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58 pages 1 hour read

Hanya Yanagihara

The People in the Trees

Fiction | Novel | Adult | Published in 2013

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Character Analysis

Dr. Abraham Norton Perina

Content Warning: This section of the guide discusses the sexual assault and rape of children, cultural appropriation, and colonialism.

Dr. Norton Perina is the protagonist and primary narrator of The People in the Trees. The novel itself is a fictionalized collection of his memoirs and other writings and resources that depict his life and earth-shaking discovery of possible immortality. It also provides an account of the allegations that ultimately imprisoned him and led to his disappearance. Plagued by narcissistic tendencies, Norton is an inherently unreliable narrator whose faulty perception compels him to compare himself to others and pass judgement on their choices, goals, and achievements. He values adventure and personal motivation: two qualities that he believes drive him toward success. Seeing his father’s lack of motivation at a young age drives him toward a different life in which he seeks adventure, and this drive ultimately leads him to the island of U’ivu in search of fame and glory. But even at the end of his life, his skewed self-perception and narcissism compel him to look down upon others, including his own children. He often blames his adopted children for his feelings of loneliness and of being trapped, and so he dehumanizes and abuses them physically, psychologically, and sexually. When thinking of his children, he often focuses on their physical features, describing them as ugly. Norton exhibits little personal change throughout the novel, for he is always guided and burdened by his judgement of those around him and the loneliness that infects his every moment.

The loneliness that Norton feels begins in his childhood and follows him until the conclusion of his memoirs, which he writes at the end of his prison sentence. The ache of being alone drives Norton’s actions throughout the novel and ultimately leads him to adopt many children from U’ivu. He believes that each child will help rekindle the feelings of love and closeness that he once shared with two boys in the village on Ivu’ivu. However, with each adoption, that feeling becomes more fleeting, and he becomes more despondent. This selfish pursuit corrupts his relationship with his children and others, and even when he seemingly does a good deed, such as adopting impoverished children, he corrupts that goodness in multiple ways. In the instance of his children, he rapes many of the boys to dull the ache inside himself. His primary goal is to find someone to be with and to love, and in his misguided imaginings, he even fantasizes about someday being reunited with the anthropologist, Tallent, who has long-since disappeared. Ultimately, Norton’s life is defined by his loneliness, which leads him down unhealthy paths while simultaneously preventing him from recognizing the many harmful consequences of his actions.

Dr. Ronald Kubodera

Dr. Ronald Kubodera is a friend and colleague of Norton who acts as the secondary narrator through his editing of Norton’s memoir. Kubodera is also at times an unreliable narrator and acts as a clear supporter of Norton despite the man’s many flaws. Even in the face of Norton’s crimes against his children, Kubodera keeps Norton’s best interests in mind and ultimately abandons his life in the United States to help Norton disappear and begin anew. His near obsession with Norton is apparent in his preface to the memoir, for he states:

The point is, talking to Norton, working with Norton, being with Norton, was simply a part of my quotidian life, in much the way some people watch television daily or read the newspaper daily […] But when such a rhythm is suddenly interrupted, it is worse than unsettling, it is unmooring (8).

In many ways, Kubodera loves Norton and clearly uses him as a daily guide in his life, following any example he sets and doing his best to support him. He is so entangled in Norton’s life that when Norton goes to prison, Kubodera feels lost and does his best to support Norton while also trying to shore up the man’s image in the eyes of both professional colleagues and the general public. It is of note, however, that despite the clear commitment that Kubodera exhibits for Norton, Kubodera is never actually noted in Norton’s memoirs. This fact suggests the existence of a critical imbalance in their relationship.

Kubodera is so committed to protecting Norton that he approaches the task of editing his memoirs through the angle of cultivating a more positive image of Norton. In the preface, he explains and defends his actions by saying, “I have cut—judiciously—passages that I felt did not enrich the narrative or were not otherwise of any particular relevance” (19). It is important to note, however, that the passage that Kubodera chooses to cut is the most damning one in existence: the passage in which Norton admits to raping his adopted son Victor. Therefore, Kubodera aims to hide the truth of Norton’s crimes and openly admits that his goal is to protect Norton’s image. Although he does include this passage at the end of the memoir, Kubodera’s unreliability as a narrator lies in his compulsion to portray Norton as a hero and a good man despite the overwhelming evidence of Norton’s crimes. Even though he includes the critical excerpt at the end of the book, Kubodera’s willingness to abandon his life and family for Norton raises the question of what else may have been “judiciously” edited out of Norton’s account.

Paul Tallent

Paul Tallent is at first an ally to Norton on Ivu’ivu as they work together to learn about the dreamers and the opa’ivu’eke. Later, he becomes a bit of an antagonist to Norton’s goals of unlocking the secrets of immortality, disagreeing with him about his treatment of the Ivu’ivuans and the dreamers. But Tallent is always, throughout the novel, the object of Norton’s desires and his guiding light as he tries to escape his inner loneliness. Despite the different roles he plays in Norton’s life, Tallent is first and foremost a tragic hero, with a painful past and benevolent approach to anthropology, for he always errs on the side of caution and protection when faced with the prospect of revealing the Ivu’ivuans to the world. Tallent explains his reasoning for this approach to Norton at the beginning of their expedition, stating, “I know what it’s like to be studied. […] I know what it’s like to be reduced to a thing, a series of behaviors and beliefs, for someone to find the exotic, the ritual, in every mundane action of mine” (111). Like Norton, Tallent’s past influences his future, and in his case, it leads to compassion and an obligation to protect the vulnerable. This leads to the conflict between Tallent and Norton, for Norton’s own commitment to science ignores the autonomy of the dreamers and Ivu’ivuans and does not consider the devastating effects that revealing the opa’ivu’eke’s secrets will have upon their community and culture.

After their initial expedition, when Norton studies the dreamers in a lab at Stanford, Tallent comes to visit. This visit represents the dissolution of their relationship, as the poor living conditions and swift decline of the dreamers in Norton’s care angers Tallent, and his opinions represent a greater philosophical divide growing between the two. Tallent’s is horrified by the dreamers’ deteriorated state, and when Norton nonchalantly admits to taking poor care of these people, Tallent’s outrage at their decline sharply illustrates the difference between the two men. With Tallent’s acute concern over the dreamers’ well-being, he stands as a foil to Norton’s callous exploitation. Norton’s appropriation of the dreamers’ lives and autonomy is undertaken for personal and professional gain, while Tallent truly cares for them as people. Likewise, Tallent remains committed to the islanders, going back to study the villagers while Norton only returns when he needs more opa’ivu’ekes for his own scientific research. Tallent ultimately disappears on Ivu’ivu, never to be seen again, crushing Norton and possibly inspiring him to disappear himself when he is released from prison years later.

Victor (Vi) Perina

Victor Perina is one of the many adopted U’ivuan children of Norton Perina, and the one whose allegations of abuse and sexual assault result in Norton’s imprisonment and disgrace. Victor is the greatest antagonist of Norton’s life, and through Norton’s account, is depicted as an evil child who is determined to ruin Norton’s life. Victor is an unsociable child when Norton brings him back to Bethesda, Maryland, and although he does develop into a more sociable child, his greatest crime against Norton is that of being ungovernable. Norton cannot control Victor like he can control his other children, and Victor resists Norton’s abortive attempts at parenting, which in turn enrages Norton. The two often fight, and when Victor tries to change his name to Vi in an attempt to reconnect with U’ivu, Norton sees it as a rebuke of his kindness as a parent and savoir; Norton thus interprets Victor’s behavior as a personal affront. Within the psychological patterns of narcissism, Norton suffers a narcissistic injury from Victor’s behavior, for his own self-image as a benevolent parent is damaged by Victor’s anger and rejection; in Norton’s mind, the only way to remedy this and preserve his own fragile self-image is to abuse, devalue, and discard his child.

Unlike the other children, Victor is persistent and does not give up after a fight. He commits to calling himself Vi and convinces the other children to do so as well. However, Norton refuses, instead dehumanizing Victor by calling him Boy. Their repeated conflicts culminate in Victor locking Norton out of the house on Christmas Eve. On this occasion, Victor uses the power inversion of the situation to become the parent and scold Norton as Norton has cruelly treated him in the past. Victor resists Norton’s attempts to erase his background and heritage, and Norton’s wrath for this disobedience is severe. He locks Victor in the basement for days and later repeatedly rapes and assaults him. Norton insists to Victor that his abusive actions are motivated by love, but Victor refuses to accept this. After he goes to college and gains autonomy from Norton, he advocates for himself and reports Norton’s crimes to the police.

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