59 pages • 1 hour read
Richard OsmanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Elizabeth and Joyce travel to Antwerp to see the diamond dealer, Franco, who admits that, a month earlier, Douglas contacted him about a deal. But he has not heard from him since. No one else has tried to sell him £20 million worth of diamonds.
Back at Coopers Chase, Elizabeth discusses the case with Stephen and Bogdan. Bogdan suggests that if Poppy is still alive, she will watch Elizabeth, waiting for her to find the diamonds. As Elizabeth considers where Douglas could have hidden them, she notices the logo on Bogdan’s T-shirt reversed in the mirror.
At Martin’s house, Sue breaks the news of Andrade’s impending arrival. Lance is assigned to guard the house. Martin hopes that Elizabeth will save his life by finding the diamonds before Andrade arrives.
The next day, Elizabeth and Joyce return to Fairhaven train station. Elizabeth reveals that she has worked out why Douglas wanted her to have the locket. The mirror inside indicated she should reverse the digits of the locker number. Douglas provided a similar clue when he referred to a dead-letter drop in East Berlin, which took place in West Berlin. The mistake was deliberate.
Inside locker 135, they find a bag containing around thirty diamonds and a letter. The letter is from Douglas, congratulating Elizabeth on finding the jewels, and confirming that, as she has them, he must be dead.
Elizabeth invites Donna and Chris to a Thursday Murder Club meeting in the Jigsaw Room. She tells them that the diamonds are hidden in Joyce’s apartment. To flush Poppy out of hiding, Elizabeth intends to meet Andrade at the airport, take him to meet Martin, and reveal the diamonds. Chris expresses concern about interfering in MI5’s business. However, Ron suggests they could use the opportunity to catch Connie. Ron will approach Connie pretending to be a London gangster involved in a big drug deal. They agree that the meeting should take place in an office at the end of Fairhaven pier.
Joyce reveals that she has located Ryan. After studying the file Poppy gave them on Ryan, she found a recent picture of his Scottish cousin on Instagram. The photograph also included Ryan. Donna offers to contact the Scottish police, but Joyce says she has a more exciting plan.
Chapters 64 through 70 mark a significant development in the plot as the clues of Douglas’s wild goose chase start coming together. In Chapter 65, Elizabeth experiences a lightbulb moment when she notices the logo on Bogdan’s T-shirt reversed in the mirror. Linking the image to the mirror in the locket, she realizes she must reverse the digits of the locker number. When Donna and Chris meet the Thursday Murder Club for an update in Chapter 69, the location is symbolic. The Jigsaw Room is the space where the club solved mysteries in the previous novel and represents the puzzle pieces finally forming a coherent picture. Another mystery is solved when Elizabeth and Joyce find the diamonds and Douglas’s final letter. The presence of the diamonds confirms that Douglas has been dead all along and is not the titular “man who died twice.”
In Chapter 70, Joyce’s recent interest in Instagram (a source of humor throughout the novel) turns up a significant lead when she finds a photograph of Ryan in Scotland. Again, Joyce is shown using her initiative without Elizabeth’s guidance. In this chapter, Joyce also displays her emotional intelligence as she struggles to believe Elizabeth’s theory that Poppy is the killer. Joyce’s doubts are well-founded, and her instinct proves to be more accurate than Elizabeth’s complex theory.
The plan Elizabeth proposes in Chapter 69 draws disparate narrative threads neatly together, potentially resolving two separate cases. Bringing Martin, Andrade, and Connie together could thwart Connie’s drug dealing operation while also revealing “exactly who shot who and why” (354). The prospect builds tension as the narrative nears its climax.
By Richard Osman