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58 pages 1 hour read

Holly Black

The Queen of Nothing

Fiction | Novel | YA | Published in 2019

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Character Analysis

Jude Duarte

The novel’s protagonist and its only point-of-view character, Jude Duarte is a human born in the mortal world, but now High Queen of Elfhame. Jude has survived a traumatic childhood and adolescence to grow into a resourceful, ambitious, and brave young woman. When she and her twin sister, Taryn, were seven, Jude witnessed the murder of her mother, Eva, by Eva’s ex-husband, Madoc. Madoc killed Jude’s father as well and whisked the children away to Faerie. In the world of Faerie, Jude was often bullied and mocked for her mortality, as when one of Madoc’s guards bit off Jude’s finger. The missing finger is the one distinguishing mark between Jude and Taryn. Jude is described as brown-haired and brown-eyed and with a fuller figure than most Faerie folk, who tend to be tall and willowy. Jude doesn’t consider herself beautiful because of her curvy physique and mortal frailty, but others, like Cardan, view her differently.

Jude’s ambiguous attitude toward her appearance and abilities is formed by a complex mix of feelings of inferiority and ambition. This is understandable, given that at the time the series opens, Jude is only 17. Thus, she represents young women in the real world finding their individual selves through the maze of tough societal expectations. Jude has been told that she is weak because she is mortal, but she pursues her dream of being a knight and a ruler despite these warnings. She is not above deploying Machiavellian means to achieve her ends; in a previous book, she controls Cardan with a vow. The Queen of Nothing marks a pivotal journey in Jude’s character arc. The title alludes to Jude’s state of exile at the start of the book. The novel’s narrative can be seen as her journey to recover her queendom—this time, not through manipulation but through savvy and courage.

Jude achieves these goals through many significant changes. She suspects that her love for Faerie has magically tied her to the land, and the land heals her. Until now, Jude “had half-convinced myself I was faking being the High Queen” (137). The land’s acceptance of Jude gives her a renewed sense of purpose and confidence. Throughout the series, Jude has expressed the fear that her search for power may turn her cruel, like Madoc. In The Queen of Nothing, this doubt is put to rest, with Jude bravely resisting the temptation of immoral or punitive Power and Control (as in the golden bridle). Jude learns that though she has learned many things from Madoc, she is not Madoc. She shows Madoc mercy and tells him, “You raised me to be uncompromising, yet I learned mercy” (300). By showing Madoc mercy on her own terms, Jude proves she is her own person. She also saves Cardan from his curse, acting as his knight in shining armor and reversing gender stereotypes. Jude is a dynamic character as she grows into adulthood, and the novel ends with her discovering a new way to be both human and a Faerie ruler, finally uniting her two realities.

Cardan Greenbriar

Cardan Greenbriar is the High King of Elfhame and the protagonist’s love interest. Depicted through Jude’s eyes as stunningly good-looking, Cardan is tall and regal and likes to dress elaborately, often in black and gold. He has pointed ears and a tail, characteristics that make him all the more attractive to Jude. Several important textual motifs converge in the treatment of Cardan’s character. These are the importance of nurture during childhood, the necessity to look beyond preconceived notions, and the power of transformation. Neglected and spoiled by his mother, Lady Asha, and abandoned by his father, High King Eldred, Cardan is further marked for a dissolute life by a dire prophecy. He is raised in an atmosphere of court intrigue, witnessing displays of cruelty by his older brother Balekin. In the first book of the series, he allies with cruel characters like Locke and performs needlessly cruel actions, such as ripping off the wings of a faerie. Jude and Taryn, his classmates, fear him for this reason.

In The Queen of Nothing, a different side of Cardan emerges. Now a king, he has grown into his responsibilities and been transformed by his love for Jude. Cardan has never wanted to be High King; what he wants is a sense of family and belonging. His transformation into the serpent unleashes his cruel side: He swallows Grimsen whole and kills soldiers who try to bridle him. After Jude restores his form, Cardan confesses that although as a serpent he was filled with “hatred and terror and the desire to destroy” (292), he always knew her. Cardan’s willingness to submit to Jude when they make love and share royal power with her paint him as a sympathetic male character, unlike the patriarchal former rulers of Elfhame. As the character who undergoes the greatest change in the series, he represents The Redemptive Power of Love as well as a new, more equitable form of rule.

Madoc

Madoc is a redcap, a faerie warrior who dips his hat in the blood of his slain enemies. He is often dressed in clothes the color of dried blood; thus, he is identified with Violence and ruthlessness. Madoc represents patriarchal control and a complex sort of fatherhood in the text. At the beginning of the Folk of the Air series, he hunts down his ex-wife, Eva, and kills her and her husband. According to the code of ethics he follows, this is justifiable because Eva ran away from him. As Eva’s children are left orphaned, he must assume responsibility for them, including Jude and Taryn, who are not his biological daughters. He brings them to Faerie and raises them, treating all three daughters equally. This makes him a difficult character to decode; Jude often feels conflicting emotions toward Madoc. He has killed her parents and deeply traumatized her and her siblings, but he also brings them up in comfort and care. Madoc loves his children, but he loves power more. His love for Power and Control makes him perform extremely cruel actions, often to the detriment of his children.

Madoc is a static character, since he changes little over the course of the series. He tries to control Jude as he tried to control Eva. Jude even recalls him saying the same words to her that he did her mother: “Do not run from me!” (129). He has a paternal relationship with her and her siblings, but only when they submit to him. At the start of the series, Madoc was the Grand General of the Elfhame armies. Since being displaced, he has relentlessly pursued power, using his children, notably Oak, as a means to that end. In the hunt for power, he is ready to alienate all his children and even grievously injure Jude. At the conclusion of the series, Madoc takes up Jude’s offer of conditional mercy, perhaps indicating a willingness to concede his stubborn pride.

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