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59 pages 1 hour read

Richard Osman

The Man Who Died Twice

Fiction | Novel | Adult | Published in 2021

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Themes

Aging and Mortality

The Thursday Murder Club series is unusual in its focus on elderly protagonists, and Osman has been praised for challenging ageist attitudes through his fiction. In presenting characters living out their final years, The Man Who Died Twice explores the unique challenges of aging. The novel also addresses the universal question of how best to live in the face of mortality.

The portrayal of aging in The Man Who Died Twice is largely positive. The members of the Thursday Murder Club are shown to embrace new experiences, and old age is portrayed as a period of continued growth rather than stagnation. The characters gain greater pleasure from activities as they know their time is limited.

The elderly protagonists are shown to be skilled and resourceful, drawing on their life experiences and professional talents. Readers are reminded that each member had a career, and age has not dimmed their expertise. Elizabeth’s training in espionage means she is constantly alert to danger. Joyce’s nursing background gives her a sympathetic bedside manner and a high tolerance for bloody crime scenes. Meanwhile, Ron’s tough negotiating skills (honed as a former trade union leader) are displayed in his exchange with drug dealer Connie. The group’s diverse range of skills and personal qualities helps them outsmart the younger antagonists of the novel. Joyce often feigns feeble-mindedness to exploit the ageist attitudes of others.

While conveying the positive aspects of aging, the novel also addresses its drawbacks. Death looms unavoidably large in the lives of the main characters. Each of them is conscious that their time is limited, and the group even discusses the order in which they are likely to die: “Ron first […]. Then Elizabeth, probably shot. Then it’s tough to call” (137).

Despite the pleasant setting of Coopers Chase, its landscape is imbued with mementos of people no longer present. Bernard’s bench stands empty, reminding Joyce of her former friend, while Elizabeth thinks of Penny, the co-founder of the Thursday Murder Club when she passes the hospital wing. An ongoing joke is the ease with which dead bodies (such as that of Andrew Hastings) can be explained away. As Joyce observes, “If you worried about every stretcher you saw at Coopers Chase you’d need one yourself soon enough” (94).

Also addressed are the debilitating effects of aging. Although Ibrahim’s intellect remains sharp, his physical vulnerability is emphasized when Ryan attacks him. The experience makes him perceive the outside world as a dangerous place. The risk of cognitive decline is another issue highlighted through the characters of Elizabeth’s husband, Stephen, and Dennis Finch (the titular “man who died twice”). The gradual erasure of self that dementia can cause is represented as another form of death.

The novel reminds readers that aging and death are inevitable parts of the human condition. We cannot prevent them, but we can control our attitude toward them. Instead of fearing their mortality, Osman’s protagonists choose to live life to the full before they die. This philosophy is summed up when Bogdan reflects, “We are all gone in the blink of an eye, and there is nothing to do but live while you’re waiting” (108).

Justice and Revenge

In the first novel of the series, the killers do not face prosecution. The crimes committed by Bogdan and Penny are depicted as morally justified since their victims were murderers who had also evaded justice. The Man Who Died Twice creates a similar moral landscape where the failings of the legal system prompt characters to take justice into their own hands.

After his attack, Ibrahim gives a meticulously detailed description of Ryan and his gang to the police. Remembering precisely what they were wearing, down to the brand of their sneakers, he even recalls Ryan’s first name. Nevertheless, Chris warns Ibrahim that without “forensics” or “witnesses” to support his account, Ryan will get away with the crime. Breaking professional codes, Chris reveals Ryan’s full name to the Thursday Murder Club, knowing they will find a way to avenge Ibrahim.

The members of the Thursday Murder Club embark on a campaign of vigilantism. Their actions raise recurring questions over whether revenge can be morally justified when the criminal justice system fails. Ibrahim’s friends unanimously believe in the concept of “righteous” revenge. Ron confidently tells Ibrahim that “[r]evenge is what you need” (65), while Joyce vows, “The boy who decided to steal my friend’s phone, and aim a kick at my friend’s head, and race off leaving him for dead? He will wish he was never born” (57). Even peace-loving Ibrahim eventually comes around to the idea. Meanwhile, readers are subtly encouraged to agree with them by gaining insight into the minds of the attacker and his victim. The sections of the novel devoted to Ibrahim convey how deeply the attack has traumatized him. Meanwhile, Ryan lacks remorse and is smugly convinced he has gotten away with the crime.

Chris and Donna’s attitudes to revenge are shaped by their professional experience. As police officers, they are regularly frustrated by the restrictions of a legal system that allows known villains to commit crimes without fear of prosecution. The feeling is echoed in their fruitless attempts to bring renowned drug dealer Connie Johnson to justice. Martin Lomax and Frank Andrade Jr. are further examples of known criminals who evade the law. In the absence of legal justice, Chris and Donna’s willingness to bend the rules is presented as a fair and justified way of balancing the moral universe. When they finally arrest Ryan and frame Connie, “their case is deeply unsafe […] But needs must, sometimes” (297). In a world where remorseless criminals are rarely caught, the novel presents revenge as an appropriate form of justice.

The Healing Power of Friendship

Loneliness and isolation loom large in The Man Who Died Twice. In their private moments, several of the characters suffer intensely from the lack of intimate connection in their lives. Donna’s longing for love leads her into a series of one-night stands that only exacerbate her loneliness. Meanwhile, Lance, alone in his one-bedroom apartment, “[s]ometimes […] thinks about just shooting himself in the head” (221). As Ibrahim admits to Donna, “Loneliness is hard […] It’s one of the big ones” (305). However, the novel also presents its antidote through the theme of friendship.

The Thursday Murder Club is built on unlikely friendships. The members of the group possess disparate personalities, skills, and foibles, but their differences complement one another. Elizabeth sums up their contrasting traits by saying, “Some people in life […] are weather forecasters, whereas other people are the weather itself” (198). While she and Ibrahim are the metaphorical “forecasters” who try to predict life and plan accordingly, Ron and Joyce possess the spontaneous qualities of “the weather.” Rather than dividing the group, these differences bring them together, making them more effective as a team.

A recurring message of the novel is that enriching social connections can be made at any stage of life. One of the friendships illustrating this point is that between Ron and Ibrahim. Although the men are already friends, their connection deepens throughout the story. Ron’s concern for Ibrahim is illustrated when he insists on sleeping in his hospital room. Ibrahim shows appreciation for the gesture by agreeing to watch Die Hard instead of the artsy Korean film he favors. The men say little of consequence to each other, but their mutual devotion is clear. Ron’s support of Ibrahim continues when his friend returns to Coopers Chase by encouraging a bond with his grandson Kendrick. Ibrahim acknowledges the healing effect of his friends’ company when he admits to Kendrick that he is still in pain, but not when talking to Ron or to Kendrick.

Another poignant bond in the novel is the one shared by Bogdan and Stephen. Intensely loyal, Bogdan makes his companionship available to Stephen at any hour of the day or night. One of the cruelest aspects of Stephen’s dementia is that it slowly isolates him from others. His difficulty in placing events and people impairs his ability to maintain social connections. However, when Stephen plays chess with Bogdan, he is at his most lucid, as if his friend’s calm, undemanding presence briefly revives him. Significantly, although “Stephen forgets most people’s names […] he has never forgotten Bogdan’s” (109). Their relationship underlines one of the novel’s key messages: By forging meaningful connections with others, we do not have to suffer alone.

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