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54 pages 1 hour read

Kimberly Brubaker Bradley

The Night War

Fiction | Novel | Middle Grade | Published in 2024

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Chapter 43-EpilogueChapter Summaries & Analyses

Chapter 43 Summary

Content Warning: This section of the guide includes discussion of death and religious discrimination.

Catherine explains that only her respective gardeners can see her. Miri accuses Catherine of being a murderer akin to the Nazis for her murder of the Huguenots. Catherine explains that she was willing to do whatever it took to stay in power. She describes the role of royals, including her own children, whose responsibility was to maintain power and privilege through strategic alliances rather than being happy. Catherine asks what language the song Miri sings is in; Miri admits that it is in Hebrew.

Chapter 44 Summary

Catherine says that a priest once told her that Jewish people had horns. Miri becomes angry. Catherine assures her that her secret is safe; Catherine can’t talk to anyone apart from Miri. Miri tells Catherine about Nora and her plan to escape with her. Catherine says that Miri cannot leave, as she needs Miri for her garden.

Chapter 45 Summary

Sister Annunciata comes to the dormitory; another person needs help to escape. Miri volunteers to help. It is a mother and a small boy. Miri successfully escorts them to Raven but trips on the way back to the convent. The German guards on duty hear her. She lies, pretending that she had been in the castle earlier but fell asleep. The soldiers are obviously suspicious. They bind her hands behind her back and accompany her back to the convent. Mother Agnès is furious and insists that Miri be left tied up.

Chapter 46 Summary

In the dormitory, Beatrice unties Miri’s wrists. She tells Miri that she hasn’t heard from her parents in a year since the Nazis went through her town. She reassures Miri that she can trust her.

Mother Agnès angrily lectures Miri the next day, but Miri doesn’t admit why she was at the castle at night. Sister Annunciata discusses Nora’s situation with Miri. She knows that Miri plans to smuggle her out, and she feels that Nora will be safer and happier left where she is.

Miri returns to the castle. Catherine tells her that the guards are suspicious that people have been sneaking through the castle since they discovered her on the grounds last night. They found footsteps leading from the castle bridge on the other side of the river. They are building a steel gate, after which no one will be able to pass through. Then, Miri hears a sharp crack and throws herself to the ground, believing it to be a gunshot.

Chapter 47 Summary

Catherine comforts Miri and assures her that Monsieur Rosenbaum’s arrest two years earlier was not her fault. Catherine tells Miri that she heard that a baptism is taking place the following day. Miri realizes that it will probably be for Nora and resolves that she must escape with Nora before then. Catherine tells her that she cannot leave, as she has responsibilities as her gardener. Miri angrily yells at Catherine that her and Nora’s lives are more important than her flowers. Her yelling attracts the attention of the guards, who sternly tell her not to return to the castle.

Chapter 48 Summary

The guards angrily escort Jacqueline, Beatrice, and Miri from the castle grounds. Miri reflects to herself that she had done the right thing in assisting the people to escape.

The three girls are locked in their dormitory. They argue after Jacqueline insists that the Nazis aren’t going to hurt anyone apart from Jews. Beatrice angrily tells Jacqueline that some French people are Jewish. Jacqueline maintains that Jews are “horrid” (139). Miri tells Jacqueline that she is a Jew.

Chapter 49 Summary

Jacqueline is shocked and upset. Beatrice is angry with Miri for revealing her Jewish identity.

Sisters Dominique and Annunciata tell Miri that the town is crawling with soldiers but that she will be safe since they are spreading the news that the girls have been locked up as punishment for stealing from the castle garden. Sister Annunciata again tries to convince Miri that Nora will be happy and safe where she is. Mother Agnès interrupts and locks Miri back in the dormitory with Jacqueline and Beatrice, but Miri climbs out the window as soon as she’s gone.

Chapter 50 Summary

Miri goes to the woods by the castle. Catherine finds her there. Miri explains that she must find Nora and escape that night. Catherine explains that it was not a gunshot they heard the day before but a roof tile smashing on the ground. This gives comfort to Miri, who had believed that she heard a gunshot during the roundup in Paris; she wonders if her mother climbed onto the roof of their apartment building to escape and, therefore, might still be alive.

Catherine concedes that children died in the Huguenot massacre because of her. She regrets this and might have chosen differently if she had her time again. Later, walking through the town, Miri finds Sister Annunciata, who convinces her to return to the convent.

Chapter 51 Summary

Miri climbs back into the convent dormitory through the window. Beatrice wakes up, and Miri tells her about everything, apart from the ghost of Catherine.

The next day, the students and nuns go to church for Monique’s baptism, whom Miri knows to actually be Nora. Sister Annunciata faints into the priest, and Catherine calls, “Now!” to Miri. Miri grabs Nora and runs. As they run, Beatrice announces to the church that Miri and Nora are Jewish.

Chapter 52 Summary

Miri hides with Nora until it is dark. They go outside, where Catherine is waiting for them. Catherine explains that Jacqueline told the soldiers that Miri had run in the other direction, which saved Miri and Nora.

Chapter 53 Summary

Miri goes to the outbuilding of the inn, where she used to pick up the people she would smuggle. Beatrice is there with Elodie. Beatrice reveals that she is also Jewish; Miri had worked this out. The girls want to go with Miri and Nora. They walk toward the castle, and Catherine begs Miri not to leave.

Chapter 54 Summary

They hide in a castle outhouse. Catherine agrees to help them escape to atone for killing the Huguenots. Miri tells Catherine that she will miss her.

Catherine calls from the darkness for Miri and the others to run when there’s a break in the guards, and they run. They pass through the castle bridges successfully. Raven is waiting for them.

Chapter 55 Summary

Raven passes the group to the next passeur. Before she leaves, she blesses Miri in Yiddish. Miri replies in Yiddish, encouraging Raven to be brave.

Epilogue Summary

Miri, Nora, Elodie, and Beatrice reach Switzerland. The Rosenbaums and Miri’s family survive the war and are reunited. However, Beatrice’s and Elodie’s families do not survive.

Years later, Miri returns to Chenonceaux, but Catherine’s ghost is gone. Miri sings the Hebrew angel song for Catherine in her garden and places a stone on her grave.

Chapter 43-Epilogue Analysis

The Cumulative Horrors of Antisemitic Prejudice and Genocide are explored in these chapters through the reactions of Catherine, Jacqueline, and the town at large to Miri’s Jewish identity. The historic nature of antisemitism is clear in Catherine’s comment, “You are Jewish! I never met a Jew before. A priest once told me Jews had horns” (127). Brubaker Bradley points out that prejudice against Jews in France existed long before the Nazi occupation, as Catherine lived in the 16th century; Catherine’s prejudiced opinion illustrates that Jewish people in France had experienced hatred and discrimination for hundreds of years. Contemporary antisemitism, encouraged by Nazi propaganda, is represented in Jacqueline, whose narrow-minded upbringing has taught her to view Jews as “undesirable” enemies:

My grandparents took me to an exposition in Paris before they moved to the country. The Jew and France. I learned all kinds of things. The ways the Jews are harming the country, and how to tell Jews apart from normal people. If you’d seen it, you would understand. Until then I hadn’t realized how horrid Jews were (139).

The exposition taught gullible (and likely already prejudiced) Parisians that Jews were responsible for the country’s problems. Propaganda like this encouraged French people to welcome the systemic antisemitism that accompanied Nazi control and to participate in or condone the roundup.

On the other hand, other characters are sympathetic to the Jewish cause, such as Sisters Dominique and Annunciata, who disguise and protect Miri, Beatrice, and Elodie at the convent school and help smuggle Jews across the bridge. Furthermore, Sister Annunciata’s dramatic, pretend faint at Nora’s baptism provides the distraction that Miri needs to grab Nora and run, further illustrating that she is an ally to Miri and supports Miri’s plans to raise Nora in the Jewish faith away from Nazi control. Should their actions have been discovered, the Sisters would have been labeled conspirators and could have faced harsh consequences. Even so, they chose Bravery in the Face of Danger.

In taking Nora and escaping despite the enormous risks, Miri also continues to epitomize bravery in the face of danger. The Sisters discuss the risks that Miri has faced in participating in smuggling people at the castle, but Miri asserts that “trying to save people is always the better choice” (128). Miri believes that the risk to her life was worthwhile, as it helped save others; Miri’s selflessness and courage are clear. Catherine also helps Miri understand that her previous inaction was not cowardly. This enables Miri to blame the Nazis, rather than herself, for Monsieur Rosenbaum’s arrest, which she had been unfairly shouldering responsibility for; Miri realizes, “I was not responsible for anything the German army did. I did not start this war” (138). This allows Miri to fully recognize and embrace her own laudable courage.

Catherine’s views soften and change through her relationship with Miri. She becomes a more sympathetic character as Miri forces her to confront the similarities between her own actions in organizing the murder of the Huguenots and that of the Nazis in rounding up and murdering Jews. Catherine reflects, “I didn’t mean for children to die. But I also didn’t try to stop the riot. I wanted the Huguenots gone, whatever that took […] Perhaps I would choose differently now” (145).

This section further illustrates Jewish Identity as a Source of Strength. Miri’s strength and bravery are strongly linked with her Jewish faith, from which she draws identity, courage, and a sense of right versus wrong. She explains to the Sisters that, despite the risk, she knows that she did the right thing in smuggling the people through the castle, as she has a responsibility to live as God instructed: “My parents taught me that Jewish people are supposed to live out the word of God” (142). Even though Nora would be safe living as Monique with the couple in France, Miri feels that Nora deserves to know her Jewish identity: “She would lose part of herself” (148). Miri’s view that Nora’s Jewishness is a powerful and vitally important part of her identity gives her the bravery to run with her.

The symbolic meaning of the Hebrew and Yiddish languages shifts through the texts; initially, they symbolize danger and exposure, but they come to represent strength and resistance, especially in these final chapters. When Elodie, Beatrice, and Miri speak together in Yiddish to plan their escape, their language moves from being a dangerous identifier of their status as “undesirables” to becoming a unifying and strengthening symbol of resistance: “‘You’ve been very brave,’ I said to her. ‘Hear, O Israel, the Lord our God—’ ‘The Lord is one,’ said Elodie” (152). In speaking Yiddish together and agreeing to escape to the Vichy, the girls assert their right to their own faith and language, as well as their right to live in freedom from persecution. Similarly, it is significant that Raven also asserts her Jewish identity by speaking Yiddish to Miri: “Until that moment I had not known that she was Jewish too. ‘Vern heldishe,’ I replied. My mother’s Yiddish. Be brave” (155). These moments constitute a powerful reclamation of Jewish identity.

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