62 pages • 2 hours read
Nora RobertsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide features depictions of death by suicide, and physical and emotional abuse.
Trey can’t believe the destruction at his client Marlo’s house. He is shaken by the fact that Wes’s parents posted his bail, endangering Marlo. Though Wes has been arrested again, Trey fears he will secure another release. Trey’s mother Corinne and Owen come to tidy up Marlo’s house.
Suddenly keen to see Sonya, Trey drives to Poole Manor. However, his demeanor is guarded, making Sonya suspect he is hiding something from her. He finally tells her about Marlo, feeling guilty that he didn’t anticipate what happened. Sonya reminds him that he got Wes jailed on domestic violence charges, but it bothers her that Trey kept his worries from her, as if she needed protecting. Trey promises to share his troubles with Sonya, just like she shares hers with him. Later, music emanates from the music room, as if beckoning Trey and Sonya inside. The victrola plays a romantic tune on its own—the handiwork not of Clover but some other benevolent spirit. Sonya and Trey dance.
That night, Trey and Sonya sleep peacefully through the supernatural noises of the manor. They make love in the morning before Trey leaves for work. He thanks Sonya for pushing him to talk about Marlo and feels lighter after the talk. Corinne plans to hold a yard sale for the undamaged items from Marlo’s house to help her out financially, and Sonya agrees to create the flyers.
Later, Sonya sees the mirror placed next to her desk, the creatures on its frame slithering. She walks through the mirror into the library, where a young Patricia looks beautiful and regal. Patricia talks to herself, expressing satisfaction that she will soon be Poole Manor’s mistress.
Dobbs appears in the library and tells Patricia that she alone is the manor’s mistress; once Patricia becomes a bride, the witch will give her only hours to live. Patricia will be the sixth bride Dobbs kills. Patricia yells at Dobbs to get out, and Dobbs slashes the air, making Patricia fall and drop her compact. Dobbs says that she respects Patricia because, like her, Patricia seeks power for power’s sake. This is why she has warned Patricia.
Patricia runs out of the room. Dobbs senses Sonya’s presence and looks toward her. When Dobbs vanishes, Sonya grabs Patricia’s fallen compact and steps out of the mirror. She tells Cleo that if she could bring the compact into her timeline, she can retrieve the seven rings.
Owen and Trey arrive, and Sonya tells the group she is going to visit Gretta Poole for answers. Cleo decides to go with her, but Trey tells them not to expect much, as Gretta has lost much of her memory. Sonya shows Trey and Owen the compact—though it dates back to the 1940s, it somehow feels new. Sonya wishes someone could tell her more about it. Owen refers her to his cousin Clarice, as he’s seen similar vintage items at her house.
At 3:00 am that night, loud rock music erupts from everyone’s phones, a warning sign from Clover. They rush out of their rooms to see smoke filling the house. Doors slam and the lights go out. When they turn on flashlights, they see blood running down the walls. Pye dashes up to the third floor, and Cleo and Owen follow. The Gold Room doors are pulsing again. Owen sings to call Pye to him.
The Gold Room doors swing open. Owen instinctively places his hand on the handle and gets an ice burn. As the doors shut, Dobbs tells Owen she will bathe in Poole blood. Afterward, Sonya tends to Owen’s hand. She thinks Dobbs wanted Owen to go into the room so she could harm him.
Back in bed, Owen dreams of Collin. He and Collin play a game of chess, as they used to. Collin tells Owen he has a gift for building things and taking care of animals, which will come in handy when he and Trey have to face what is coming. Though Sonya must be the one who stops Dobbs, Owen, Trey, and Cleo have important roles to play as well. Owen asks Collin why Sonya has to be the one to defeat Dobbs; Collin replies it is because Sonya is a Poole and his “true mother’s granddaughter” (260). When Owen wakes up, he tells the others about his dream.
In the dream, Collin was the same age as Owen and Trey, which is strange because Owen remembers him as much older. Collin also referred to a ship that Trey is currently building, suggesting that some part of Collin is alive in the present manor. This means the other spirits besides the brides and Dobbs live on and will help when needed. Sonya thinks Collin wanted to explain to Trey why he left the manor to Sonya and warn Owen about Dobbs. He tells them that in his dream, the black queen on the chessboard transformed into Dobbs, with the seven rings on her fingers.
At her nursing home, Gretta draws while her caregiver Jen tells Sonya and Cleo that Gretta is having a good day. Sometimes she has angry spells when she is struggling with memory. Sonya makes light conversation with Gretta, not revealing her identity. Gretta talks about Patricia in the present tense, telling Sonya she and her mother often travel to Boston for social engagements.
As the conversation proceeds, Gretta guesses that Sonya is a Poole because of her green eyes. When the subject turns to Charlie, Gretta grows agitated, calling Clover a gold-digger and saying that Clover and Charlie paid the price for going against Patricia. Sonya asks Gretta how they chose which twin to keep; Gretta angrily answers that it was a random choice. Gretta is furious that she was given a baby to raise, upsetting her plan to escape her family’s clutches. Her anger suddenly subsides, and the visit ends.
As Cleo and Sonya discuss the meeting, some of Sonya’s anger against Gretta fades. Gretta was bullied by Patricia and forced to bring up Collin. She also thinks her father Drew was lucky to be adopted by the MacTavish family, who gave him a far happier childhood than Gretta gave Collin.
While Cleo runs errands, Sonya drops in at Poole Shipbuilders to see Clarice Poole. She shows Clarice the compact. Clarice tells her it is part of a set of three; Clarice has the other two in her office. Sonya tells her the mirror inside the compact broke when it fell. Clarice thinks it is fitting for a woman who cared too much for appearances. She reveals that Patricia had offered her money to break up with her husband before they were married, but she refused. Sonya likes Clarice’s frankness and gifts her the compact.
On Saturday, Sonya and Cleo help at the yard sale for Marlo. They are both touched by how Owen and Trey are helping Marlo. Sonya invites Trey and Owen to the manor for the weekend, which passes happily, as Dobbs is exceptionally quiet. Sonya considers the week the happiest in the manor.
The subplot about Trey’s client Marlo illustrates how horror can exist without supernatural or paranormal elements. When Trey goes into Marlo’s house, he can see how her ex-husband Wes has violated her space, writing ugly words on the wall and urinating on her bed. Wes’s behavior parallels Dobbs’s violation of the manor, but while Dobbs’s actions are often illusions, Wes’s actions are real. Further, the subplot sets up Trey as the archetype of the romantic hero with a contemporary twist. Trey is devoted to his client Marlo and rescues her from a bad situation. However, he also understands, as he acknowledges to Sonya, that he should not treat her like a damsel in distress. Trey develops into a sensitive romantic lead who challenges gender stereotypes of the romance genre, supporting the independence and competence of the women in his life.
This section also develops the rules about how magic operates in the world of the novel. Sonya calls the mechanism of this magic “manor logic.” The magic in the novel adheres to certain rules: Sonya and Owen can enter other timelines as ghostly presences but cannot alter them. In addition, though Sonya and Owen cannot touch or grab people in the timelines, they can retrieve objects. The spirits who live in the manor are aware of the present, suggesting that they are not entirely stuck in the past. Collin, for instance, knows about the ship Owen is presently building. Since The Mirror is the middle novel in the trilogy, the world-building done in this book plants clues and sets up questions about the manor that will be answered in the final book—questions like who controls where the mirror appears and why it vanishes after showing Sonya the past. These unknowns leave room for further development in the trilogy’s final novel.
The major plot points that play out in these final chapters of Part 2 explore the subjects of legacy and destiny, again illustrating the theme of The Interplay Between Past and Present. Owen’s dream of Collin, Sonya’s visit to Patricia’s timeline, and Sonya’s meeting with Gretta all explore the connections between the past and the present. The novel highlights the parallel between Sonya and Gretta, who are both called upon to assume a role for the larger good of their families. Sonya is given the manor and the task of ridding her family of a centuries-long curse, while Gretta is forced to adopt her son’s child to keep the Poole bloodline going. However, while Sonya feels a sense of rightness in her assigned destiny, Gretta feels coerced. The difference between Sonya and Gretta is that it is Sonya’s choice to align with her destiny, whereas Gretta was bullied into carrying out hers, highlighting how the element of choice is vital in fulfilling one’s destiny and legacy.
The Power of Love and Courage is also illustrated in these chapters. Collin’s reveal that Sonya must be the one to defeat Dobbs seems to support the “chosen-one” trope, where a single character is destined to save the world. However, he also emphasizes that Sonya’s task cannot be achieved without teamwork. Trey, Cleo, and Owen bring different strengths to Sonya’s mission and are vital to its success. Further, even though bloodlines are important, Collin notes that so are found families. Trey and Owen may not be linked by blood, but are brothers all the same, just as Cleo and Sonya are sisters. The bonds of love and friendship between the four main characters are foundational to defeating Dobbs and ushering in a new era in Poole Manor.
Part 2 ends with Sonya and Dobbs witnessing Dobbs’s death once again, highlighting a different aspect of the theme of The Importance of Bearing Witness. This event contrasts with Sonya’s observation that the previous week was her happiest in the manor. Sonya’s realization foreshadows that in the next section, Dobbs will challenge that happiness. However, when they see Dobbs fall again, they are offered some hope: In sealing the curse on the manor with her own destruction, Dobbs has trapped herself in a vicious loop, illustrating how she is literally and metaphorically stuck in the past, unlike the other spirits in the house. The other spirits interact with the living, establishing harmony with them. By contrast, Dobbs stays sealed in the Gold Room, the suite on the third floor she has occupied. Unlike the other spirits, Dobbs does not want to change with time, which will eventually lead to her defeat.
By Nora Roberts