclusion of the word “bibles” in Line 138 also suggests amorality—it is as if her religious affiliations are just another shallow display.

Pope goes further and condemns society’s reverence for beautiful women during Clarissa’s moralizing speech against beauty. Logically, her speech has sound reason but everyone, including Belinda and Thalestris, find it a bore. Again, Pope uses adoration of beauty as justification for moral shaming. In the poem, beauty is synonymous with amorality.

blurred text
blurred text
blurred text
blurred text