46 pages • 1 hour read
James ThurberA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The opening paragraph of the story sets the reader’s expectations and creates a sense of intrigue. Thurber draws the reader in by summarizing the events to follow without divulging too much at the outset, all while maintaining the pretense of a casual, apologetic tone.
The regret Thurber displays in the first paragraph also sets up the juxtaposition between the absurdity of the events with the maturity of hindsight. As the narrator, he recognizes that the situation is, at its core, his fault—if he had “just let [the ghost] keep on walking,” (32) the night’s events may have never gotten so out of hand—but he admits fault not as an expression of guilt but instead as a humorous reflection on an inexplicable family mystery.
There is another, more subtle way that Thurber sets his reader’s expectations. In the second paragraph, he casually mentions that his grandfather is sleeping “in the old walnut bed which, as [the reader] will remember, once fell on [his] father” (32). This seems at first to be Thurber’s attempt at establishing familiarity with his reader, referencing the incident as if in conversation with an old friend. The incident actually refers to the first story in the collection, “The Night the Bed Fell.” In that story, Thurber’s mother believes that the walnut bed is too unstable, and will inevitably fall on his father, killing him. When Thurber falls out of bed in the middle of the night, his mother erroneously believes her prediction has come true, causing unnecessary panic. By slipping in the comment about the bed, Thurber hints that the events about to transpire are headed in the same direction.
Suspense functions in the narrative to build the tension towards two effects: horror and comedy. Thurber builds the suspense surrounding the ghost through the description of the increased movement occurring in the lower level of the house. What starts as the sound of “a man walking rapidly” (32) soon becomes the sound of “a man running […] up the stairs” (33). The characters’ lack of visibility also adds to the suspense of these moments; at first, this is due to Thurber being at a vantage point where he is unable to see the table the ghost is walking around. The second time, when Thurber brings his brother to the top of the staircase to listen, that they “saw nothing coming” (33) is even more horrifying.
Suspense is just as much a cornerstone of horror as it is of comedy, which Thurber uses to his advantage to shift the tone of the narrative from horror-driven suspense to comedy-driven suspense. Comedy also serves as the relief from the tension initially built up by the ghost. The presence of the ghost is fairly short-lived, but it’s the family’s response to the ghost that end up driving the narrative. The reader then becomes invested in how the characters can further heighten the events in the narrative.
Much of the humor in the story comes from the exaggerated characterizations of the Thurber family. The characters have traits the reader can identify in either themself or others, particularly Mrs. Thurber’s excitability, Grandfather’s confusion, and Herman’s fear—maybe the reader has a mother or aunt prone to overreaction, or a confused grandparent, or an easily scared brother. The exaggeration of these traits within the characters, and how they influence the narrative, is what keeps the reader invested.
Thurber, as the narrator, positions himself as a foil to these caricatures of his family. Because Thurber is telling the events of the story as an older self looking back in hindsight, he has the advantage of providing insight to the reader that the young Thurber did not have at the time the story takes place. This makes him appear more level-headed than the other family members and somewhat of an unreliable narrator. In reality, he is as much of a caricature as everyone else in the family.
By James Thurber