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107 pages 3 hours read

Ken Liu

The Paper Menagerie and Other Stories

Fiction | Short Story Collection | Adult | Published in 2016

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Story 10Chapter Summaries & Analyses

Story 10 Summary: “The Waves”

Maggie Chao tells origin stories to her children and grandchildren throughout this narrative, each story from different cultures: Greek, Norse, Australian Aboriginal, Christianity. Each story parallels the stage of evolution that humanity is currently facing.

The characters are on a generations-long mission to “61 Virginis e” on the ship Sea Foam. For the first time in a decade, the Earth has tried to contact them. That’s because back on their home planet, scientists have figured out the secret to immortality, and are offering it to those on the mission as well. This causes a problem on a generational ship, though, which is built upon algorithms for population planning, health, life expectancy, and resource consumption. Since the mission has been designed to be completed by the original travelers’ descendants, the discovery changes everything. They can choose to die; they can keep their children at whatever age they desire.

Husband and wife, Maggie and João, disagree on whether to die. João thinks they must make way for the next generation; she argues they no longer must leave the hard work to their descendants. He thinks death is essential to human growth: “How can we teach our children the value of sacrifice, the meaning of heroism, of beginning afresh?” (214). In the end, the people aboard the Sea Foam decide to let each people decide their own fates.

Maggie chooses to live, as does her son Bobby, but he stays the size of a 10-year-old boy. João and their daughter, Lydia, and Lydia’s children continue their lives and die. They reach 61 Virginis, which aliens inhabit. They meet the aliens, who are human but look like robotic centaurs. They are evolutionarily superior to the ship’s crew and have been waiting for them.

The beings have merged into a World-Mind called the Singularity but can be individuals if they choose: “[T]here was no more line between the ghost and the machine” (222). They invite the crew to join them or continue as they are. Maggie doesn’t transform, but Bobby does. When he touches her with his new body, she recoils, and then realizes she has no right to feel revulsion. Still, they are divided.

Maggie remains the only organic human on the planet, and maybe in the universe. She meets her grandchild, a tiny machine who asks Maggie to call her Athena. She has come to hear Maggie’s stories. Surprised that there are still young people in this new race, Maggie decides to upload and join her family.

The Singularity starts to send colonists away. Athena is to lead her own colony, and Maggie offers to join them as they search for a new planet. They meet another human who has evolved past even the Virginis humans. Maggie chooses to become a light being. Her family members, too, become patterns of energy. She and Bobby make up and say goodbye. She lands on a planet with small beings and tampers with their DNA to help them evolve. Then, she leaves the planet.

Story 10 Analysis

Generational starships have been a device in science fiction since almost the advent of science fiction; the first such description was from a 1929 essay by J.D. Bernal. It is a solution to the problem of sub-light travel, and ripe for conflicts such as resource allocation, political uprisings, and the possibility that descendants might not be able to complete the intended mission. For example, in Robert Heinlein’s “Universe” from 1941, the residents of the ship have long forgotten the ship’s purpose, and believe that their ship is the entire universe until set straight by the hero. However, Liu’s 2012 story is a bit more socially enlightened and diverse.

In this story, waves of humanity surpass one another in terms of evolution; they become biologically immortal, first. Then, they become cyborgs. Finally, they become beings made up of energy, with powers that seem like magic to more primitive beings. Author Liu interweaves myths of creation between them. In his story notes about this tale, Ken Liu wrote, “Myths have their power because they can be re-interpreted to suit the present, and I don’t see that process stopping.”

The tale points out the power of stories. Additionally, it reminds readers of the power of memory; Maggie, who remembers the origin stories of the different cultures on Earth, is able to reflect upon the different states of evolution and give meaning to the transformations being made by tying them back to these myths. One of the main distinctions of humans versus other creatures, is the proliferation of stories. It is one of our basic needs, and, Liu posits, will remain so even after we have outlived the need to eat, drink, and reproduce using the methods we do now.

This tale is also about transformation. The mission of the Sea Foam becomes obsolete because humans have already evolved by the time they get to the planet of 61 Virginis e. Transformation can be religious or scientific or cultural, and here it takes on aspects of all these concepts.

Transformation is also one of the oldest themes in science fiction; consider 1886’s The Strange Case of Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson. It is a way of allowing humans to transcend their current biological boundaries, often intertwining them with advanced technology. Naturally, that transformation has human costs, and Liu explores some of those in this story with Maggie’s family makeup, and the conflict she has with Bobby and her husband João over whether or not to take the next steps.

This story, published in Asimov’s Science Fiction in 2012, was a Nebula Award finalist and a winner of the Canopus Award for Excellence in Interstellar Writing.

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