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45 pages 1 hour read

Jennifer Zeynab Joukhadar

The Map of Salt and Stars

Fiction | Novel | Adult | Published in 2018

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Parts 4-5Chapter Summaries & Analyses

Part 4: “Algeria/Morocco” - Part 5: “Ceuta”

Part 4, Chapter 18 Summary: “Bare Earth”

When Roger II’s heir, William, proves to be a weak and decadent ruler, the Sicilian noblemen rise up against him. Al-Idrisi asserts loyalty to his old friend’s son, intending to help defend his kingdom. Meanwhile, Rawiya longs to return to her mother in Ceuta. Khaldun, whom she has now kissed, offers to follow her if she will marry him. At the time of the noblemen’s rebellion, they look for al-Idrisi in the king’s library. Al-Idrisi wants to take the weighty planisphere with them, but as they carry it away, armed men ambush them. Khaldun implores Rawiya and al-Idrisi to save themselves, and they are separated from him.

Nour and Zahra spend nearly a week in a smuggler’s home, as he gathers enough refugees for the journey to be profitable to him. Motivated by money rather than by any moral compass, the smuggler ousts a young family who can’t pay him. The sisters climb into his truck, and Esmat, the boy with his grandfather, travels with them. The smuggler strikes Esmat when he asks for water for his ailing grandfather. Just before the Algerian border, the smuggler expels them from his truck, saying they have to cross on foot.

Bullets ricochet through the air and, as they flee, the sisters lose track of Esmat and his grandfather. Nour sees that Zahra’s jaw is gashed. Nour struggles to see the point of their journey when she’s lost so many loved ones, but Zahra insists they continue. The sisters meet an Amazigh, a nomadic desert traveler. He and Nour have a conversation in broken Arabic about the stars. The sisters decide that such a star-lover must be a good man and decide to trust him as they mount his camels.

Part 4, Chapter 19 Summary: “Two Things at the Same Time”

In her search for Khaldun, Rawiya finds a man burning a book of Ptolemy’s Geography. The man taunts her, saying that she cannot be a warrior and a woman at the same time. However, Rawiya uses her might to scatter the men. She calls out for Khaldun, while an attacker insists that Khaldun was lost to the fire. Rawiya is devastated because Khaldun, more than anyone, has come to give her a sense of home.

Nour and Zahra travel with the Amazigh nomads, taking refuge in their tents. The sisters trust the nomadic family enough to tell them the truth of their mission. The family tell the sisters they can ride hidden in fruit trucks from Ouargla which are bound for Ceuta, and that the family will travel westwards with them on their camels to reach the truck. They traverse the desert with the family for a week. When Nour explains to Itto, the family matriarch, that she is from New York, Itto says that she is “still Syrian” as “a person can be two things at the same time […] the land where your parents were born will always be in you. Words survive. Borders are nothing to words and blood” (298).

While the nomads were historically called Berbers, signaling barbarian, they call themselves the Amazigh, which means free people, as “no one can take our land or our name from our hearts” (298). Nour considers that language, maps, or stories can all give or take a voice away from people: “Only our own words can guide us home” (299). When they reach the city of Ouargla, the sisters must sneak into a refrigerated fruit truck en route to Ceuta.

Part 4, Chapter 20 Summary: “Underneath”

Rawiya and al-Idrisi recover both Ptolemy’s book and the book al-Idrisi prepared for King Roger. Rawiya is devastated to think she lost Khaldun, but then she finds that Bauza, her horse, survived the fires and that Khaldun also survived. Rawiya pledges her love and promises to marry him because he is “the only home I have” (306). They also find the planisphere and hide it in Ustica, an island in Northern Sicily. However, the three of them decide to go to Ceuta, because it is al-Idrisi’s home as well as Rawiya’s.

Nour and Zahra ride hidden in the refrigerated fruit truck heading to Ceuta, and the cold temperature induces hypothermic delusions. When they finally arrive days later, the man unloading the truck spots them and calls the border guards, who then drive the sisters across Ceuta to a refugee camp. A woman at the camp tells them that their uncle Ma’mun will have to come and collect them.

Nour opens her mother’s map and scratches her fingernail over the acrylic paint until she finds the Arabic writing underneath—and she is delighted to discover that she can read it. The writings, which link sentiments such as “beloved, I am blind” to places like Jordan and Egypt, express their mother’s feelings (314). Nour considers that “it’s a map of us” (314). While Zahra feels content to have survived thus far, Nour is dissatisfied without her mother and other sister. Nour grasps the necklace given to her by her mother, and she feels the blue and white tile, remembering the fountain at Ceuta. Nour feels they have to go to this fountain. Meanwhile, she also started her first period.

Part 5, Chapter 21 Summary: “Homecoming”

Rawiya and Khaldun visit al-Idrisi’s ancestral home in Ceuta, before finding Rawiya’s mother. At first they find the house empty and assume that Rawiya’s mother and her sea-faring merchant brother are dead. When her mother and brother appear, Rawiya’s reunion with them is joyous, and she offers them her share of Nur ad-Din’s treasure; they will never again live in poverty. Rawiya’s mother is delighted at her daughter’s valor and accepts Khaldun warmly into the family.

At the refugee camp, Nour insists Zahra accompanies her to find Uncle Ma’mun and is convinced that the fountain on the map is the location they must find. However, Zahra goes off alone and the camp personnel restrain Nour. Then Nour spots Yusuf and escapes through the forest. She learns from Yusuf that his mother, grandfather, and little sister Rahila are in the refugee camp canteen. They find Zahra in town, and Yusuf says that he loves her and wants them to be a family. They find the house and a garden with a fountain. It is the same house her parents stayed in when they first married and that they later sold to Uncle Ma’mun.

Uncle Ma’mun is here, as are Nour’s mother and Huda. When Nour tells her mother that she deciphered and followed the map, her mother replies, “you didn’t need a map to tell you that […] you have the map of that inside you” (342). Nour also learns that Huda had her infected arm amputated and that she and her mother crossed the desert with abusive smugglers. Still, the family are grateful for their reunion.

Part 5, Chapter 22 Summary: “The Last Empty Space”

When Rawiya and Khaldun go to al-Idrisi’s house, they find that the fountain was restored. They contemplate their adventures with al-Idrisi, and Khaldun reveals that “the death of the roc, the greatest of the eagles, was foretold hundreds of years ago. He has vanished from the earth now, leaving only the white eagles in his wake” (347). When Rawiya wonders what the world’s chaos and brokenness mean, al-Idrisi questions the need for a singular “lesson” and responds that the “story simply goes on […] the generations of men, some kind and some cruel, go on and on beneath the stars” (348).

Nour’s family lives at Uncle Ma’mun’s, and Uncle Ma’mun helps refugees apply for asylum. Zahra and Yusuf are on the verge of engagement. Nour performs the ritual of dropping the green and purple stone into the sea as she and her sisters contemplate the meaning of maps. Nour wonders whether “we’re maps too. Our whole bodies” (350). With Huda’s help, she places her mother’s map about her bed and fills in the missing space with a pen.

Parts 4-5 Analysis

For both Rawiya and Nour, their narratives’ final part focuses homeward, and on the desire to rest from battle and adventure. Still, for both heroines there remains a reckoning with the meaning of home. While Rawiya longs for her mother and home in Ceuta, she realizes that her true home is her relationship with Khaldun, a bond the two of them forged through a shared journey. When Khaldun appears to have died in battle, Rawiya is devastated and feels she’s lost her very home, and she’s bitter despite her favor in al-Idrisi’s eyes. The miraculous reunion between Rawiya and Khaldun prefigures the final reunion in Ceuta, where she finds her mother and brother. Rawiya discovers that home is where her family is, and she becomes the matriarch who sustains others’ lives.

Nour also discovers home as the place where her family is, and she miraculously reunites with her long-lost uncle, mother, and sister. Like Rawiya, Nour ends up safely in Ceuta—however, unlike Rawiya, she can’t return to her more storied homes of Manhattan and Syria, and so retains her sense of exile. Nevertheless, part of what justifies Ceuta as Nour’s home is that it’s the place where her parents fell in love. Additionally, as Nour learns from her time spent with the Amazigh nomads, home constitutes family rather than a particular place.

In parallel with Rawiya’s quest, Nour also learns that maps tell stories of the world as we know it—but they also tell the story of the unknown, and this their deepest merit; as al-Idrisi tells Rawiya, and as Nour’s mother tells Nour, the most important places on a map are the ones the traveler has yet to explore. Moreover, maps must always change to accommodate new ideas and experiences of the world. Finally, the narrative shows that the very bodies of travelers are maps—whether Rawiya’s crushed ribs, Zahra and Khaldun’s scars, Huda’s missing arm, or Nour’s period, which shows her growing into a woman despite the obstacles to her survival.

After such a journey, Nour feels she has the authority to fill in the missing space on her mother’s painted map. Joukhadar, however, leaves Nour’s exact inscription a mystery, giving Nour authorship of her own ending—she, who has been made to bend to others’ wills on her expedition, can finally act for herself.

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