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60 pages 2 hours read

Mary Kubica

The Other Mrs.

Fiction | Novel | Adult | Published in 2020

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Pages 284-341Chapter Summaries & Analyses

Pages 284-297 Summary: “Sadie”

Sadie has lost some time again but decides not to tell Will. She also decides to break into the house next door to see if anyone has been there. She recognizes the room from her dream and remembers having an out-of-body experience in the room. She tries to report that someone has been staying in the vacant house, but her phone is dead. She is so frightened by the noise Jeffrey’s snow shovel is making that she urinates in her pants.

Jeffrey wants to discuss Morgan with Sadie and tells her that threatening notes were found hidden under their mattress. He is adamant that Courtney is not a killer. Both he and Sadie realize the notes point to someone else menacing Morgan.

Pages 298-303 Summary: “Sadie”

Details of Sadie’s mental-health condition are discussed in this section, as well as her awareness of it. As a teen, she was diagnosed with bipolar disorder and placed on a series of medications, none of which seemed to help.

Sadie betrays Imogen by telling Will about the teenager’s role in Alice’s suicide, but Will does not believe her.

Pages 304-308 Summary: “Sadie”

Sadie finds objects that connect to Morgan’s murder and lead her to conclude that the killer is living in her house. One is a silver necklace with the letter M and the other is a bloody washcloth, the latter of which she hides until she can talk to Will about it privately and then give it to the police. She is feeling physically ill and also loses more time.

Pages 309-310 Summary: “Mouse”

Mouse’s narrative is picked up right after her sneeze. She is frozen at the top of the stairs, waiting for Fake Mom to appear. When she doesn’t, Mouse returns to her room and talks to her deceased mother, whom she imagines answering her.

Pages 311-335 Summary: “Sadie”

Sadie is left alone in the house after everyone leaves for work or school. Her mind is racing, and new thoughts are triggered by small events. She finds another violent drawing in the hallway and wonders if Otto is regressing. She thinks of her therapist and her childhood, then calls Will, who should be on the ferry to work. She tells him about the bloody washcloth and reiterates her theory about Imogen’s involvement in the murder. When he tells her to stop blaming Imogen for everything, she then moves on to Otto’s possible guilt.

Otto returns home saying he is feeling ill, and Sadie is so afraid of her son that she looks for a weapon to use against him. He confronts her for betraying him in the past because it had been her idea for him to use the knife against his bullies. The Sadie who plotted revenge with him was wearing black and smoking, so she finds his story ludicrous. She does, however, understand that he believes the story he is telling her. While checking on ferry delays online, she discovers the search history on Erin Sabine, Will’s dead fiancée, including a family photo. Erin is pictured with her parents and sister; Sabine thinks something is familiar about the photo but she can’t put her finger on what. She is distracted by the dogs barking in the yard and is horrified to discover they have dug up the missing boning knife. She heads off to the police station in her pajamas.

Pages 336-341 Summary: “Mouse”

Fake Mom comes up the stairs in the middle of the night and puts Mouse in the dog crate for not having flushed the toilet and peeing on the toilet seat. She also kills her guinea pig, Bert, with a dull knife in front of her.

Pages 284-341 Analysis

The story’s quick pacing continues, using several narrative techniques, such as beginning sections in medias res (in the middle of action), ending sections with cliffhangers, and using the first-person voice. Mouse’s sections employ these techniques as well as very short entries that speed up pacing. Both Camille and Sadie tell their stories using the first-person narrative, which also makes the story more immediate and speeds up its pace. The text hurtles toward increasingly brutal reveals and discoveries: threatening notes under Jeffrey’s bed, more violent drawings and possible mementos from Morgan’s death, Mouse’s stepmother locking her in a crate and killing her pet, and Sadie’s dog finding the missing murder weapon. New evidence eliminates suspects, and the quickly escalating tension builds toward the coming climax.

Sadie is increasingly unbalanced, bouncing among murder suspects in a way that is unconvincing and almost desperate. She suspects Imogen, Otto, Jeffrey, and Courtney, and then, when dissuaded by Will or some new clue, starts through her list of suspects all over again. Sadie finds several important clues in this section—the silver necklace, the bloody washcloth, the missing boning knife, internet searches about Erin, and Erin’s family photo—but she is not yet able to put the pieces together to solve the murder. She continues to share important information with Will that allows him to remain one step ahead of her. The boundaries between the alternate personalities are breaking down, and Sadie seems to be shifting from one to another more frequently, in a manner that is causing her to feel physically ill. This chapter also reveals the traumatic event that may be the cause of Sadie’s initial splitting, relating to the theme of Childhood Abuse and Trauma in the Domestic Noir.

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