28 pages • 56 minutes read
Richard WrightA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Throughout “The Man Who Lived Underground,” Fred is near religion but rejects it or is rejected from it. The first connection to the aboveground that Fred encounters underground is a church. He hears the singing of a hymn and is excited to try to see it. But what he sees seems “abysmally obscene to him” (24). He begins to feel pain at the sight of Black people “groveling and begging for something they could never get” (25) and starts to hope they’d stand “unrepentant” due to the lot they’ve been given in the world. For Fred, religion has no point given that he has begun to experience something truer than he felt aboveground. The images he sees underground seem to link together in “some magical relationship” (51) that he can’t articulate. Like the money he steals—money that means nothing underground yet fascinates him due to its power aboveground—religion seems pointless to him underground. Later, aboveground, he enters the church and wants to tell the churchgoers something: “What? He did not know; but, once face to face with them, he would think of what to say” (67). Before he can even try to say his truth, he’s thrown out of the church due to his stench and appearance. The religious literally reject him even after he seems determined to reject it.
Beyond the church, the story has other religious symbols. The dead baby Fred encounters connects with the story of Moses in the Bible. He was placed in a basket on the Nile rather than drowned as was law. He grew up to lead the Jews away from Egypt. However, the baby in the water in the sewer is just dead. Fred sees only death underground: He literally sees an adult corpse at the undertaker’s too, as well as a suicide caused by the police. He feels that to have faith in a world of darkness, a world so much more closely aligned with Hell than Heaven, is pointless. However, the world of the aboveground, the world that is supposed to be Heaven, is a similar Hell for a Black man. After all, up there, he was forced to confess to a crime he didn’t even commit. And that confession is another connection to religion. Throughout the story, Fred feels the need to repent for some sin and beg for forgiveness. The police aboveground force him to sign a false statement repenting for something he didn’t do, yet he’s punished by the same police for repenting for a crime he did commit—robbing the jewelry store. The police’s sin is far greater, as they cause a man to commit suicide by falsely accusing him. However, their reward is to continue ruling over the surface world while literally condemning Fred to his death, where he’s finally baptized by the waters of the sewer before he’s swallowed up by Hell, “the heart of the earth” (84).
One of the first images that greets Fred in the sewer is that of the dead baby “snagged by debris and half-submerged in water” (26). The baby’s eyes are closed, its fists “clenched, as though in protest” (26), and its mouth open as though forming “a soundless cry” (26). The baby is lit by little spotlights from the utility access hole cover, making it an eerie sight and yet attracting Fred’s attention. The sight of it makes Fred feel shame and guilt. He feels “condemned as when the policemen had accused him” (26). Later, he has a dream of saving another baby from a drowning woman by walking on water. He briefly succeeds but loses the baby when he tries to save the woman too. Instead of saving the baby, he loses it and starts to feel the water pushing “him downward spinning dizzily” (34) and choking him.
The dead baby serves several roles in the text. On the one hand, it adds to the story’s religious overtones. The baby floating in the water conjures up images of Moses in the basket in the Nile in the Old Testament. However, unlike Moses, the baby’s dead and covered in garbage, implying that Black Americans can have no salvation. Whereas Moses grew up to lead his people out of Egypt, the Black baby born in America can only drown in the sewer. Even with the miracle of walking on water that Fred conjures in his dream, the baby can’t be saved. Instead, it only reminds Fred of the guilt he has felt his entire life, the guilt caused by merely being born and, like the baby, never given a chance.
The baby also foreshadows Fred’s own fate. The story ends with Fred being shot in the water. He sighs and covers his eyes, becoming a “whirling object rushing alone in the darkness” and “lost in the heart of the earth” (84). One can imagine Fred’s own fist clenched in protest at the realities of the world and the cruelty he has been shown. Certainly, his fate is like that of the baby: unable to voice the protest or even cry out at the pain of his fate.
The bulk of “The Man Who Lived Underground” takes place in the sewer. Fred learns to navigate the darkness and avoid falling into the violent streams that would bring him certain death. He adjusts to living emotionally “between the world aboveground and the world underground” (40). He begins to see that life underground is the only real life, given the realities of the aboveground world. The people in the aboveground are “awake in their dying” (30) and asleep in their living. The sewer is also where Fred meets his demise, as he’s carried into the waters of the sewer after being shot by the police.
In the context of the story, the sewer serves several metaphorical and narrative roles. It offers Fred a liminal space between the world he knows and another, truer life. The sewer is a place between worlds, literally connecting the aboveground world to the truth that lies beneath the surface. It’s like Hell, except that it connects to the aboveground world directly through doorways, utility access holes, tunnels, pipes, and the holes Fred digs between basements and the sewer system. Liminal spaces tend to offer characters a sphere of transformation, and the sewer does so for Fred. He seems to experience a freedom for the first time in his life there, but he also loses his grip on reality. Perhaps this is because he’s always merely between worlds, too close to the surface to escape the feeling of guilt he has felt his whole life, but too far belowground to remember the rules of the aboveground.
In addition, the sewer links to Fred’s inability to find salvation. For one thing, the water there could directly cause him to drown like the dead baby or the woman he sees in his dream. While dipping in water (especially for a baby) could connote baptism, here the water signals danger. Additionally, Fred can hear and see a church service from the sewer, but he can’t experience it. Later, aboveground, he is thrown out of the service because he’s “filthy” and “stinks” due to his time in the sewers. The experience of being underground has changed him to such an extent that mortal salvation eludes him. He’s covered in the waste below the surface of the city, the waste created by the city so that it can continue to perpetuate the unjust world Fred fled. And Fred’s presence aboveground merely confirms that cruel reality to the otherwise blind parishioners who have no interest in seeing or hearing from a man who has been in the sewers.
By Richard Wright